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bazaar applying henna to the speaker’s hand, creating the encounter that drives the poem’s reflections on identity and belonging."},{"text":"A street vendor sells the speaker a bracelet in an Indian bazaar.","correct":false,"explanation":"The bazaar setting may make a purchase seem plausible, but the literal event is henna application: an unknown girl decorates the speaker’s hand, beginning the poem’s exploration of cultural connection."},{"text":"A relative welcomes the speaker into a family home in India.","correct":false,"explanation":"The speaker does not meet a known relative or enter a family home. 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The opening encounter involves an unknown girl applying henna to the speaker’s hand, which becomes a symbol of heritage and belonging."}]},{"id":"4080f1bf-b6ed-4634-b94b-0f82fcef429b","cardType":"basic","points":1,"front":"What does the unknown girl come to represent?","back":"A living connection to Indian culture, tradition and belonging.","mcqOptions":[{"text":"A living connection to Indian culture, tradition and belonging.","correct":true,"explanation":"Although the girl is a stranger, her physical act of applying henna gives the speaker a vivid, living link to Indian culture, tradition and a sense of belonging."},{"text":"A commercial connection to tourism, fashion and travel.","correct":false,"explanation":"The bazaar could suggest tourism or commerce, but the girl represents more than a purchase or fashion experience. She creates a living connection to Indian culture, tradition and belonging."},{"text":"A painful reminder of family conflict, separation and rejection.","correct":false,"explanation":"The poem explores distance from heritage, but the girl is not chiefly a symbol of family conflict or rejection. She represents a living connection to Indian culture, tradition and belonging."},{"text":"A temporary escape from modern life, work and responsibility.","correct":false,"explanation":"The encounter may offer a momentary experience, yet its symbolic importance is cultural rather than simply escapist. The girl represents a living connection to Indian culture, tradition and belonging."}]},{"id":"96e4b181-3da9-44f7-88ea-7d4e8048c078","cardType":"cloze","points":null,"front":"In An Unknown Girl, the henna design is [ ], but the speaker’s longing for cultural connection feels [ ].","back":"In An Unknown Girl, the henna design is temporary, but the speaker’s longing for cultural connection feels deep and lasting.","mcqOptions":[{"text":"In An Unknown Girl, the henna design is temporary, but the speaker’s longing for cultural connection feels deep and lasting.","correct":true,"explanation":"The henna will fade from the speaker’s skin, but the experience awakens a powerful desire for heritage and belonging that feels emotionally deep and likely to endure."},{"text":"In An Unknown Girl, the henna design is permanent, but the speaker’s longing for cultural connection feels deep and lasting.","correct":false,"explanation":"Henna is temporary and gradually fades, while the speaker’s longing feels deep and lasting. Reversing the design’s permanence misses the contrast between outward change and inward feeling."},{"text":"In An Unknown Girl, the henna design is temporary, but the speaker’s longing for cultural connection feels brief and passing.","correct":false,"explanation":"The henna is temporary, but the poem presents the speaker’s desire for cultural connection as enduring rather than fleeting. The correct description is deep and lasting."},{"text":"In An Unknown Girl, the henna design is permanent, but the speaker’s longing for cultural connection feels brief and passing.","correct":false,"explanation":"Both parts are reversed here: the henna fades, whereas the speaker’s longing has emotional permanence. The correct contrast is temporary design versus deep and lasting cultural desire."}]},{"id":"85b0fa30-2e30-4d95-a957-f4880321a597","cardType":"basic","points":2,"front":"What is the speaker’s central identity conflict?","back":"She feels both connected to and distant from Indian heritage.","mcqOptions":[{"text":"She feels both connected to and distant from Indian heritage.","correct":true,"explanation":"The speaker experiences Indian heritage as part of her identity, yet also feels separated from it by geography, upbringing or personal experience. This simultaneous closeness and distance forms the central conflict."},{"text":"She feels both indifferent to and hostile towards Indian heritage.","correct":false,"explanation":"The speaker’s intense longing shows that she is not indifferent or hostile. Her conflict comes from feeling both connected to and distant from Indian heritage at the same time."