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harmonious natural setting and his concern about humanity's separation from nature."},{"text":"Thirteen - Caleb Femi.","correct":false,"explanation":"Femi's poem focuses on racial profiling, identity and systemic power rather than contrasting urban confinement with the natural world. The intended pairing is In a London Drawingroom by George Eliot."},{"text":"Name Journeys - Raman Mundair.","correct":false,"explanation":"Mundair's poem explores names, language and cultural belonging rather than the opposition between natural harmony and urban artificiality. The intended pairing is In a London DrawingroomA Portable Paradise - Roger Robinson.","correct":false,"explanation":"Robinson explores identity, memory and inner resistance to oppression, not primarily the contrast between natural and urban worlds. The intended pairing is In a London Drawingroom by George Eliot."}]},{"id":"b7304180-e64b-41a7-b6bb-2bcf9e6f9e39","cardType":"basic","points":1,"front":"Which poem pairs with A Portable Paradise for identity and systemic power?","back":"Thirteen - Caleb Femi.","mcqOptions":[{"text":"Thirteen - Caleb Femi.","correct":true,"explanation":"Both poems examine identity under oppressive social systems. Robinson presents an inner refuge from hardship, while Femi exposes racial profiling and the power exerted over a Black child."},{"text":"In a London Drawingroom - George Eliot.","correct":false,"explanation":"Eliot's poem criticises industrial London's confinement and artificiality, rather than focusing on racial identity and systemic power. The intended pairing is Thirteen by Caleb Femi."},{"text":"Name Journeys - Raman Mundair.","correct":false,"explanation":"Mundair does explore cultural identity, making this tempting, but its central concern is language, names and belonging. The systemic power pairing is Thirteen by Caleb Femi."},{"text":"Homing - Liz Berry.","correct":false,"explanation":"Berry's poem celebrates regional language and the recovery of an authentic voice, rather than directly exposing systemic oppression. The intended identity and power pairing is Thirteen by Caleb Femi."}]},{"id":"28c43057-3010-43ce-bcad-746f05c489f8","cardType":"basic","points":1,"front":"Which poem pairs with Homing for language, voice, and belonging?","back":"Name Journeys - Raman Mundair.","mcqOptions":[{"text":"Name Journeys - Raman Mundair.","correct":true,"explanation":"Both poems connect language with identity and belonging. Berry values a reclaimed regional voice, while Mundair examines how pronunciation and naming shape cultural acceptance and exclusion."},{"text":"Thirteen - Caleb Femi.","correct":false,"explanation":"Femi explores racial identity and institutional stereotyping, but language and voice are not the central basis of belonging. The intended pairing is Name Journeys by Raman Mundair."},{"text":"In a London Drawingroom - George Eliot.","correct":false,"explanation":"Eliot presents the city as oppressive and disconnected from nature, not language as a source of voice and belonging. The intended pairing is Name Journeys by Raman Mundair."},{"text":"A Portable Paradise - Roger Robinson.","correct":false,"explanation":"Robinson presents memory and imagination as sources of resilience, rather than exploring how names and speech affect belonging. The intended pairing is Name Journeys by Raman Mundair."}]},{"id":"97112117-eb21-4136-a50e-99f8be84296a","cardType":"cloze","points":null,"front":"The urban/natural pairing contrasts the [ ] with the [ ].","back":"The urban/natural pairing contrasts the harmony of the natural world with the claustrophobia and artificiality of urban environments.","mcqOptions":[{"text":"The urban/natural pairing contrasts the harmony of the natural world with the claustrophobia and artificiality of urban environments.","correct":true,"explanation":"Wordsworth depicts nature as harmonious and spiritually ordered, whereas Eliot's London is enclosed, repetitive and manufactured. The pairing therefore opposes natural harmony to urban claustrophobia and artificiality."},{"text":"The urban/natural pairing contrasts the danger and disorder of the natural world with the safety and vitality of urban environments.","correct":false,"explanation":"This reverses both poets' presentations: Wordsworth's natural world is harmonious, while Eliot's city is restrictive and artificial. The contrast is natural harmony against urban claustrophobia and artificiality."},{"text":"The urban/natural pairing contrasts the harmony of the natural world with the freedom and creativity of urban environments.","correct":false,"explanation":"The first term fits Wordsworth, but Eliot does not portray London as free or creative. Her ordered streets and oppressive atmosphere convey the claustrophobia and artificiality of urban environments."