Skip to content

Course home

Sign up

2 Component 2: Non-fiction and Transactional Writing

EasyMediumHard
123456789101112131415161718192021222324252627282930313233343536373839404142434445464748495051525354555657585960616263646566676869707172737475767778798081828384858687888990919293949596979899100101102103104105106107108109110111112113114115116117118119120121122123124125126127128129130131132133134135136137138139140141142143144145146147148149150151152153154155156157158159160161162163164165166167168169170171172173174175176177178179180181182183184185186187188189190191192193194195196197198199200201202203204205206207208209210211212213214215216217218219220221222223224225226227228229230231232233234235236237238239240241242243244245246247248249250251252253254255256257258259260261262263264265266267268269270271272273274275276277278279280281282283284285286287
Question 187

Text: an original contemporary personal-essay-style practice extract.

On Tuesday evenings, the hall roof played a second percussion part. Drips tapped into the buckets we had arranged beneath the leaks, and we shifted them between rehearsals as if the music depended on it. I thought a quick patch would settle everything. The hall had held our performances for years; surely one stubborn corner could not change that.

Then the storms kept finding new places to enter. At a committee meeting, someone spread out a list of dates when rehearsals had been interrupted. I had expected a debate about repair costs. Instead, the room grew quiet as we read how often people had gone home early. The list made the problem feel less like a nuisance above our heads and more like time being taken from everyone below.

By winter, one rehearsal had to be cancelled. I stopped arguing for another patch and helped plan how we could use the smaller room while the roof was repaired. When the hall reopened, the buckets were gone. The first evening sounded almost plain. I missed the improvised rhythm, but not what it had been counting.

Analyse how the writer uses language and structure to interest and engage the reader. In your answer, consider how the account develops the narrator’s view of the problem and explain which moment most clearly marks a change in that view.

Support your views with detailed reference to the extract.

[15]
Markscheme

2 Component 2: Non-fiction and Transactional Writing Questions

  1. GCSE
  2. /English Language
  3. /2 Component 2: Non-fiction and Transactional Writing

Question bank