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Together, these narratives gradually reveal the characters’ histories, relationships and shared conflicts."},{"text":"Sixteen independent stories, with no shared characters or storyline.","correct":false,"explanation":"The stories are not independent: recurring mothers and daughters connect them through the Joy Luck Club. The novel therefore consists of sixteen interconnected stories rather than unrelated narratives."},{"text":"One continuous story, told in strict chronological order.","correct":false,"explanation":"The novel does not follow a single chronological sequence. It moves between narrators, generations and time periods through sixteen interconnected stories rather than one continuous storyline."},{"text":"Four separate stories, each following one family from beginning to end.","correct":false,"explanation":"Confusing the novel’s four sections with four stories overlooks its structure. Each section contains four chapters, producing sixteen interconnected stories told by several mothers and daughters."}]},{"id":"84002a2c-681c-4acb-bea1-f49082129d15","cardType":"cloze","points":null,"front":"The novel is organised into [ ] sections, each containing [ ] chapters.","back":"The novel is organised into four sections, each containing four chapters.","mcqOptions":[{"text":"The novel is organised into four sections, each containing four chapters.","correct":true,"explanation":"The four-part structure mirrors the four-player mahjong table, and each section contains four chapters. This creates the novel’s total of sixteen interconnected chapters."},{"text":"The novel is organised into four sections, each containing sixteen chapters.","correct":false,"explanation":"Sixteen is the total number of chapters, not the number within every section. The novel has four sections, each containing four chapters."},{"text":"The novel is organised into sixteen sections, each containing four chapters.","correct":false,"explanation":"This mistakes the total chapter count for the number of sections. The novel is divided into four sections, with four chapters in each section."},{"text":"The novel is organised into eight sections, each containing two chapters.","correct":false,"explanation":"Although eight sections of two would also total sixteen chapters, that is not the novel’s arrangement. Its symmetrical structure uses four sections containing four chapters each."}]},{"id":"e0114a6b-6f0a-48c7-b8b5-664133c1a328","cardType":"cloze","points":null,"front":"The frame narrative is set in [ ] in the [ ].","back":"The frame narrative is set in San Francisco in the late 1980s.","mcqOptions":[{"text":"The frame narrative is set in San Francisco in the late 1980s.","correct":true,"explanation":"The present-day frame follows June and the Joy Luck Club in San Francisco during the late 1980s, while embedded narratives return to earlier experiences in China."},{"text":"The frame narrative is set in Shanghai in the late 1940s.","correct":false,"explanation":"Shanghai and the 1940s belong to the Chinese histories recalled within the novel, not its frame. The frame narrative occurs in San Francisco in the late 1980s."},{"text":"The frame narrative is set in San Francisco in the early 1950s.","correct":false,"explanation":"The location is right, but the period is several decades too early. The frame surrounding the mothers’ and daughters’ stories is set in the late 1980s."},{"text":"The frame narrative is set in Hong Kong in the late 1980s.","correct":false,"explanation":"The period is correct, but Hong Kong is not the frame’s location. The Joy Luck Club’s present-day gatherings take place in San Francisco in the late 1980s."}]},{"id":"cfda5f5b-18e8-4a58-a77c-00548f61d955","cardType":"basic","points":1,"front":"Which event begins the frame narrative?","back":"Suyuan Woo’s death.","mcqOptions":[{"text":"Suyuan Woo’s death.","correct":true,"explanation":"Suyuan’s death creates the absence that begins the frame narrative. Her daughter June must take her place at the Joy Luck Club’s mahjong table."},{"text":"June Woo’s journey to China.","correct":false,"explanation":"June’s journey to China occurs near the novel’s conclusion, not at the beginning. The frame narrative starts after her mother Suyuan Woo dies."},{"text":"The founding of the Joy Luck Club.","correct":false,"explanation":"The club’s original founding in China appears through Suyuan’s remembered backstory. The present-day frame narrative begins with Suyuan Woo’s death in San Francisco."},{"text":"Waverly Jong’s first chess victory.","correct":false,"explanation":"Waverly’s chess success belongs to an embedded childhood story rather than the framing plot. Suyuan Woo’s death is the event that initiates the frame narrative."