},{"text":"The urban/natural pairing contrasts the violence of the natural world with the claustrophobia and artificiality of urban environments.","correct":false,"explanation":"Eliot's urban description is correctly characterised, but Wordsworth presents nature as harmonious rather than violent. Its beauty and order intensify his sorrow about humanity's self-inflicted suffering."}]},{"id":"d160ed9b-164e-4f81-929c-c393468e91c8","cardType":"basic","points":1,"front":"What shared historical issue do Wordsworth and Eliot both respond to?","back":"The rise of industrialisation.","mcqOptions":[{"text":"The rise of industrialisation.","correct":true,"explanation":"Both poets respond to industrialisation and its social and environmental effects. Wordsworth mourns humanity's departure from natural harmony, while Eliot depicts the industrial city as oppressive and artificial."},{"text":"The rise of colonial expansion.","correct":false,"explanation":"Although colonialism affected both poets' historical periods, it is not the shared issue foregrounded in these poems. Both respond more directly to industrialisation and its damaging transformation of society and environment."},{"text":"The rise of modern warfare.","correct":false,"explanation":"Modern warfare is not the context connecting these poems, and Wordsworth's poem predates industrialised twentieth-century conflict. Their shared concern is the rise of industrialisation and its human consequences."},{"text":"The rise of religious freedom.","correct":false,"explanation":"Wordsworth uses spiritual language, but the poems do not share a focus on increasing religious freedom. Both respond to industrialisation, contrasting natural order with an oppressive, manufactured urban world."}]},{"id":"b83863a3-5d9f-4821-8bea-a6f00e21060b","cardType":"cloze","points":null,"front":"Wordsworth presents nature as a [ ], while Eliot presents the city as a [ ].","back":"Wordsworth presents nature as a harmonious, divine force, while Eliot presents the city as a sterile, suffocating cage.","mcqOptions":[{"text":"Wordsworth presents nature as a harmonious, divine force, while Eliot presents the city as a sterile, suffocating cage.","correct":true,"explanation":"Wordsworth's natural imagery and spiritual language suggest harmony and divine order. Eliot's enclosed perspective, repetitive streets and lifeless imagery make London seem sterile, restrictive and suffocating."},{"text":"Wordsworth presents nature as a violent, godless force, while Eliot presents the city as a sterile, suffocating cage.","correct":false,"explanation":"Eliot's city is accurately characterised, but Wordsworth depicts nature as harmonious and spiritually significant, not violent or godless. The phrase holy plan suggests divine order."},{"text":"Wordsworth presents nature as a harmonious, divine force, while Eliot presents the city as a lively, liberating refuge.","correct":false,"explanation":"Wordsworth's description is accurate, but Eliot does not celebrate urban freedom. Her imagery presents London as a sterile, suffocating cage that restricts sight, movement and contact with nature."},{"text":"Wordsworth presents nature as a chaotic, indifferent force, while Eliot presents the city as a lively, liberating refuge.","correct":false,"explanation":"This reverses the central contrast in both poems. Wordsworth presents nature as harmonious and divine, whereas Eliot depicts the city as sterile, enclosed and suffocating rather than liberating."}]},{"id":"20a883f0-0d4b-4b7e-b73e-2e5b05155471","cardType":"basic","points":2,"front":"What does Wordsworth's phrase holy plan suggest about nature?","back":"Nature has a sacred moral order.","mcqOptions":[{"text":"Nature has a sacred moral order.","correct":true,"explanation":"The religious adjective holy implies that nature follows a divinely sanctioned pattern. Its harmony provides a moral standard against which humanity's cruelty and misery appear especially unnatural."},{"text":"Nature has a random physical structure.","correct":false,"explanation":"Calling the plan holy suggests divine purpose rather than randomness or merely physical organisation. Wordsworth presents nature as possessing a sacred moral order that humanity has violated."},{"text":"Nature has a dangerous hidden purpose.","correct":false,"explanation":"The phrase does imply purpose, but not danger or concealment. Wordsworth admires nature's harmony and suggests that it reflects a sacred moral order contrasting with human wrongdoing."},{"text":"Nature has a temporary social hierarchy.","correct":false,"explanation":"The phrase concerns divine natural harmony, not a changeable hierarchy created by society. Wordsworth presents nature as having a sacred moral order that exposes humanity's failure to live harmoniously."