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opposing aspects within one being. Stevenson presents good and evil as competing parts of the same human psyche."},{"text":"repression","correct":false,"explanation":"Repression is the suppression of unacceptable desires, not the split itself. The correct term is duality because Stevenson depicts good and evil as opposing aspects of one psyche."},{"text":"degeneration","correct":false,"explanation":"Degeneration concerns a decline towards a primitive or corrupted state. The correct term is duality, which names the division between good and evil within human nature."},{"text":"hypocrisy","correct":false,"explanation":"Hypocrisy means presenting moral standards that one’s behaviour contradicts. The correct term is duality because the sentence focuses on two opposing sides within the psyche."}]},{"id":"e45bdb91-8a77-4d74-8273-66780f285ec5","cardType":"basic","points":1,"front":"Which Jekyll quote states that humanity is divided?","back":""Man is not truly one, but truly two".","mcqOptions":[{"text":""Man is not truly one, but truly two".","correct":true,"explanation":"Jekyll explicitly rejects the idea that a person has one unified identity and argues instead that human nature consists of two opposing sides."},{"text":""Man is truly one, and never truly two".","correct":false,"explanation":"This reverses Jekyll’s claim by presenting humanity as unified. The correct quotation is "Man is not truly one, but truly two", which asserts human division."},{"text":""Man is not truly two, but truly one".","correct":false,"explanation":"The key terms have been reversed, making Jekyll defend a single identity. He actually states "Man is not truly one, but truly two" to express duality."},{"text":""Man may be truly one, but appear as two".","correct":false,"explanation":"This treats division as merely an outward appearance. Jekyll’s actual claim is "Man is not truly one, but truly two", presenting duality as an essential truth."}]},{"id":"a69ad87b-d14a-412f-af70-257ab6f26488","cardType":"basic","points":2,"front":"What does the repeated word "truly" suggest in Jekyll’s statement?","back":"An absolute, undeniable reality.","mcqOptions":[{"text":"An absolute, undeniable reality.","correct":true,"explanation":"Repeating "truly" creates emphatic certainty, showing that Jekyll regards humanity’s divided nature as an absolute fact rather than a theory or appearance."},{"text":"An uncertain, speculative possibility.","correct":false,"explanation":"Repetition makes Jekyll sound emphatic rather than doubtful or speculative. It presents human duality as an absolute, undeniable reality that he believes he has discovered."},{"text":"A temporary, reversible condition.","correct":false,"explanation":"The repeated adverb does not suggest that division is temporary or changeable. It emphasises Jekyll’s conviction that duality is an absolute, undeniable reality of human nature."},{"text":"A deceptive, outward appearance.","correct":false,"explanation":"Jekyll is not describing a misleading appearance; he is asserting what humanity essentially is. Repeating "truly" presents duality as an absolute, undeniable reality."}]},{"id":"04eb3de7-08cb-4d54-87a0-3fa2467da615","cardType":"cloze","points":null,"front":"The contrast between [ ] and [ ] challenges the Christian idea of a single, unified soul.","back":"The contrast between "one" and "two" challenges the Christian idea of a single, unified soul.","mcqOptions":[{"text":"The contrast between "one" and "two" challenges the Christian idea of a single, unified soul.","correct":true,"explanation":"The numerical opposition directly contrasts unity with division. Jekyll’s claim that humanity is "two" therefore challenges the Christian conception of each person possessing one unified soul."},{"text":"The contrast between "body" and "two" challenges the Christian idea of a single, unified soul.","correct":false,"explanation":"The first term is misremembered; Jekyll contrasts numerical unity and division rather than body and number. The correct pairing is "one" and "two"."},{"text":"The contrast between "one" and "soul" challenges the Christian idea of a single, unified soul.","correct":false,"explanation":"The second term should be a number opposing unity, not a reference to the soul itself. The correct contrast is between "one" and "two"."},{"text":"The contrast between "good" and "evil" challenges the Christian idea of a single, unified soul.","correct":false,"explanation":"Good and evil express the broader moral conflict, but they are not the contrasted words in Jekyll’s statement. The specific contrast is between "one" and "two"."