Source A: The dough kept moving
An original contemporary non-fiction-style practice text, written for this question.
By half past five, the bakery was already loud. I switched on both ovens, set the mixer turning and began weighing flour for the first batch. What I liked about the opening shift was not its calm but its overlap: one job could begin while another continued, and I could keep the whole morning moving without waiting for any single task to finish.
The power failed halfway through the weighing. The display vanished beneath my hand, the mixer stopped and the oven fans wound down together. For one second, the silence felt like permission to pause. Then I looked at the bowls on the preparation bench. The equipment had stopped; the dough had not.
I pressed the mixer switch twice and checked the control panel, trying to restore the order I had started. Nothing responded. Meanwhile, the nearest dough was lifting against its cover. Until then, I had measured progress by machines: a timer sounding, a mixer completing its cycle, an oven reaching its temperature. Without those signals, I had to touch the dough, compare the bowls and decide which batch was changing fastest.
I carried two bowls into the cooler storeroom and left a slower batch in the warmth of the preparation area. I shaped what I could by hand. These choices interrupted the sequence I normally protected, but preserving the sequence would have damaged the bread. The morning was no longer a line of tasks waiting to restart. Several different processes were continuing, and each now required a different response.
When the lights returned, I did not simply resume from the point where everything had stopped. Forty minutes had passed for the dough, even if the machines had recorded none of them. I checked the oven temperatures, examined each bowl again and changed the order in which the batches would be baked. I could not recover the lost time or know whether the supply would fail again. However, I no longer thought of routine as doing the same things in the same order. Its value was in teaching me what to notice when that order no longer fitted.
Source B: The dry row
An original contemporary non-fiction-style practice text, written for this question.
On weekday evenings I checked the community greenhouse in the same order: the seed trays, the labels, then the irrigation line along the eastern bench. I could usually hear the water before I reached the door. The sound meant the plants had been attended to, even if I had only a few minutes to spare.
One evening I heard the water as usual and nearly left without going further in. Then I brushed a tray at the far end of the bench and found the soil dry. I turned the tap off and on, then followed the pipe back to the first row. The soil there was damp, but the trays farther along were dry. At first I thought I had missed a valve. I had not. A split in the connector was sending water onto the path instead of towards the benches.
The labels gave me a list of what was growing, not a way to decide which plants needed attention first. I had assumed that a working system made the greenhouse manageable. Now the neat rows seemed to hide how different the trays were: some had only just been watered, while others were already dry to the touch. I began with those, carrying water in a jug from the sink.
The job took longer than my usual round. I kept returning to the line to see whether the leak had changed, although it had not. The path shone under the lamps; the leaves did not. I had expected the routine to save time, but its real effect had been to spare me from asking what mattered most.
Before leaving, I moved the driest trays closer to the sink and wrote a note beside the connector: “The line can sound normal and still miss a tray. Check the soil at the far end before you leave.” The system was still broken. I could not know how long the repair would take, or whether my watering would be enough, but the next volunteer would know that hearing water was not the same as checking what each tray needed.
Compare how the writers use the development of each account to present changing perspectives on routine and uncertainty. You should consider which writer makes the change in perspective more striking.
Support your answer with detailed examples from both texts, including brief quotations.
220 exam-style questions on Edexcel A IGCSE English Language 1.1 Content overview, covering 1.1.1 Anthology non-fiction texts, 1.1.2 Analysing linguistic and structural devices, 1.1.3 Links and connections between writers' ideas, 1.1.4 Transactional writing for purpose and audience, and 1.1.5 Accurate spelling, punctuation and grammar. Each one has a worked solution and a mark scheme showing where the marks go.