}]},{"id":"6b0b77d8-4861-4976-88ac-b597a7297941","cardType":"basic","points":1,"front":"What is June asked to do after Suyuan’s death?","back":"Take Suyuan’s place at the mahjong table.","mcqOptions":[{"text":"Take Suyuan’s place at the mahjong table.","correct":true,"explanation":"The surviving members of the Joy Luck Club ask June to occupy her mother’s seat. This action brings June into Suyuan’s community and narrative role."},{"text":"Take Suyuan’s ashes to the mahjong table.","correct":false,"explanation":"June is asked to assume her mother’s seat, not bring her ashes to the game. Taking Suyuan’s place symbolically continues her connection with the club."},{"text":"Take Waverly’s place at the mahjong table.","correct":false,"explanation":"Waverly is not the deceased club member being replaced. After Suyuan’s death, June is invited to take Suyuan’s place at the mahjong table."},{"text":"Take Suyuan’s winnings from the mahjong table.","correct":false,"explanation":"The request concerns membership and symbolic succession, not collecting money. June is asked to take Suyuan’s place among the Joy Luck Club’s mahjong players."}]},{"id":"ea9addde-d8ae-4e08-8c00-e4a8d561c261","cardType":"basic","points":2,"front":"What two worlds do the embedded stories shift between?","back":"

Mothers’ past lives in China
Daughters’ contemporary lives in America

","mcqOptions":[{"text":"

Mothers’ past lives in China
Daughters’ contemporary lives in America

","correct":true,"explanation":"The embedded narratives connect the mothers’ earlier experiences in China with their daughters’ contemporary American lives, revealing how migration, memory and culture shape their relationships."},{"text":"

Mothers’ contemporary lives in China
Daughters’ past lives in America

","correct":false,"explanation":"This reverses the novel’s generational timeline and misplaces the mothers in contemporary China. The stories contrast the mothers’ Chinese pasts with the daughters’ present lives in America."},{"text":"

Fathers’ past lives in China
Sons’ contemporary lives in America

","correct":false,"explanation":"The novel centres on mother-daughter relationships rather than fathers and sons. Its stories shift between the mothers’ past lives in China and the daughters’ contemporary American lives."},{"text":"

Daughters’ future lives in China
Mothers’ childhood dreams in America

","correct":false,"explanation":"The narratives do not primarily imagine the daughters’ futures or place the mothers’ childhoods in America. They connect the mothers’ Chinese pasts with their daughters’ American present."}]},{"id":"07b007b4-3303-4e3b-925b-109d7df09ef6","cardType":"cloze","points":null,"front":"Feathers from a Thousand Li Away introduces the mothers’ [ ].","back":"Feathers from a Thousand Li Away introduces the mothers’ backstories in China.","mcqOptions":[{"text":"backstories in China","correct":true,"explanation":"The opening section presents the mothers’ earlier experiences in China, establishing the personal histories, losses and cultural memories that influence their relationships with their daughters."},{"text":"present-day lives in America","correct":false,"explanation":"This confuses the mothers’ introductory histories with the novel’s American frame. The section chiefly establishes the mothers’ backstories in China before exploring present-day family tensions."},{"text":"daughters’ childhoods in China","correct":false,"explanation":"The possessive cue refers to the mothers, and the daughters largely grow up in America. The section introduces the mothers’ backstories in China."},{"text":"future journeys through Europe","correct":false,"explanation":"The section looks backwards to formative experiences rather than forwards to imagined travel. It introduces the mothers’ backstories in China and their lasting emotional consequences."}]},{"id":"0d41f973-5841-4668-96b3-45713503a504","cardType":"basic","points":1,"front":"What central tension does The Twenty-Six Malignant Gates show?","back":"Cultural and generational divide between mothers and daughters.","mcqOptions":[{"text":"Cultural and generational divide between mothers and daughters.","correct":true,"explanation":"The section dramatises clashes between Chinese maternal beliefs and American-raised daughters’ attitudes. These disagreements reveal both a cultural divide and a generational divide."},{"text":"Romantic and financial rivalry between mothers and daughters.","correct":false,"explanation":"Romance and money are not the section’s central organising conflict. Its stories emphasise misunderstandings caused by cultural differences and the generational divide between mothers and daughters."