}]},{"id":"a5d017d4-d678-4a5a-8d44-0940f0d5e048","cardType":"basic","points":1,"front":"Which quote shows Jekyll enjoying his first transformation?","back":""I felt younger, lighter, happier in body".","mcqOptions":[{"text":""I felt younger, lighter, happier in body".","correct":true,"explanation":"The three positive comparative adjectives communicate pleasure, relief and renewed vitality. Jekyll initially experiences becoming Hyde as an exhilarating release from social and moral restraint."},{"text":""I felt older, heavier, unhappier in body".","correct":false,"explanation":"These negative comparatives reverse Jekyll’s initial enjoyment of becoming Hyde. The correct quotation is "I felt younger, lighter, happier in body", conveying pleasure and liberation."},{"text":""I felt younger, weaker, stranger in body".","correct":false,"explanation":"This substitutes unease and weakness for the exhilaration Jekyll describes. The correct quotation is "I felt younger, lighter, happier in body", emphasising positive physical release."},{"text":""I felt colder, darker, smaller in body".","correct":false,"explanation":"These adjectives suggest discomfort and sinister physical change rather than enjoyment. Jekyll says "I felt younger, lighter, happier in body", using positive comparatives to express delight."}]},{"id":"0d57a01d-7d22-4cdf-b40c-a75bce158e13","cardType":"cloze","points":null,"front":"The phrase "younger, lighter, happier" uses [ ] through [ ].","back":"The phrase "younger, lighter, happier" uses triadic structure through comparative adjectives.","mcqOptions":[{"text":"The phrase "younger, lighter, happier" uses triadic structure through comparative adjectives.","correct":true,"explanation":"The phrase contains a group of three parallel words, creating triadic structure. Each adjective takes the comparative form ending in "-er", emphasising Jekyll’s improved sensations."},{"text":"The phrase "younger, lighter, happier" uses binary structure through comparative adjectives.","correct":false,"explanation":"Binary structure requires two elements, but the phrase contains three. It therefore uses triadic structure, while the "-er" forms are correctly identified as comparative adjectives."},{"text":"The phrase "younger, lighter, happier" uses triadic structure through superlative adjectives.","correct":false,"explanation":"The three-part structure is correctly identified, but these are comparative forms, not superlatives such as "youngest". The phrase uses triadic structure through comparative adjectives."},{"text":"The phrase "younger, lighter, happier" uses alliterative structure through abstract nouns.","correct":false,"explanation":"The words neither share an initial sound nor function as nouns. The phrase uses triadic structure because it has three elements, all expressed through comparative adjectives."}]},{"id":"86327283-c943-49c1-abe1-9ee3582276d2","cardType":"basic","points":2,"front":"What does "lighter" suggest about Jekyll’s transformation?","back":"He has cast off the weight of social morality.","mcqOptions":[{"text":"He has cast off the weight of social morality.","correct":true,"explanation":""Lighter" metaphorically suggests relief from the moral expectations and respectable behaviour constraining Jekyll. As Hyde, he feels able to escape society’s restrictive standards."},{"text":"He has lost the burden of physical strength.","correct":false,"explanation":"The adjective is metaphorical rather than evidence that Jekyll has lost physical strength. It suggests he has cast off the weight of social morality by becoming Hyde."},{"text":"He has accepted the duties of social respectability.","correct":false,"explanation":"Becoming Hyde allows Jekyll to escape respectable duties rather than accept them. "Lighter" suggests that he has cast off the weight of social morality."},{"text":"He has gained the weight of moral responsibility.","correct":false,"explanation":"This reverses the metaphor: feeling lighter implies that a burden has been removed, not gained. Jekyll has cast off the weight of social morality through Hyde."}]},{"id":"c9034ae7-2b72-452e-93fe-3154716b5728","cardType":"basic","points":2,"front":"Why does Jekyll create Hyde?","back":"To indulge sinful pleasures without losing respectable status.","mcqOptions":[{"text":"To indulge sinful pleasures without losing respectable status.","correct":true,"explanation":"Hyde provides a separate identity through which Jekyll can pursue forbidden desires while protecting his reputation. The arrangement attempts to divide private sin from public respectability."