},{"text":"She feels both fully accepted by and completely surrounded by Indian heritage.","correct":false,"explanation":"The poem does not present the speaker as completely secure within her heritage. Instead, she feels connected to it while also remaining distant, creating uncertainty about her belonging."},{"text":"She feels both unaware of and uninterested in Indian heritage.","correct":false,"explanation":"The speaker is highly aware of and emotionally interested in Indian heritage. The central tension is that she feels connected to it but also distant from it."}]},{"id":"69076df8-b849-4722-ae7f-62c628d31b1f","cardType":"basic","points":2,"front":"How does the phrase “an unknown girl” create tension?","back":"The girl is close enough to touch, yet remains unknown.","mcqOptions":[{"text":"The girl is close enough to touch, yet remains unknown.","correct":true,"explanation":"The phrase combines physical intimacy with emotional and personal distance. The girl touches the speaker’s hand, but their lack of personal knowledge makes the connection incomplete and uncertain."},{"text":"The girl is too far away to touch, yet remains familiar.","correct":false,"explanation":"This reverses the poem’s tension. The girl is physically close enough to touch, but she is unknown to the speaker; the contrast is closeness without personal familiarity."},{"text":"The girl is close enough to trust, yet remains related.","correct":false,"explanation":"The poem does not establish trust or family relationship. The girl’s significance comes from being physically close while still unknown, reflecting the speaker’s uncertain cultural connection."},{"text":"The girl is visible only in memory, yet remains deeply understood.","correct":false,"explanation":"The encounter happens directly in the bazaar, not only in memory, and the girl is not deeply understood. She is close enough to touch but remains unknown."}]},{"id":"ebab801f-87dc-4df1-9c7b-8261d93bcfb0","cardType":"basic","points":2,"front":"In “I have new brown veins”, what does “veins” suggest?","back":"Blood, ancestry and inherited identity within the body.","mcqOptions":[{"text":"Blood, ancestry and inherited identity within the body.","correct":true,"explanation":"“Veins” are literal pathways carrying blood, so the image naturally suggests ancestry and inherited identity flowing within the speaker’s body. It makes cultural heritage feel physical and internal."},{"text":"Fragility, illness and physical weakness within the body.","correct":false,"explanation":"Veins can be associated with bodily vulnerability, but that is not the poem’s main implication. The image suggests blood, ancestry and inherited identity within the speaker’s body."},{"text":"Wealth, status and social privilege within the family.","correct":false,"explanation":"The phrase does not present heritage as financial or social privilege. “Veins” connect the speaker’s body with blood, ancestry and inherited identity, making culture feel biologically present."},{"text":"Movement, freedom and escape across national borders.","correct":false,"explanation":"The image may involve movement through the body, but it primarily evokes blood and lineage rather than travel. It suggests ancestry and inherited identity existing within the speaker."}]},{"id":"e494037b-4a23-4fe1-8e3d-cd98e1e3b972","cardType":"cloze","points":null,"front":"In “I have [ ] brown veins”, the adjective suggests the speaker is gaining or rediscovering [ ].","back":"In “I have new brown veins”, the adjective suggests the speaker is gaining or rediscovering Indian heritage.","mcqOptions":[{"text":"In “I have new brown veins”, the adjective suggests the speaker is gaining or rediscovering Indian heritage.","correct":true,"explanation":"“New” makes the inherited image seem newly present, as though the speaker is discovering a cultural identity within herself. The brown veins symbolically connect her to Indian heritage."},{"text":"In “I have old brown veins”, the adjective suggests the speaker is gaining or rediscovering Indian heritage.","correct":false,"explanation":"“Old” would suggest an established or ancient identity, not something newly gained or rediscovered. The adjective “new” presents Indian heritage as newly felt within the speaker."},{"text":"In “I have new brown veins”, the adjective suggests the speaker is gaining or rediscovering Pakistani identity.","correct":false,"explanation":"The adjective is correctly identified as “new”, but the poem’s context points to Indian heritage rather than Pakistani identity. Both the wording and cultural reference matter here."},{"text":"In “I have blue brown veins”, the adjective suggests the speaker is gaining or rediscovering Indian heritage.","correct":false,"explanation":"“Blue” is a tempting association with veins, but it is not the poem’s word. The adjective “new” suggests that the speaker is gaining or rediscovering Indian heritage."