}]},{"id":"699d52fa-2717-4c64-a3a6-afa7abb552b2","cardType":"basic","points":2,"front":"Why does Wordsworth ask What man has made of man?","back":"He laments humanity's self-inflicted misery.","mcqOptions":[{"text":"He laments humanity's self-inflicted misery.","correct":true,"explanation":"The repeated question contrasts nature's harmony with human cruelty and suffering. Its phrasing makes humanity responsible for damaging itself, expressing Wordsworth's sorrow at this self-inflicted misery."},{"text":"He celebrates humanity's scientific achievements.","correct":false,"explanation":"The question is sorrowful and accusatory rather than celebratory. Wordsworth contrasts harmonious nature with what humans have done to one another, lamenting humanity's self-inflicted misery."},{"text":"He accepts humanity's natural innocence.","correct":false,"explanation":"Wordsworth does not absolve humanity by presenting it as naturally innocent. The question assigns people responsibility for social suffering and laments the self-inflicted misery humans have created."},{"text":"He admires humanity's industrial progress.","correct":false,"explanation":"Industrial progress is not praised; it belongs to the wider context of humanity's separation from natural harmony. The question instead mourns the self-inflicted misery caused by human actions."}]},{"id":"887309c5-9755-45fa-8201-ee6c30661a07","cardType":"basic","points":2,"front":"What effect does Eliot's phrase houses... Wall in the earth create?","back":"Human construction imprisons and suffocates nature.","mcqOptions":[{"text":"Human construction imprisons and suffocates nature.","correct":true,"explanation":"The image of houses forming a wall suggests that urban development confines the natural world, preventing it from breathing or flourishing freely."},{"text":"Human construction protects and cultivates nature.","correct":false,"explanation":"Reading the wall as protection overlooks its oppressive connotations. Eliot presents human construction as something that imprisons and suffocates nature rather than nurturing it."},{"text":"Human construction celebrates and imitates nature.","correct":false,"explanation":"The harsh image of a wall does not suggest admiration or imitation. It shows human construction imprisoning and suffocating the earth beneath the city."},{"text":"Human construction submits to and depends on nature.","correct":false,"explanation":"This reverses the power relationship in the phrase. The houses dominate the earth, suggesting that human construction imprisons and suffocates nature."}]},{"id":"8a03229d-e212-4935-b969-cb69844b99df","cardType":"cloze","points":null,"front":"Eliot's sky as [ ] replaces natural beauty with [ ].","back":"Eliot's sky as "one sheet of red-hot clay" replaces natural beauty with industrial, oppressive imagery.","mcqOptions":[{"text":"Eliot's sky as "one sheet of red-hot clay" replaces natural beauty with industrial, oppressive imagery.","correct":true,"explanation":"The artificial, heated material makes the sky seem manufactured and suffocating, transforming a traditionally beautiful natural feature into part of an oppressive industrial landscape."},{"text":"Eliot's sky as "a clear blue canopy" replaces natural beauty with peaceful, pastoral imagery.","correct":false,"explanation":"This invents a calm, traditionally beautiful sky and misses Eliot's urban bleakness. The actual description is "one sheet of red-hot clay", creating industrial, oppressive imagery."},{"text":"Eliot's sky as "one sheet of red-hot clay" replaces natural beauty with warm, comforting imagery.","correct":false,"explanation":"Interpreting the heat as comforting ignores the threatening colour and rigid material. The clay sky creates industrial, oppressive imagery rather than warmth or security."},{"text":"Eliot's sky as "a stained-glass window" replaces natural beauty with religious, uplifting imagery.","correct":false,"explanation":"This substitutes a spiritual image that Eliot does not use. His "one sheet of red-hot clay" replaces natural beauty with industrial, oppressive imagery."}]},{"id":"08941873-bb8e-42be-b3e8-4c08ae28e17d","cardType":"basic","points":2,"front":"In the Wordsworth/Eliot pairing, how is nature more than scenery?","back":"It acts as a moral standard for judging humanity.","mcqOptions":[{"text":"It acts as a moral standard for judging humanity.","correct":true,"explanation":"Both poets use the natural world as a measure against which human behaviour and society can be assessed, so nature carries ethical significance beyond visual description."},{"text":"It acts as a decorative backdrop for judging humanity.","correct":false,"explanation":"Treating nature as decoration misses its evaluative role in both poems. It functions as a moral standard through which the poets judge humanity and society."