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2 Component 2: Non-fiction and Transactional Writing

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Question 327

Choosing a seat in class

Text A: an original contemporary personal account.

At the start of term, our form tutor placed a name card on every desk. I found mine beside a pupil called Sam, on the opposite side of the room from my friends. Before the lesson had even begun, I treated the move as a punishment. My friends were only two tables away, but the gap seemed enormous.

By Friday, the arrangement felt different. When I missed an instruction, Sam quietly pointed to the correct page. Later, I helped him organise the notes from our group discussion. We did not become close friends, but we learned how each other worked. The room had stopped being a collection of private islands.

A seating plan should not be permanent. Our tutor asked whether anyone had a practical reason for moving and changed the arrangement after six weeks. However, choosing seats deliberately can widen a pupil’s experience of the class. A plan should be a starting point, not a label glued to a desk.

Text B: an original contemporary opinion piece.

Every Monday, one of my teachers produces a seating chart as though the class were a puzzle that only an adult could solve. Last term, I was placed between two pupils who talked across me throughout independent work. In the seat I usually choose, at the side of the room, I can settle quickly and concentrate.

Choosing a seat can also be a small test of responsibility. If pupils know that disruptive choices will lead to being moved, most will make sensible decisions. Sitting near a friend does not automatically prevent work; sometimes a familiar partner makes it easier to ask a question or begin a difficult task.

Teachers should still rearrange the room for group activities or move someone whose choice is disturbing others. Freedom does not mean that every chair is owned forever. However, choice should be the usual starting point. Pupils should be treated as participants in the classroom, not pieces to be positioned.

Compare how the writers present their ideas and perspectives about who should decide where pupils sit in lessons.

In your response, you should consider:

  • the advantages and disadvantages each writer presents
  • the methods each writer uses to communicate a point of view.

Use detailed references to both texts.

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Markscheme

2 Component 2: Non-fiction and Transactional Writing Questions

  1. GCSE
  2. /English Language
  3. /2 Component 2: Non-fiction and Transactional Writing

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