},{"text":"To suppress sinful pleasures while gaining religious salvation.","correct":false,"explanation":"Jekyll creates Hyde to express forbidden desires, not suppress them or seek salvation. His aim is to indulge sinful pleasures without losing respectable status."},{"text":"To indulge scientific curiosity without losing physical strength.","correct":false,"explanation":"Scientific curiosity contributes to Jekyll’s experiment, but it does not explain Hyde’s continuing purpose. Jekyll uses Hyde to indulge sinful pleasures while retaining respectable status."},{"text":"To abandon sinful pleasures without gaining public disgrace.","correct":false,"explanation":"Jekyll does not intend to abandon forbidden desires; Hyde enables him to pursue them secretly. He seeks to indulge sinful pleasures without losing respectable status."}]},{"id":"afae64bf-11c7-420b-9c78-f3e8ba82e67e","cardType":"cloze","points":null,"front":"Hyde is the physical manifestation of Jekyll’s [ ].","back":"Hyde is the physical manifestation of Jekyll’s repressed desires.","mcqOptions":[{"text":"repressed desires","correct":true,"explanation":"Jekyll suppresses impulses that Victorian respectability forbids him from expressing. Hyde physically embodies these repressed desires, allowing Jekyll’s hidden urges to act without social restraint."},{"text":"scientific ambitions","correct":false,"explanation":"Jekyll’s scientific ambition leads him to create the potion, but Hyde specifically embodies his repressed desires. These are the immoral impulses concealed beneath Jekyll’s respectable identity."},{"text":"social reputation","correct":false,"explanation":"Social reputation is the respectable appearance Jekyll tries to protect, not what Hyde embodies. Hyde manifests the repressed desires that Jekyll’s public identity forces him to conceal."},{"text":"moral conscience","correct":false,"explanation":"Hyde lacks the moral conscience that restrains Jekyll, so he cannot represent it. He instead embodies Jekyll’s repressed desires, liberated from guilt and social expectations."}]},{"id":"54d2f917-3ca1-4694-ac20-f9cfeed70eff","cardType":"cloze","points":null,"front":"[ ] is regression to a primitive ancestral state; [ ] is decay to a lower state.","back":"Atavism is regression to a primitive ancestral state; degeneration is decay to a lower state.","mcqOptions":[{"text":"Atavism is regression to a primitive ancestral state; degeneration is decay to a lower state.","correct":true,"explanation":"Atavism describes the reappearance of primitive ancestral characteristics, whereas degeneration describes a broader decline into an inferior condition. Both ideas shaped Victorian anxieties about Hyde."},{"text":"Degeneration is regression to a primitive ancestral state; atavism is decay to a lower state.","correct":false,"explanation":"This reverses the two related concepts. Atavism specifically means regression to an ancestral state, while degeneration is the process of declining or decaying into a lower state."},{"text":"Evolution is regression to a primitive ancestral state; degeneration is decay to a lower state.","correct":false,"explanation":"Evolution means biological change across generations, not necessarily regression to primitive ancestry. The precise term for ancestral reversion is atavism, while degeneration means decline to a lower state."},{"text":"Atavism is regression to a primitive ancestral state; civilisation is decay to a lower state.","correct":false,"explanation":"Atavism correctly describes ancestral regression, but civilisation refers to social development rather than decay. Degeneration is the term for deterioration into an inferior or lower state."}]},{"id":"dff5f44a-5acf-4704-85f4-0ad8a668b4bb","cardType":"basic","points":1,"front":"Which quote first introduces Hyde as he tramples a young girl?","back":""Like a damned Juggernaut".","mcqOptions":[{"text":""Like a damned Juggernaut".","correct":true,"explanation":"Enfield uses this simile while describing Hyde trampling the girl. It presents Hyde as an overwhelming, destructive force that advances without compassion or restraint."},{"text":""With ape-like fury".","correct":false,"explanation":"This phrase describes Hyde’s later murder of Sir Danvers Carew, not his trampling of the girl. The earlier incident introduces him as "Like a damned Juggernaut"."},{"text":""Really like Satan".","correct":false,"explanation":"Utterson later uses this comparison after meeting Hyde, linking him with evil. Enfield first presents the trampling through the simile "Like a damned Juggernaut"."