},{"text":"It acts as a source of danger for judging humanity.","correct":false,"explanation":"Although nature can sometimes appear threatening in poetry, that is not its shared function here. It provides a moral standard for judging human conduct."},{"text":"It acts as a symbol of progress for judging humanity.","correct":false,"explanation":"Progress is associated more closely with human society and urban development, which may be criticised. Nature instead supplies a moral standard for judging humanity."}]},{"id":"fa1630ed-d22c-4875-b14c-16ad3091da00","cardType":"basic","points":2,"front":"What does Eliot's monotony imply about people in the city?","back":"They become uniform, indistinguishable shapes.","mcqOptions":[{"text":"They become uniform, indistinguishable shapes.","correct":true,"explanation":"The repeated sameness of city life erases individuality, reducing people to anonymous forms who seem interchangeable within the oppressive urban environment."},{"text":"They become unique, recognisable individuals.","correct":false,"explanation":"This reverses the effect of monotony, which suppresses rather than celebrates individuality. Eliot suggests that city inhabitants become uniform, indistinguishable shapes."},{"text":"They become energetic, purposeful workers.","correct":false,"explanation":"Monotony implies dull repetition, not productive energy or clear purpose. The city's inhabitants are reduced to uniform, indistinguishable shapes without distinct identities."},{"text":"They become isolated, rebellious figures.","correct":false,"explanation":"Isolation may fit urban alienation, but rebellion suggests distinctive resistance that the image does not provide. Eliot instead makes the people uniform, indistinguishable shapes."}]},{"id":"ed672110-bd32-4e99-bb9a-8dba2cbe773e","cardType":"cloze","points":null,"front":"Robinson offers an [ ] survival response, while Femi gives an [ ] account of hostility.","back":"Robinson offers an internal, spiritual survival response, while Femi gives an external, highly realistic account of hostility.","mcqOptions":[{"text":"Robinson offers an internal, spiritual survival response, while Femi gives an external, highly realistic account of hostility.","correct":true,"explanation":"Robinson locates protection within memory, imagination and identity, whereas Femi directly depicts the outward social threat of racial profiling in a recognisable contemporary setting."},{"text":"Robinson offers an external, practical survival response, while Femi gives an internal, dreamlike account of hostility.","correct":false,"explanation":"This reverses the contrast between the poems. Robinson's refuge is internal and spiritual, while Femi's depiction of police hostility is external and highly realistic."},{"text":"Robinson offers an internal, spiritual survival response, while Femi gives an external, highly romanticised account of hostility.","correct":false,"explanation":"The first description is accurate, but Femi does not romanticise the encounter. His direct, contemporary presentation makes the hostility external and highly realistic."},{"text":"Robinson offers a passive, defeated survival response, while Femi gives an external, highly realistic account of hostility.","correct":false,"explanation":"The second description is accurate, but Robinson's inward refuge demonstrates active resilience rather than defeat. Her response to hostility is internal and spiritual."}]},{"id":"c93f6d04-8436-428d-bb04-02cf6e5d2237","cardType":"basic","points":2,"front":"What does Robinson's portable paradise represent?","back":"Inner resilience rooted in cultural memory and hope.","mcqOptions":[{"text":"Inner resilience rooted in cultural memory and hope.","correct":true,"explanation":"The portable paradise is an inward source of strength that can be carried anywhere, drawing on remembered culture and hope to resist hostility."},{"text":"Material wealth gained through economic success and status.","correct":false,"explanation":"Interpreting paradise materially overlooks its imagined and emotional nature. It represents inner resilience rooted in cultural memory and hope, not money or social status."},{"text":"Physical escape achieved by leaving danger behind forever.","correct":false,"explanation":"The paradise is carried internally rather than reached by physically escaping. It represents inner resilience rooted in cultural memory and hope amid continuing hostility."},{"text":"Social acceptance secured through conformity and public approval.","correct":false,"explanation":"Robinson does not suggest that survival depends on winning others' approval. The portable paradise represents inner resilience sustained by cultural memory and hope."