},{"text":"Political and military conflict between mothers and daughters.","correct":false,"explanation":"Historical conflict affects some mothers’ pasts, but mothers and daughters are not political or military opponents. Their central tension is a cultural and generational divide."},{"text":"Social and professional competition between mothers and daughters.","correct":false,"explanation":"The relationships are not chiefly structured as competition for status or careers. The section focuses on cultural and generational differences that create mistrust and misunderstanding."}]},{"id":"bdf73701-aa42-4d2d-a307-15ede624e010","cardType":"basic","points":1,"front":"What stage of the daughters’ lives does American Translation focus on?","back":"Their adult crises in marriage, work, and identity.","mcqOptions":[{"text":"Their adult crises in marriage, work, and identity.","correct":true,"explanation":"This section centres on the daughters’ experiences as adults, showing how difficulties in their marriages, careers, and identities reflect unresolved tensions with their mothers."},{"text":"Their childhood struggles in family, school, and friendship.","correct":false,"explanation":"Childhood experiences appear elsewhere, but this section focuses on the daughters as adults. Their crises involve marriage, work, and identity rather than school and childhood friendship."},{"text":"Their mothers’ hardships in war, migration, and survival.","correct":false,"explanation":"The mothers’ wartime suffering and migration dominate earlier narratives. American Translation instead examines their daughters’ adult crises in marriage, work, and identity."},{"text":"Their teenage conflicts over education, freedom, and romance.","correct":false,"explanation":"This confuses the daughters’ earlier generational disagreements with the section’s main timeframe. It concentrates on their adult crises involving marriage, work, and personal identity."}]},{"id":"2c7da855-1a0f-4989-b9df-5be21367aa44","cardType":"cloze","points":null,"front":"The final section, [ ], moves the plot toward [ ].","back":"The final section, Queen Mother of the Western Skies, moves the plot toward reconciliation.","mcqOptions":[{"text":"The final section, Queen Mother of the Western Skies, moves the plot toward reconciliation.","correct":true,"explanation":"The final group of stories brings mothers and daughters closer to mutual understanding, culminating in June’s fulfilment of Suyuan’s wish and reconciliation with her heritage."},{"text":"The final section, American Translation, moves the plot toward reconciliation.","correct":false,"explanation":"American Translation is the third section, not the final one. The concluding section is Queen Mother of the Western Skies, which moves the plot toward reconciliation."},{"text":"The final section, Queen Mother of the Western Skies, moves the plot toward separation.","correct":false,"explanation":"The section does not drive the generations further apart. Its revelations and acts of understanding move the narrative toward reconciliation, especially through June’s journey to China."},{"text":"The final section, The Twenty-Six Malignant Gates, moves the plot toward conflict.","correct":false,"explanation":"The Twenty-Six Malignant Gates is an earlier section associated with mother-daughter tensions. The final section is Queen Mother of the Western Skies, and it moves toward reconciliation."}]},{"id":"21644677-c3cd-428b-ac40-5c3d0d3a86ed","cardType":"cloze","points":null,"front":"The novel’s overall narrative arc moves from [ ] to [ ].","back":"The novel’s overall narrative arc moves from division to reconciliation.","mcqOptions":[{"text":"The novel’s overall narrative arc moves from division to reconciliation.","correct":true,"explanation":"Early misunderstandings divide the mothers and daughters, but shared stories gradually create empathy. June’s meeting with her half-sisters finally symbolises familial and cultural reconciliation."},{"text":"The novel’s overall narrative arc moves from reconciliation to division.","correct":false,"explanation":"This reverses the novel’s development. The characters begin divided by cultural and generational misunderstandings, then move toward reconciliation as the daughters understand their mothers’ histories."},{"text":"The novel’s overall narrative arc moves from division to estrangement.","correct":false,"explanation":"Although division shapes the novel’s opening conflicts, the relationships do not end in greater estrangement. Storytelling and June’s journey move the narrative toward reconciliation."},{"text":"The novel’s overall narrative arc moves from harmony to reconciliation.","correct":false,"explanation":"The mothers and daughters are not initially harmonious; they struggle with misunderstanding and conflicting expectations. The arc therefore begins with division and develops toward reconciliation."