}]},{"id":"24c181ac-7df6-4bac-b06f-f1d64ce15ac8","cardType":"basic","points":1,"front":"Which image is the poem’s central extended metaphor?","back":"The henna design.","mcqOptions":[{"text":"The henna design.","correct":true,"explanation":"The henna design functions as an extended metaphor for the speaker’s relationship with Indian heritage: it is placed on her body, briefly visible, and emotionally meaningful despite eventually fading."},{"text":"The Indian bazaar.","correct":false,"explanation":"The bazaar provides the setting and cultural atmosphere, but it is not the poem’s central extended metaphor. The henna design carries the sustained symbolism of heritage, identity and belonging."},{"text":"The speaker’s brown veins.","correct":false,"explanation":"The veins are an important image of ancestry and inherited identity, but they do not form the poem’s central extended metaphor. That role belongs to the henna design."},{"text":"The unknown girl’s journey.","correct":false,"explanation":"The girl’s identity creates mystery, but the poem does not develop her journey as its main metaphor. The henna design is repeatedly used to represent cultural connection and belonging."}]},{"id":"6f803f10-e937-42cb-a033-c71daacee15a","cardType":"basic","points":2,"front":"Symbolically, what does the henna represent?","back":"A beautiful but fragile cultural connection.","mcqOptions":[{"text":"A beautiful but fragile cultural connection.","correct":true,"explanation":"The henna links the speaker to her cultural heritage, but its temporary nature shows that this connection is beautiful yet vulnerable and not fully secure."},{"text":"A permanent and uncomplicated cultural identity.","correct":false,"explanation":"The henna does not suggest secure, permanent belonging because it fades quickly. The right answer is a beautiful but fragile cultural connection, reflecting uncertain heritage."},{"text":"A commercial and superficial fashion trend.","correct":false,"explanation":"Although the poem includes modern commercial details, the henna carries deeper cultural meaning. It represents a beautiful but fragile cultural connection rather than fashion alone."},{"text":"A painful rejection of cultural tradition.","correct":false,"explanation":"The speaker is drawn towards the henna rather than rejecting it, even though belonging remains uncertain. It symbolises a beautiful but fragile cultural connection."}]},{"id":"2883f409-6a96-4033-8133-6c86f460371f","cardType":"basic","points":2,"front":"Why is “It will fade in a week” important?","back":"It makes belonging feel temporary and fragile.","mcqOptions":[{"text":"It makes belonging feel temporary and fragile.","correct":true,"explanation":"The statement draws attention to how quickly the henna will disappear, suggesting that the speaker’s experience of cultural belonging is temporary and vulnerable."},{"text":"It makes belonging feel permanent and secure.","correct":false,"explanation":"The short time period emphasises impermanence, not security. The right answer is that belonging feels temporary and fragile because the henna will soon fade."},{"text":"It makes belonging feel distant and impossible.","correct":false,"explanation":"The speaker does experience a moment of connection, so belonging is not impossible. It feels temporary and fragile because the visible sign will soon disappear."},{"text":"It makes belonging feel public and celebrated.","correct":false,"explanation":"The line focuses on the brief lifespan of the henna rather than public celebration. It makes belonging feel temporary and fragile, despite the intimacy of the moment."}]},{"id":"63355fcf-cafc-4193-9fe2-cf645a331a4a","cardType":"basic","points":2,"front":"What is the effect of “She is icing my hand”?","back":"The hennaing feels delicate and careful, like decoration.","mcqOptions":[{"text":"The hennaing feels delicate and careful, like decoration.","correct":true,"explanation":"The verb suggests gentle, precise movement, making the hennaing seem like careful artistic decoration rather than a rough or hurried action."},{"text":"The hennaing feels rough and careless, like a wound.","correct":false,"explanation":"The image is gentle and decorative, not violent or clumsy. The right answer is that the hennaing feels delicate and careful, like decoration."},{"text":"The hennaing feels rapid and mechanical, like routine.","correct":false,"explanation":"The moment is presented with intimacy and precision rather than speed or impersonality. It feels delicate and careful, like decoration."},{"text":"The hennaing feels formal and distant, like ceremony.","correct":false,"explanation":"The close physical contact creates tenderness rather than distance. The right answer is that the hennaing feels delicate and careful, like decoration."