},{"text":""Black, sneering coolness".","correct":false,"explanation":"This describes Hyde’s disturbing composure during the aftermath of the trampling, rather than the initial act itself. His movement over the girl is compared to "a damned Juggernaut"."}]},{"id":"b4bddf9e-b362-4cb8-bdc1-d1bd7346590c","cardType":"basic","points":2,"front":"What does "Juggernaut" present Hyde as?","back":"An inhuman, unstoppable force of destruction.","mcqOptions":[{"text":"An inhuman, unstoppable force of destruction.","correct":true,"explanation":"A Juggernaut is understood as a huge, irresistibly destructive force. The comparison therefore makes Hyde appear inhuman, overwhelmingly powerful and indifferent to the suffering he causes."},{"text":"An innocent, vulnerable victim of society.","correct":false,"explanation":"Hyde is the aggressor who tramples the vulnerable girl, not society’s innocent victim. "Juggernaut" instead presents him as an inhuman, unstoppable force of destruction."},{"text":"An intelligent, controlled figure of authority.","correct":false,"explanation":"The image emphasises brutal momentum rather than intelligence, self-control or authority. It presents Hyde as an inhuman, unstoppable force whose destructive advance cannot easily be resisted."},{"text":"An ordinary, respectable Victorian gentleman.","correct":false,"explanation":"The violent supernatural comparison separates Hyde from respectable Victorian humanity. "Juggernaut" presents him as an inhuman, unstoppable force of destruction rather than an ordinary gentleman."}]},{"id":"7367d3d2-419b-4650-959c-7a647b446682","cardType":"basic","points":2,"front":"What does "damned" foreshadow about Hyde?","back":"His spiritual damnation and link to the devil.","mcqOptions":[{"text":"His spiritual damnation and link to the devil.","correct":true,"explanation":""Damned" carries Christian associations of condemnation to hell. It foreshadows Hyde’s spiritual damnation and reinforces his symbolic connection with the devil and absolute evil."},{"text":"His eventual redemption and return to the church.","correct":false,"explanation":"The religious adjective suggests condemnation rather than salvation or redemption. It foreshadows Hyde’s spiritual damnation and associates him with the devil, hell and Christian ideas of evil."},{"text":"His social acceptance and link to the gentlemen.","correct":false,"explanation":"Hyde is rejected and feared by respectable society rather than accepted by it. "Damned" foreshadows spiritual damnation and creates a religious link between Hyde and the devil."},{"text":"His physical weakness and link to the victim.","correct":false,"explanation":""Damned" concerns religious condemnation, not physical weakness or victimhood. The word foreshadows Hyde’s spiritual damnation and strengthens his symbolic association with the devil."}]},{"id":"b247c259-e95d-4334-9115-89cf59ccd56f","cardType":"basic","points":1,"front":"Which quote presents Hyde as animalistic during Carew’s murder?","back":""Ape-like fury".","mcqOptions":[{"text":""Ape-like fury".","correct":true,"explanation":"The narrator describes Hyde attacking Carew with "ape-like fury". The zoomorphic comparison portrays his violence as primitive, uncontrolled and disturbingly less than human."},{"text":""Damned Juggernaut".","correct":false,"explanation":"This image comes from Enfield’s account of Hyde trampling the young girl. During Carew’s murder, Hyde’s animalistic violence is conveyed by the phrase "ape-like fury"."},{"text":""Sneering coolness".","correct":false,"explanation":"This phrase describes Hyde’s cold composure after trampling the girl, not his animalistic violence during Carew’s murder. That later attack is characterised by "ape-like fury"."},{"text":""Hissing intake".","correct":false,"explanation":"This detail presents Hyde’s reaction during his conversation with Utterson, rather than Carew’s murder. The murder scene makes Hyde animalistic through the phrase "ape-like fury"."}]},{"id":"0d81f95b-0d22-441e-9d45-5f81cf6a8e6c","cardType":"basic","points":1,"front":"What method is used in "ape-like fury"?","back":"Zoomorphism.","mcqOptions":[{"text":"Zoomorphism.","correct":true,"explanation":"Zoomorphism attributes animal characteristics to a human figure. Comparing Hyde’s violence to an ape makes him seem primitive, instinctive and stripped of civilised human restraint."},{"text":"Personification.","correct":false,"explanation":"Personification gives human qualities to something non-human, which is the reverse of this comparison. Giving Hyde ape-like qualities is zoomorphism because it makes a human animalistic."