}]},{"id":"5ed43ae0-61a2-4dfc-aabd-91fd4a7ab54d","cardType":"basic","points":2,"front":"What does Tan’s structural parallelism reveal about mothers and daughters?","back":"Daughters repeat their mothers’ psychological patterns.","mcqOptions":[{"text":"Daughters repeat their mothers’ psychological patterns.","correct":true,"explanation":"Parallel experiences show that the daughters unknowingly reproduce their mothers’ fears, habits, and emotional struggles, despite believing that their American lives make them fundamentally different."},{"text":"Daughters escape their mothers’ psychological patterns.","correct":false,"explanation":"The daughters often believe they have escaped their mothers’ influence, but the parallel structure exposes repeated emotional behaviours. They reproduce their mothers’ psychological patterns rather than escaping them."},{"text":"Mothers imitate their daughters’ American ambitions.","correct":false,"explanation":"The parallelism is not about mothers copying their daughters’ ambitions. It reveals how the daughters repeat psychological patterns already present in their mothers’ lives."},{"text":"Daughters erase their mothers’ painful memories.","correct":false,"explanation":"The daughters initially misunderstand or ignore parts of their mothers’ histories, but they do not erase them. Structural parallels reveal that they repeat their mothers’ psychological patterns."}]},{"id":"624784fc-45c7-4d2b-b8cd-790c7f3fe5d0","cardType":"basic","points":2,"front":"Why does Suyuan found the first Joy Luck Club in Kweilin?","back":"To maintain hope amid wartime tragedy.","mcqOptions":[{"text":"To maintain hope amid wartime tragedy.","correct":true,"explanation":"Suyuan creates the club so that friendship, food, games, and shared optimism can preserve hope despite the fear, death, and deprivation surrounding Kweilin."},{"text":"To accumulate wealth amid wartime poverty.","correct":false,"explanation":"The mah-jong games are not primarily a scheme for financial gain. Suyuan founds the club to maintain hope and emotional resilience amid wartime tragedy."},{"text":"To organise resistance against the invading army.","correct":false,"explanation":"The club is not a military or political resistance group. Its gatherings offer companionship and moments of joy, helping members maintain hope amid wartime tragedy."},{"text":"To arrange emigration before the approaching invasion.","correct":false,"explanation":"Suyuan does not establish the club as an escape or emigration network. She creates it to preserve hope and human connection amid the tragedy of war."}]},{"id":"a07b4d88-ac70-41f3-9475-e1a8b19ea90f","cardType":"basic","points":1,"front":"What traumatic event separates Suyuan from her twin daughters?","back":"She is forced to abandon them while fleeing invasion.","mcqOptions":[{"text":"She is forced to abandon them while fleeing invasion.","correct":true,"explanation":"Ill and exhausted while escaping the Japanese invasion, Suyuan leaves the twins beside the road with valuables and information, hoping someone will carry them to safety."},{"text":"She decides to send them away before fleeing invasion.","correct":false,"explanation":"Suyuan does not calmly choose to send the twins elsewhere. Physical collapse and the danger of invasion force her to abandon them in desperate circumstances."},{"text":"She allows soldiers to capture them while fleeing invasion.","correct":false,"explanation":"The twins are not taken from Suyuan by soldiers. Unable to continue carrying them while fleeing invasion, she is forced to abandon them beside the road."},{"text":"She loses sight of both children during an air raid.","correct":false,"explanation":"The separation is not an accidental disappearance during an air raid. Suyuan deliberately leaves the twins when illness and exhaustion make carrying them any farther impossible."}]},{"id":"a52448ac-139e-45f9-8b69-7f38c8da6a03","cardType":"basic","points":2,"front":"Why is June’s meeting with her half-sisters the novel’s climax?","back":"It fulfils Suyuan’s long-cherished wish through June.","mcqOptions":[{"text":"It fulfils Suyuan’s long-cherished wish through June.","correct":true,"explanation":"Suyuan dies before she can reunite with the twins, so June completes her mother’s unfinished journey. The meeting fulfils Suyuan’s deepest wish and unites the family."},{"text":"It fulfils June’s childhood ambition through Suyuan.","correct":false,"explanation":"The reunion is not the achievement of June’s childhood ambition. June acts on her mother’s behalf, fulfilling Suyuan’s long-cherished wish to find and reunite with the twins."