}]},{"id":"f61a64dd-b709-47d3-9b27-57d120e5330d","cardType":"cloze","points":null,"front":"The henna metaphor develops from decoration into “[ ]”, making heritage feel [ ].","back":"The henna metaphor develops from decoration into “new brown veins”, making heritage feel physical and internal.","mcqOptions":[{"text":"The henna metaphor develops from decoration into “new brown veins”, making heritage feel physical and internal.","correct":true,"explanation":"The vein image moves beyond surface decoration, suggesting that heritage has entered the speaker’s body and become a physical, internal part of identity."},{"text":"The henna metaphor develops from decoration into “new brown veins”, making heritage feel temporary and superficial.","correct":false,"explanation":"The vein metaphor suggests something embedded within the body, not merely surface-level or fleeting. The right answer is that heritage feels physical and internal."},{"text":"The henna metaphor develops from decoration into “dark brown scars”, making heritage feel painful and threatening.","correct":false,"explanation":"The poem uses a life-giving vein image rather than scars, so heritage is not presented as threatening. It becomes physical and internal through “new brown veins”."},{"text":"The henna metaphor develops from decoration into “thin brown threads”, making heritage feel external and decorative.","correct":false,"explanation":"This reverses the metaphor’s development by keeping heritage outside the body. The correct image is “new brown veins”, making heritage feel physical and internal."}]},{"id":"e41df3f7-bd30-4454-aced-336ac2075aaf","cardType":"basic","points":2,"front":"What do “Western perms” and “Miss India 1993” show about India?","back":"It is modern, commercial and changing, not frozen in tradition.","mcqOptions":[{"text":"It is modern, commercial and changing, not frozen in tradition.","correct":true,"explanation":"These references present contemporary consumer culture and changing ideas of identity, challenging any simplistic view of India as only traditional or unchanging."},{"text":"It is ancient, spiritual and unchanging, rooted in tradition.","correct":false,"explanation":"The references to fashion and a beauty contest emphasise modern change and commercial culture. India is modern, commercial and changing, not frozen in tradition."},{"text":"It is poor, isolated and resistant, rejecting modern influence.","correct":false,"explanation":"The details show engagement with modern fashion and popular culture rather than isolation. India is presented as modern, commercial and changing."},{"text":"It is foreign, artificial and disconnected, without cultural identity.","correct":false,"explanation":"Modern influences do not erase cultural identity in the poem. The references show that India is modern, commercial and changing, rather than culturally empty."}]},{"id":"f725892b-afa2-4771-964b-70e0dfe50fb3","cardType":"basic","points":2,"front":"What does “satin-peach knee” suggest about the henna moment?","back":"It feels smooth, warm and intimate.","mcqOptions":[{"text":"It feels smooth, warm and intimate.","correct":true,"explanation":"The tactile description combines softness and warmth with the closeness of touching the speaker’s skin, creating an intimate and sensuous moment."},{"text":"It feels rough, cold and uncomfortable.","correct":false,"explanation":"The texture and colour suggest softness and warmth, while the physical closeness creates intimacy. The right answer is smooth, warm and intimate."},{"text":"It feels bright, loud and public.","correct":false,"explanation":"The phrase appeals mainly to touch and closeness, not noise or public spectacle. The moment feels smooth, warm and intimate."},{"text":"It feels hard, formal and threatening.","correct":false,"explanation":"The gentle tactile imagery makes the encounter welcoming rather than threatening. It feels smooth, warm and intimate because of the skin imagery and close contact."}]},{"id":"082e9790-c35e-459f-b18a-75314956d592","cardType":"basic","points":2,"front":"What is the effect of “furious streets” becoming “hushed”?","back":"The speaker’s focus turns chaos into sudden quiet.","mcqOptions":[{"text":"The speaker’s focus turns chaos into sudden quiet.","correct":true,"explanation":"The contrast between the noisy streets and their sudden hush shows the speaker becoming absorbed in the intimate hennaing moment."},{"text":"The speaker’s focus turns chaos into greater confusion.","correct":false,"explanation":"The change to quiet suggests concentration and absorption, not increased confusion. The right answer is that chaos becomes sudden quiet as the speaker focuses."},{"text":"The speaker’s focus turns chaos into violent excitement.","correct":false,"explanation":"The language moves away from noise and activity towards stillness. It turns the surrounding chaos into sudden quiet during the intimate encounter."