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2.3 Content: non-fiction study and transactional text types

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Question 105

The greenhouse door

Text: an original contemporary event-feature-style practice extract.

At nine o’clock, the greenhouse door stuck fast. Beyond its glass, rows of seedlings stood in trays, each labelled in careful handwriting. The volunteers tugged together. The door moved a few centimetres, then held its ground with the stubbornness of something much larger than wood and glass.

A queue had formed along the path. One visitor peered through the pane and misted it with a breath; another read the names on the labels aloud. Inside, a volunteer shifted a stack of empty pots from the doorway. The door gave way at last, and the queue entered in a line that quickly lost its shape. People leaned towards the leaves, asking questions over one another. The labels, meant to identify the plants, became the opening words of several conversations.

By midday the path was empty again, but muddy prints crossed the greenhouse floor. A volunteer wiped the glass, leaving one clear oval through which the trays could be seen. The door closed without a fight. Behind it, the seedlings remained exactly where they had been; the room around them had become less quiet.

Analyse how the writer uses language and structure to interest and engage the reader.

In your answer, consider:

  • language features and techniques
  • structural techniques
  • the effect on the reader.

Support your views with detailed reference to the extract.

[15]
Markscheme

2.3 Content: non-fiction study and transactional text types Questions

  1. GCSE
  2. /English Language
  3. /2.3 Content: non-fiction study and transactional text types

834 exam-style questions on Edexcel GCSE English Language 2.3 Content: non-fiction study and transactional text types, covering 2.3.9 Write an article, 2.3.10 Write a letter, 2.3.11 Write a review, 2.3.12 Write a text for a speech, and 2.3.13 Write a section for a guide, textbook, leaflet or booklet. Each one has a worked solution and a mark scheme showing where the marks go.

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