}]},{"id":"8f99726f-9490-45ea-9b6e-e44c11ea018f","cardType":"basic","points":2,"front":"How does Robinson's inside your pocket image present resilience?","back":"As something secret, personal, and protected.","mcqOptions":[{"text":"As something secret, personal, and protected.","correct":true,"explanation":"Placing paradise inside a pocket makes it intimate and concealed, suggesting that the speaker can preserve this private source of strength from external hostility."},{"text":"As something public, collective, and exposed.","correct":false,"explanation":"This reverses the privacy associated with a pocket. The image presents resilience as secret, personal, and protected from the hostile world outside."},{"text":"As something heavy, restrictive, and burdensome.","correct":false,"explanation":"A pocket-sized paradise is portable and sustaining rather than an oppressive burden. It presents resilience as secret, personal, and protected."},{"text":"As something temporary, fragile, and easily lost.","correct":false,"explanation":"The image emphasises secure possession rather than vulnerability or disappearance. Resilience can be carried safely, making it secret, personal, and protected."}]},{"id":"e5e19129-7961-4125-b07a-6da4a8c5caa9","cardType":"basic","points":2,"front":"How does Femi present institutional prejudice in Thirteen?","back":"Police view the boy with a predator's eye.","mcqOptions":[{"text":"Police view the boy with a predator's eye.","correct":true,"explanation":"The predatory image presents the police as hunting and scrutinising the boy, revealing how institutional racism treats him as a suspicious target rather than an innocent child."},{"text":"Police view the boy with a guardian's concern.","correct":false,"explanation":"This assumes the police act protectively, overlooking the threatening racial profiling in the poem. They view the boy with a predator's eye, making him their target."},{"text":"Police view the boy with a teacher's patience.","correct":false,"explanation":"The encounter is not patient or instructive; it is shaped by suspicion and intimidation. The police view the boy with a predator's eye."},{"text":"Police view the boy with a stranger's indifference.","correct":false,"explanation":"The officers are intensely suspicious rather than indifferent. Femi's predator image shows them actively scrutinising and targeting the boy because of institutional prejudice."}]},{"id":"8bfcce67-a1df-47a4-8ad8-6999484cf8fa","cardType":"cloze","points":null,"front":"Robinson's tone is [ ], whereas Femi's is [ ].","back":"Robinson's tone is warm, instructional, and hopeful, whereas Femi's is tense, urgent, and direct.","mcqOptions":[{"text":"Robinson's tone is warm, instructional, and hopeful, whereas Femi's is tense, urgent, and direct.","correct":true,"explanation":"Robinson offers encouraging guidance and presents change as achievable, while Femi uses tension, urgency, and direct address to communicate the immediate pressures facing young people."},{"text":"Robinson's tone is cold, critical, and despairing, whereas Femi's is calm, reflective, and detached.","correct":false,"explanation":"This reverses the poems' emotional effects. Robinson is warm, instructional, and hopeful, whereas Femi is tense, urgent, and direct in confronting immediate social pressures."},{"text":"Robinson's tone is tense, urgent, and direct, whereas Femi's is warm, instructional, and hopeful.","correct":false,"explanation":"The tones have been assigned to the wrong poets. Robinson gives warm and hopeful instruction, while Femi's direct language creates tension and a sense of urgency."},{"text":"Robinson's tone is playful, mocking, and ironic, whereas Femi's is formal, distant, and nostalgic.","correct":false,"explanation":"Neither contrast captures the poems' central tones. Robinson is warmly instructional and hopeful, while Femi is tense, urgent, and direct rather than distant or nostalgic."}]},{"id":"1c400277-f957-4506-a5ca-31010b99f9b6","cardType":"cloze","points":null,"front":"In Berry and Mundair, language is the [ ], and reclaiming voice or name is an act of [ ].","back":"In Berry and Mundair, language is the vessel of identity, and reclaiming voice or name is an act of empowerment.","mcqOptions":[{"text":"In Berry and Mundair, language is the vessel of identity, and reclaiming voice or name is an act of empowerment.","correct":true,"explanation":"Both poets present language as carrying cultural and personal identity. Recovering a suppressed voice or original name therefore restores agency, making reclamation an act of empowerment."},{"text":"In Berry and Mundair, language is the barrier to identity, and reclaiming voice or name is an act of assimilation.","correct":false,"explanation":"This mistakes reclamation for conformity. Language is the vessel of identity in both poems, and recovering a voice or name resists assimilation through empowerment."