},{"text":"Pathetic fallacy.","correct":false,"explanation":"Pathetic fallacy gives human emotions to weather or nature, neither of which occurs here. The description uses zoomorphism by associating Hyde’s behaviour with an ape."},{"text":"Euphemism.","correct":false,"explanation":"A euphemism softens an unpleasant idea, whereas "ape-like fury" makes Hyde’s brutality more vivid. The specific method is zoomorphism because he receives animal characteristics."}]},{"id":"9875aa05-306d-4d25-8ad1-0a5e4dafa8c3","cardType":"basic","points":2,"front":"What does "ape" imply about Hyde?","back":"He is reduced to a primitive beast, stripped of humanity.","mcqOptions":[{"text":"He is reduced to a primitive beast, stripped of humanity.","correct":true,"explanation":"The ape comparison places Hyde closer to an evolutionary ancestor than a civilised Victorian man. It reduces him to a primitive beast governed by violent instinct."},{"text":"He is elevated to a civilised gentleman, respected by society.","correct":false,"explanation":"The comparison lowers Hyde beneath civilised humanity rather than elevating his social status. He is presented as a primitive beast whose violent instincts overwhelm reason and restraint."},{"text":"He is transformed into a harmless animal, incapable of violence.","correct":false,"explanation":"The accompanying noun "fury" makes the animal imagery intensely violent rather than harmless. Hyde is reduced to a primitive beast and shown losing civilised human restraint."},{"text":"He is revealed as a rational scientist, guided by intelligence.","correct":false,"explanation":"Ape imagery emphasises instinctive savagery rather than rational scientific thought. It reduces Hyde to a primitive beast, suggesting that violence has stripped away his humanity."}]},{"id":"3a91cad8-d0e1-4794-afb9-92f5751c7714","cardType":"basic","points":2,"front":"What Victorian anxiety does "ape-like fury" tap into?","back":"Fear of atavism and the beast within.","mcqOptions":[{"text":"Fear of atavism and the beast within.","correct":true,"explanation":"Hyde’s primitive, animalistic violence reflects the Victorian fear of atavism - the belief that civilised people might regress and reveal a savage inner nature."},{"text":"Fear of mechanisation and the factory system.","correct":false,"explanation":"Industrialisation was a significant Victorian concern, but the animalistic adjective “ape-like” specifically evokes atavism and the fear that humanity’s savage inner nature could re-emerge."},{"text":"Fear of religious doubt and the loss of faith.","correct":false,"explanation":"Religious doubt was intensified by Victorian scientific developments, but “ape-like fury” suggests evolutionary regression and atavism rather than a loss of Christian belief."},{"text":"Fear of female emancipation and changing gender roles.","correct":false,"explanation":"Changing gender roles caused Victorian anxiety, but they are not suggested by Hyde’s animalistic description. “Ape-like” evokes atavism and the savage beast supposedly lurking within civilised humanity."}]},{"id":"8c3a4e5b-b28c-48de-864f-5d4b88f9e195","cardType":"cloze","points":null,"front":"[ ] gives human qualities to non-human things; [ ] gives animal qualities to humans.","back":"Personification gives human qualities to non-human things; zoomorphism gives animal qualities to humans.","mcqOptions":[{"text":"Personification gives human qualities to non-human things; zoomorphism gives animal qualities to humans.","correct":true,"explanation":"Personification attributes human characteristics to something non-human, whereas zoomorphism describes a human using animal characteristics, often suggesting primitiveness or loss of civilisation."},{"text":"Zoomorphism gives human qualities to non-human things; personification gives animal qualities to humans.","correct":false,"explanation":"The terms have been reversed. Personification gives human qualities to non-human things, while zoomorphism gives animal qualities to humans, as when Hyde is described as “ape-like”."},{"text":"Metaphor gives human qualities to non-human things; zoomorphism gives animal qualities to humans.","correct":false,"explanation":"A metaphor describes one thing as another but does not necessarily attribute human qualities. Personification does this specifically, while zoomorphism attributes animal qualities to humans."},{"text":"Personification gives human qualities to non-human things; symbolism gives animal qualities to humans.","correct":false,"explanation":"Symbolism allows something to represent a wider idea; it does not specifically give animal qualities to people. That technique is zoomorphism, while personification gives human qualities to non-human things."