},{"text":"The speaker’s focus turns chaos into permanent silence.","correct":false,"explanation":"The quiet is a temporary shift in perception, not lasting silence. The correct answer is sudden quiet, created by the speaker’s intense focus."}]},{"id":"4f7fc9b4-3e58-44f3-9e61-a296408adeaa","cardType":"cloze","points":null,"front":"Repetition of “[ ]” creates a [ ] return to the same important moment.","back":"Repetition of “In the evening bazaar” creates a circular return to the same important moment.","mcqOptions":[{"text":"Repetition of “In the evening bazaar” creates a circular return to the same important moment.","correct":true,"explanation":"Repeating the phrase brings the poem back to its starting setting, giving the structure a circular quality and emphasising the moment’s importance."},{"text":"Repetition of “In the evening bazaar” creates a linear return to the same important moment.","correct":false,"explanation":"Returning to the opening setting creates a circular structure, not a straightforward linear progression. The repetition makes the poem revisit the important moment."},{"text":"Repetition of “Under the bright sunlight” creates a circular return to the same important moment.","correct":false,"explanation":"The repeated phrase is “In the evening bazaar”, which returns the reader to the poem’s original setting. Its repetition creates a circular structure."},{"text":"Repetition of “In the evening bazaar” creates a random return to the same important moment.","correct":false,"explanation":"The return is deliberate and structurally patterned rather than random. Repeating “In the evening bazaar” creates a circular return to the significant moment."}]},{"id":"bf5088e3-06a5-4807-ad5e-ca36659db735","cardType":"basic","points":1,"front":"What is the poem’s stanza form?","back":"One long, thin stanza.","mcqOptions":[{"text":"One long, thin stanza.","correct":true,"explanation":"The poem is presented as one uninterrupted, narrow stanza. Its elongated shape reflects the speaker’s continuous thoughts and visually reinforces the delicate henna design."},{"text":"Several short, regular stanzas.","correct":false,"explanation":"Regular stanzas would divide the poem into repeated sections, but the poem instead consists of one long, thin stanza that sustains the speaker’s flowing reflections."},{"text":"Two balanced, equal stanzas.","correct":false,"explanation":"The poem is not divided into two symmetrical sections. It uses one long, thin stanza, creating a continuous shape that resembles the extended henna lines."},{"text":"One compact block stanza.","correct":false,"explanation":"A compact block would create a broad, dense appearance. Instead, the poem forms one long, thin stanza whose narrow shape echoes the henna pattern."}]},{"id":"ef4b59c1-646c-4948-94d4-e4e4851025ef","cardType":"basic","points":2,"front":"What might the poem’s narrow lines visually echo?","back":"The thin henna lines drawn across the hand.","mcqOptions":[{"text":"The thin henna lines drawn across the hand.","correct":true,"explanation":"The narrow lines resemble the fine trails of henna extending over the speaker’s palm, so the poem’s visual form supports its central image."},{"text":"The straight railway tracks stretching beyond the bazaar.","correct":false,"explanation":"The poem mentions a train, but its narrow lineation is not shaped to represent railway tracks. It visually echoes the thin henna lines drawn across the hand."},{"text":"The crowded market stalls arranged along the street.","correct":false,"explanation":"The market provides the poem’s setting, but the narrow lines do not imitate rows of stalls. They echo the thin henna lines drawn across the hand."},{"text":"The train passengers clinging tightly to its sides.","correct":false,"explanation":"The passengers belong to a later simile about emotional attachment, not the poem’s visual shape. The narrow lines instead resemble thin henna lines across the hand."}]},{"id":"bfccec3b-303c-4b76-bc89-d59e39950be7","cardType":"cloze","points":null,"front":"An Unknown Girl uses [ ], making the voice feel natural, like [ ].","back":"An Unknown Girl uses free verse, making the voice feel natural, like thought or speech.","mcqOptions":[{"text":"An Unknown Girl uses free verse, making the voice feel natural, like thought or speech.","correct":true,"explanation":"Free verse lacks a fixed rhyme or metrical pattern, allowing the speaker’s reflections to flow naturally and resemble spontaneous thought or spoken language."},{"text":"An Unknown Girl uses rhyming couplets, making the voice feel natural, like thought or speech.","correct":false,"explanation":"The poem is not organised into regularly rhyming pairs of lines. It uses free verse, which creates a fluid voice resembling natural thought or speech."