An archive that can be heard
Original non-fiction-style practice text.
At the pottery exhibition, a small symbol beside each cabinet invited visitors to listen to a spoken description. The recordings were available on loan devices as well as through visitors’ own phones. The curator initially thought of them as an alternative to printed labels. In use, they served several different purposes.
A description could guide a listener across an object in a planned order, from the broad shape to a small mark near the base. This helped visitors who could not easily see the cabinet’s finer details. People whose reading was slow could listen without feeling that they were holding up a companion. Large groups did not all need to crowd around a short label at once. Listeners could replay an unfamiliar word instead of trying to remember it until they found a member of staff.
The recordings also made room for information which did not fit comfortably on the display cards. A potter described the resistance of the material under a hand, explaining a process a finished bowl alone could not show. The sound of a tool demonstrated a repeated rhythm mentioned in the text. Several speakers used different accents and styles, making it clear that the objects had been made and used by people rather than produced by a single anonymous voice. Short pauses encouraged visitors to look again instead of treating the recording as continuous background sound.
The equipment had practical benefits too. Loan devices allowed people without suitable phones to take part. Visitors could choose which entries to hear and move at their own pace, rather than follow a fixed guided-tour timetable. A child and adult could listen together and discuss the same detail afterwards. Staff noticed fewer repeated questions about technical terms and had more time for individual conversations. Printed descriptions remained available, since sound was not everyone’s preferred route. Offering both formats widened the ways visitors could understand the same collection.
According to the text, summarise the benefits of providing spoken descriptions alongside the pottery exhibition.
Use continuous writing, not note form, and use your own words as far as possible. Your summary should not be more than 120 words. Up to 10 marks are available for reading and up to 5 marks for writing.
80 exam-style questions on CIE IGCSE English Language 4.3 Question 2 Summary task (20 marks), covering 4.3.1 Summary task on Text B, 4.3.2 Question 2(a) selective summary in own words, and 4.3.3 Question 2(b) attitudes and opinions. Each one has a worked solution and a mark scheme showing where the marks go.