}]},{"id":"1131a2b7-8272-4fba-b442-994ac70e0e10","cardType":"basic","points":1,"front":"Which quote presents hidden sin as haunting and diseased?","back":""The ghost of some old sin, the cancer of some concealed disgrace".","mcqOptions":[{"text":""The ghost of some old sin, the cancer of some concealed disgrace".","correct":true,"explanation":"The nouns “ghost” and “cancer” portray past wrongdoing as both haunting and diseased, while “concealed disgrace” stresses that the shameful secret remains hidden from society."},{"text":""Man is not truly one, but truly two".","correct":false,"explanation":"This quotation expresses Jekyll’s theory that human identity is divided, rather than presenting concealed wrongdoing as haunting and diseased. The “ghost” and “cancer” quotation conveys those ideas."},{"text":""Something troglodytic, shall we say?".","correct":false,"explanation":"The description “troglodytic” presents Hyde as primitive or evolutionarily regressive, not hidden sin as haunting and diseased. Those associations come from the linked metaphors “ghost” and “cancer”."},{"text":""Like some damned Juggernaut".","correct":false,"explanation":"The simile of the “Juggernaut” emphasises Hyde’s destructive violence and unstoppable force. Hidden sin is instead portrayed as haunting and diseased through the metaphors “ghost” and “cancer”."}]},{"id":"403c64f3-3f1f-4dba-a36a-43f44a452f76","cardType":"basic","points":2,"front":"What does "cancer" imply about secrets?","back":"They are a deadly disease eating away respectability.","mcqOptions":[{"text":"They are a deadly disease eating away respectability.","correct":true,"explanation":"The metaphor suggests that a concealed secret spreads destructively like a fatal illness, gradually consuming the respectable public identity that a Victorian gentleman carefully maintains."},{"text":"They are a minor blemish briefly damaging respectability.","correct":false,"explanation":"Calling the secret a “cancer” makes it severe and progressively destructive, not a superficial or short-lived imperfection. It is a deadly disease eating away the person’s respectability."},{"text":"They are an outside attack threatening physical safety.","correct":false,"explanation":"Cancer develops within the body, so the metaphor presents corruption as an internal consequence of concealed wrongdoing, not an external assault. The secret eats away the gentleman’s respectability."},{"text":"They are a curable weakness leaving respectability intact.","correct":false,"explanation":"The image of cancer implies progressive, potentially fatal destruction rather than a weakness that leaves reputation unharmed. Concealed secrets are shown eating away a gentleman’s respectability."}]},{"id":"282d8270-3377-4a30-9554-70f6fde0966a","cardType":"basic","points":2,"front":"What Victorian fear sits behind "concealed disgrace"?","back":"A scandal could destroy a gentleman’s social standing.","mcqOptions":[{"text":"A scandal could destroy a gentleman’s social standing.","correct":true,"explanation":"Victorian gentlemen depended heavily on public reputation. Exposure of a concealed disgrace could lead to shame and exclusion, destroying the social standing created by an outwardly respectable identity."},{"text":"Industrial change could threaten a gentleman’s economic livelihood.","correct":false,"explanation":"Economic insecurity was a Victorian concern, but “concealed disgrace” refers specifically to shame and reputation. Exposure of a scandal could destroy a gentleman’s social standing."},{"text":"Scientific theories could undermine a gentleman’s religious faith.","correct":false,"explanation":"Scientific discoveries did challenge Victorian Christianity, but “concealed disgrace” concerns secret misconduct and public shame. A revealed scandal threatened a gentleman’s social standing, not primarily his faith."},{"text":"Urban violence could endanger a gentleman’s physical safety.","correct":false,"explanation":"Urban crime created fears about bodily danger, but “concealed disgrace” suggests reputational harm caused by exposed wrongdoing. The central anxiety is the destruction of a gentleman’s social standing."}]}]}],"examCountdown":{"examDate":"2027-05-12","paperLabel":"Paper 1"},"heading":"Key Quotes","title":"Key Quotes Flashcards","topbar":{"backHref":"/gcse/english-literature/aqa/flashcards"},"topicSidebar":"$L38"}]}],"topicId":"55ee612d-ae0c-5617-a643-9c489279fbe4","walled":"$L39"}],"$L3a","$L3b"]