},{"text":"It repairs Waverly’s broken engagement through June.","correct":false,"explanation":"Waverly’s romantic relationship is unrelated to the novel’s climactic reunion. June’s meeting with the twins matters because it fulfils Suyuan’s long-cherished wish after her death."},{"text":"It restores An-mei’s lost inheritance through June.","correct":false,"explanation":"An-mei’s inheritance is not the unresolved goal completed at the climax. June’s reunion with her half-sisters fulfils Suyuan’s long-cherished wish and completes her story."}]},{"id":"b599c77a-084c-4946-90c9-f645a2399f3c","cardType":"basic","points":1,"front":"What does An-mei learn after her mother’s sacrificial suicide?","back":"To assert her own voice.","mcqOptions":[{"text":"To assert her own voice.","correct":true,"explanation":"Her mother’s suicide gives An-mei status and power within the household, teaching her that silence permits oppression and that she must speak with her own voice."},{"text":"To suppress her own anger.","correct":false,"explanation":"Her mother’s sacrifice does not teach passive emotional suppression. It reveals the destructive consequences of silence and teaches An-mei to assert her own voice."},{"text":"To obey her husband silently.","correct":false,"explanation":"Silent obedience repeats the powerlessness that trapped her mother. An-mei instead learns from the sacrifice that she must recognise her worth and assert her own voice."},{"text":"To reject her mother’s memory.","correct":false,"explanation":"An-mei does not distance herself from her mother after the suicide. She draws strength from her mother’s sacrifice and learns to assert her own voice."}]},{"id":"6c8a965f-46b6-4b0d-8360-b458f08d373a","cardType":"basic","points":1,"front":"What action shows Rose reclaiming authority from Ted?","back":"She refuses to sign the unfair divorce papers.","mcqOptions":[{"text":"She refuses to sign the unfair divorce papers.","correct":true,"explanation":"Rose challenges Ted’s assumption that he can dictate the divorce terms. Refusing to sign the unfair papers shows that she has recovered her voice and authority."},{"text":"She agrees to leave the family home immediately.","correct":false,"explanation":"Leaving immediately would amount to accepting Ted’s decisions rather than resisting them. Rose reclaims authority by refusing to sign the unfair divorce papers he presents."},{"text":"She asks An-mei to sign the divorce papers for her.","correct":false,"explanation":"Depending on An-mei to act for her would not demonstrate Rose’s new independence. Rose asserts herself directly by refusing to sign Ted’s unfair divorce papers."},{"text":"She accepts Ted’s offer of a quick financial settlement.","correct":false,"explanation":"Accepting Ted’s proposed settlement would leave him controlling the separation. Rose instead reclaims authority by refusing to sign the unfair divorce papers on his terms."}]},{"id":"bbbc89a8-c8c3-462f-9764-779eb2115763","cardType":"basic","points":2,"front":"How does Lindo escape her arranged marriage without breaking her promise?","back":"She uses a dream warning to persuade her mother-in-law.","mcqOptions":[{"text":"She uses a dream warning to persuade her mother-in-law.","correct":true,"explanation":"Lindo invents an ominous dream suggesting that the marriage threatens the family. Her mother-in-law accepts the warning, allowing Lindo to escape without openly dishonouring her promise."},{"text":"She uses a forged letter to deceive her mother-in-law.","correct":false,"explanation":"Lindo does not forge written evidence, which would make her deception easier to expose. She constructs a dream warning that persuades her superstitious mother-in-law to end the marriage."},{"text":"She uses a public accusation to shame her mother-in-law.","correct":false,"explanation":"A public accusation would openly challenge the family and break Lindo’s commitment to honour her promise. Instead, she tactfully uses a dream warning to persuade her mother-in-law."},{"text":"She uses a serious illness to frighten her mother-in-law.","correct":false,"explanation":"Lindo does not escape by pretending to be physically ill. She exploits her mother-in-law’s belief in signs by presenting a dream warning against the marriage."}]},{"id":"65e971fd-ee10-47d6-b207-4061234c6266","cardType":"cloze","points":null,"front":"Lindo’s survival tactic, [ ], reappears in Waverly’s chess strategy.","back":"Lindo’s survival tactic, invisible strength, reappears in Waverly’s chess strategy.","mcqOptions":[{"text":"invisible strength","correct":true,"explanation":"Invisible strength means quietly concealing intentions while maintaining inner control. Lindo uses this tactic to survive her marriage, and Waverly later applies it strategically in chess."