Skip to content

Course home

Sign up

2 Component 2: Non-fiction and Transactional Writing

EasyMediumHard
123456789101112131415161718192021222324252627282930313233343536373839404142434445464748495051525354555657585960616263646566676869707172737475767778798081828384858687888990919293949596979899100101102103104105106107108109110111112113114115116117118119120121122123124125126127128129130131132133134135136137138139140141142143144145146147148149150151152153154155156157158159160161162163164165166167168169170171172173174175176177178179180181182183184185186187188189190191192193194195196197198199200201202203204205206207208209210211212213214215216217218219220221222223224225226227228229230231232233234235236237238239240241242243244245246247248249250251252253254255256257258259260261262263264265266267268269270271272273274275276277278279280281282283284285286287
Question 143

Beneath the mushroom beds

Text: an original contemporary reportage-style practice extract.

At street level, the entrance could belong to a storage cupboard. A grey door stands between a bicycle rack and a row of bins, offering no hint that anything is growing behind it. The farmer unlocks the door and leads me down a metal staircase. With each step, the traffic becomes thinner. Before I can see the farm, I can feel it: the air is cool against my face and carries a dark, damp smell.

At the bottom, lamps reveal long beds of compost and hundreds of pale mushrooms. Their rounded tops gather the light until the room appears scattered with small moons. Two workers move along the beds with shallow boxes. Twist, lift, place. Twist, lift, place. From a distance, every mushroom looks ready, but the farmer stops my hand above one of them. “Tomorrow,” she says. She touches another, almost identical one. “Today.” What looked like repetition begins to separate into different sizes, shapes and stages.

The workers fill a final box, brush the compost from its edge and carry it towards the stairs. I follow them back to the grey door. Outside, a bus groans away from the kerb and sunlight flashes across a windscreen. After the measured movements below, the street seems unnecessarily bright and hurried. The farmer hands me a paper bag containing three mushrooms. They are ordinary enough to disappear into anyone’s shopping, yet I carry them carefully through the crowd, as if they still belong to the quiet underground room.

Analyse how the writer uses language and structure to interest and engage the reader.

In your answer, consider:

  • language features and techniques
  • structural techniques
  • the effect on the reader.

Support your views with detailed reference to the extract.

[15]
Markscheme

2 Component 2: Non-fiction and Transactional Writing Questions

  1. GCSE
  2. /English Language
  3. /2 Component 2: Non-fiction and Transactional Writing

Question bank