Music beside the task
Text A: an original contemporary practice extract.
I put on a familiar album while repainting the cupboard doors. The songs gave the afternoon an outline: one side finished by the end of a track, a cup of tea when the record stopped. I was not measuring the painting against the singer’s pace. The music simply made a repetitive job feel less like a row of identical minutes.
When I had to read the instructions on the tin, I paused the sound. Afterwards, I returned to the work and the album. That small change mattered more than an argument about whether music improves concentration. On that afternoon, some parts of the job wanted company and another part wanted quiet. I could provide both without making the whole day prove a rule.
I would not choose my soundtrack for everyone sharing a room. A person writing beside me might hear an interruption where I heard a friendly return. But for this solitary task, the familiar songs helped me continue without hurry. The cupboard did not become a better cupboard because it had heard music. I became a more willing painter of its remaining doors.
Text B: an original contemporary practice extract.
The music in our shared workroom was described as background. While I edited a short report, the words of the song kept supplying endings to sentences that had nothing to do with them. I reread a paragraph twice and asked whether we could turn the speaker down. A colleague said the music helped her sort the stock boxes.
I believed her. Her job involved a pattern of movements mine did not, and she knew the songs well. The problem was treating a benefit to one task as a property of the room. Calling the sound background did not tell us which work it would remain behind. We agreed to use individual headphones when we wanted music and leave the shared speaker silent during that session.
I enjoy music away from this kind of writing, and I am not asking every workplace to become a reading room. I am asking us to make the choice with the actual work in mind. A soundtrack can help someone keep going; it can also make another person begin the same sentence again. Pleasant noise remains noise to the person who has not chosen it.
Compare how the writers present their ideas and perspectives about listening to music while working. Support your comparisons with detailed references to both texts.
260 exam-style questions on Edexcel GCSE English Language 2.3 Content: non-fiction study and transactional text types, covering 2.3.9 Write an article, 2.3.10 Write a letter, 2.3.11 Write a review, 2.3.12 Write a text for a speech, and 2.3.13 Write a section for a guide, textbook, leaflet or booklet. Each one has a worked solution and a mark scheme showing where the marks go.