},{"text":"open defiance","correct":false,"explanation":"Open defiance would expose Lindo to punishment and contradict her careful indirect resistance. The shared tactic is invisible strength, which Waverly adapts into controlled, concealed chess strategy."},{"text":"passive obedience","correct":false,"explanation":"Lindo appears obedient, but she actively plans her escape rather than submitting passively. Her true tactic is invisible strength, later reflected in Waverly’s strategic self-control."},{"text":"reckless aggression","correct":false,"explanation":"Neither Lindo’s escape nor Waverly’s chess play depends on uncontrolled attack. Their shared tactic is invisible strength, using patience, concealment and carefully timed action."}]},{"id":"cb5a2b44-8cb0-47c7-a3f3-3651366ba731","cardType":"basic","points":1,"front":"What does Waverly realise about Lindo near the resolution?","back":"Lindo is a protective ally, not an adversary.","mcqOptions":[{"text":"Lindo is a protective ally, not an adversary.","correct":true,"explanation":"Waverly comes to understand that Lindo’s criticism and involvement arise from maternal concern. Beneath their conflict, Lindo is trying to protect and support her daughter."},{"text":"Lindo is a jealous rival, not a supporter.","correct":false,"explanation":"Waverly initially interprets their relationship as a contest, but the resolution challenges that view. She recognises Lindo as a protective ally whose actions are motivated by concern."},{"text":"Lindo is a helpless victim, not a survivor.","correct":false,"explanation":"Lindo’s history demonstrates resilience, ingenuity and survival rather than helplessness. Waverly’s key realisation is that her mother is a protective ally, not an adversary."},{"text":"Lindo is a distant stranger, not a mother.","correct":false,"explanation":"Cultural and generational differences create misunderstandings, but they do not erase Lindo’s maternal bond. Waverly ultimately recognises her as a protective ally rather than an opponent."}]},{"id":"85ee97ab-9ac2-49de-ba9e-f6661981f7e7","cardType":"basic","points":2,"front":"What does Lena and Harold’s split-expense marriage mask?","back":"A lack of equality and love.","mcqOptions":[{"text":"A lack of equality and love.","correct":true,"explanation":"The apparently fair division of every expense hides an emotionally unequal relationship. Harold benefits more from their arrangements, while Lena lacks affection, confidence and genuine partnership."},{"text":"A lack of wealth and ambition.","correct":false,"explanation":"The marriage is not undermined chiefly by poverty or insufficient career ambition. Its rigid financial accounting conceals a deeper absence of equality and genuine love."},{"text":"A lack of privacy and personal space.","correct":false,"explanation":"Sharing space is not the central problem exposed by the couple’s expense system. Their calculated transactions mask emotional distance and a fundamental lack of equality and love."},{"text":"A lack of family approval and tradition.","correct":false,"explanation":"Although family and culture shape Lena’s outlook, disapproval is not what the split expenses conceal. The arrangement masks an unequal, emotionally empty marriage lacking equality and love."}]},{"id":"6e72b1df-11ad-4cce-9e60-4682023dbf76","cardType":"basic","points":2,"front":"Why does Ying-ying knock over the fragile vase?","back":"To shatter Lena’s illusion of a balanced marriage.","mcqOptions":[{"text":"To shatter Lena’s illusion of a balanced marriage.","correct":true,"explanation":"Ying-ying deliberately makes the unstable vase fall as a symbolic warning. Its collapse exposes how Lena’s supposedly balanced marriage is actually fragile and unequal."},{"text":"To expose Lena’s carelessness with valuable possessions.","correct":false,"explanation":"The vase does not fall because Ying-ying wants to criticise Lena’s housekeeping. She uses its fragility symbolically to shatter Lena’s illusion that her marriage is balanced."},{"text":"To demonstrate Harold’s skill at repairing broken objects.","correct":false,"explanation":"Ying-ying is not testing Harold’s practical abilities or inviting him to repair the vase. She knocks it over to reveal the fragility beneath Lena’s supposedly balanced marriage."},{"text":"To punish Lena’s failure to respect family traditions.","correct":false,"explanation":"The act is not punishment for cultural disobedience. Ying-ying uses the falling vase as a symbolic intervention, forcing Lena to confront the instability and inequality of her marriage."}]}]}],"examCountdown":{"examDate":"2027-05-12","paperLabel":"Paper 1"},"heading":"Plot Summary","title":"Plot Summary Flashcards","topbar":{"backHref":"/igcse/english-literature/edexcel/flashcards"},"topicSidebar":"$L37"}]}],"topicId":"1510b743-e51d-5b1a-aa74-29248a441a8c","walled":"$L38"}],"$L39","$L3a"]