},{"text":"In Berry and Mundair, language is the vessel of identity, and reclaiming voice or name is an act of submission.","correct":false,"explanation":"Reclaiming language does not involve yielding to external control. Because language carries identity, recovering a voice or name is an act of empowerment rather than submission."},{"text":"In Berry and Mundair, language is the instrument of erasure, and reclaiming voice or name is an act of forgetfulness.","correct":false,"explanation":"Although imposed language can contribute to erasure, both poets principally present language as the vessel of identity. Reclaiming it restores memory and agency through empowerment."}]},{"id":"b0cede3c-767d-479d-ba59-56c7af3ed4d3","cardType":"basic","points":2,"front":"What do Berry's bird metaphors suggest about Black Country dialect?","back":"Dialect is living, natural, and ready to be released.","mcqOptions":[{"text":"Dialect is living, natural, and ready to be released.","correct":true,"explanation":"The bird imagery presents Black Country dialect as an animate, organic presence. Its readiness for release suggests that suppressed regional speech should be allowed freedom and expression."},{"text":"Dialect is lifeless, artificial, and destined to disappear.","correct":false,"explanation":"This reverses the vitality of the bird imagery. Berry presents dialect as living, natural, and ready to be released, not as an artificial form approaching extinction."},{"text":"Dialect is fixed, formal, and needing to be preserved.","correct":false,"explanation":"This treats dialect as a static museum object, whereas the bird metaphors make it active and organic. It is living, natural, and ready to be released."},{"text":"Dialect is dangerous, unruly, and needing to be controlled.","correct":false,"explanation":"This confuses freedom with threat. The bird metaphors celebrate dialect's vitality, presenting it as living, natural, and ready to be released rather than controlled."}]},{"id":"3b8afac3-c8f3-4f95-8531-1d1b56b11a0d","cardType":"basic","points":2,"front":"What does anglicising the speaker's name do in Name Journeys?","back":"It strips heritage from her identity.","mcqOptions":[{"text":"It strips heritage from her identity.","correct":true,"explanation":"Anglicising the name removes its cultural sounds and associations. This strips heritage from the speaker's identity by reshaping it to fit the expectations of English society."},{"text":"It protects heritage within her identity.","correct":false,"explanation":"Anglicisation does not preserve the name's cultural origins; it suppresses them to make the name sound English. It therefore strips heritage from her identity."},{"text":"It adds prestige to her identity.","correct":false,"explanation":"Treating an English form as more prestigious reproduces the pressure criticised by the poem. Anglicisation strips heritage from her identity rather than genuinely enhancing it."},{"text":"It restores autonomy to her identity.","correct":false,"explanation":"The imposed alteration reduces rather than restores the speaker's control over her identity. Anglicising her name strips heritage from it by obscuring its cultural origin."}]},{"id":"37643b9e-ac4c-4490-b3de-cf75c6dc1464","cardType":"basic","points":2,"front":"What does reclaiming her original name represent in Name Journeys?","back":"Healing and decolonisation - a refusal of erasure.","mcqOptions":[{"text":"Healing and decolonisation - a refusal of erasure.","correct":true,"explanation":"Recovering the original name reconnects the speaker with her cultural identity and repairs the harm caused by anglicisation. It resists colonial pressure and refuses cultural erasure."},{"text":"Assimilation and acceptance - a willingness to conform.","correct":false,"explanation":"Assimilation describes adopting the imposed English form, not recovering the original name. Reclamation represents healing and decolonisation because it refuses cultural erasure."},{"text":"Shame and rejection - a denial of heritage.","correct":false,"explanation":"The speaker's reclamation affirms rather than denies her heritage. Restoring the original name symbolises healing and decolonisation by rejecting the shame imposed upon cultural difference."},{"text":"Obedience and submission - an acceptance of erasure.","correct":false,"explanation":"Returning to the original name challenges external control rather than obeying it. The act represents healing and decolonisation through a deliberate refusal of erasure."}]}]}],"examCountdown":{"examDate":"2027-05-12","paperLabel":"Paper 1"},"heading":"Theme Pairings","title":"Theme Pairings Flashcards","topbar":{"backHref":"/gcse/english-literature/aqa/flashcards"},"topicSidebar":"$L38"}]}],"topicId":"de4f8591-90c3-5ae9-a3c0-34270dfaa02d","walled":"$L39"}],"$L3a","$L3b"]