},{"text":"An Unknown Girl uses free verse, making the voice feel natural, like a formal lecture.","correct":false,"explanation":"Free verse does make the voice sound natural, but its fluidity resembles thought or speech rather than the controlled, impersonal delivery of a formal lecture."},{"text":"An Unknown Girl uses regular metre, making the voice feel natural, like a rehearsed performance.","correct":false,"explanation":"The poem lacks a fixed metrical pattern and does not sound deliberately rehearsed. Its free verse instead gives the impression of natural thought or speech."}]},{"id":"34445a63-6e32-415b-97ee-5591b7edaee0","cardType":"basic","points":2,"front":"How does the line break in “a peacock spreads its lines / across my palm” support the image?","back":"The peacock image expands across the line break.","mcqOptions":[{"text":"The peacock image expands across the line break.","correct":true,"explanation":"Carrying the sentence and image into the next line makes the peacock seem to spread physically across the poem, mirroring its expansion over the palm."},{"text":"The peacock image stops abruptly before the line break.","correct":false,"explanation":"The syntax continues beyond the break rather than stopping there. This continuation allows the peacock image to expand across the line break like the design itself."},{"text":"The peacock image is separated from the speaker’s palm.","correct":false,"explanation":"The break does not disconnect the design from the palm, because the sentence flows directly into “across my palm”. It makes the peacock image expand across the break."},{"text":"The peacock image shrinks into a tightly enclosed shape.","correct":false,"explanation":"Enjambment opens and extends the image rather than enclosing it. The peacock appears to expand across the line break as its decorated lines spread over the palm."}]},{"id":"eccc057f-33df-46cc-b794-0be71eaa9631","cardType":"basic","points":2,"front":"What does the train-clinging simile suggest about the speaker?","back":"She is holding on with desperation, danger and need.","mcqOptions":[{"text":"She is holding on with desperation, danger and need.","correct":true,"explanation":"People clinging to the outside of a moving train face serious risk, so the comparison conveys the speaker’s desperate, dangerous need to retain her connection."},{"text":"She is holding on with calmness, safety and confidence.","correct":false,"explanation":"Clinging to a train is precarious rather than calm or safe. The simile presents the speaker as holding onto her connection with desperation, danger and need."},{"text":"She is holding on with detachment, ease and indifference.","correct":false,"explanation":"The verb “clinging” implies intense attachment rather than emotional distance. The hazardous train image shows that she holds on with desperation, danger and need."},{"text":"She is holding on with excitement, comfort and amusement.","correct":false,"explanation":"The train image may seem energetic, but clinging to its side is uncomfortable and perilous, not amusing. It communicates desperation, danger and emotional need."}]},{"id":"2dab331d-5bc0-40af-a58c-ce89734b7c5c","cardType":"cloze","points":null,"front":"The final image of “[ ]” presents longing as physical [ ].","back":"The final image of “hands outstretched” presents longing as physical reaching.","mcqOptions":[{"text":"The final image of “hands outstretched” presents longing as physical reaching.","correct":true,"explanation":"Outstretched hands turn the speaker’s emotional longing into a bodily gesture, suggesting that she is physically reaching towards an identity or connection she desires."},{"text":"The final image of “hands folded” presents longing as physical reaching.","correct":false,"explanation":"Folded hands would suggest stillness or containment, but the poem ends with hands outstretched. This gesture presents the speaker’s longing as active physical reaching."},{"text":"The final image of “hands outstretched” presents longing as physical withdrawal.","correct":false,"explanation":"Outstretched hands move towards something rather than retreating from it. The image therefore makes longing physical through reaching, expressing the speaker’s desire for connection."},{"text":"The final image of “fists clenched” presents longing as physical resistance.","correct":false,"explanation":"Clenched fists would imply anger or defiance, whereas the poem uses hands outstretched. Their open, extended position embodies longing as physical reaching towards connection."}]}]}],"examCountdown":{"examDate":"2027-05-24","paperLabel":"Paper 1"},"heading":"An Unknown Girl – Moniza Alvi","title":"An Unknown Girl – Moniza Alvi Flashcards","topbar":{"backHref":"/igcse/english-language/edexcel/a/flashcards"},"topicSidebar":"$L37"}]}],"topicId":"fc30414c-23d3-5073-8691-25103a63f07f","walled":"$L38"}],"$L39","$L3a"]