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understanding Hyde and Jekyll immediately. Readers therefore discover evidence alongside him."},{"text":"Dr Jekyll’s limited viewpoint.","correct":false,"explanation":"Jekyll does not frame the opening investigation because his personal account is withheld until Chapter 10. The first eight chapters use Mr Utterson’s limited viewpoint."},{"text":"Dr Lanyon’s limited viewpoint.","correct":false,"explanation":"Lanyon contributes important evidence later, especially in Chapter 9, but he does not frame the opening mystery. It is presented through Mr Utterson’s limited viewpoint."},{"text":"Mr Enfield’s limited viewpoint.","correct":false,"explanation":"Enfield introduces the story of Hyde’s violence, but he does not guide readers through the subsequent mystery. The narrative primarily follows Mr Utterson’s limited viewpoint."}]},{"id":"e6a43fc2-c9e6-4e1c-bb14-a49e1f643754","cardType":"basic","points":2,"front":"What effect does Utterson’s limited viewpoint create for readers?","back":"Readers feel like detectives solving a bizarre case.","mcqOptions":[{"text":"Readers feel like detectives solving a bizarre case.","correct":true,"explanation":"Because Utterson possesses only partial information, readers must interpret clues and suspicious events alongside him, making them feel like investigators solving the novella’s mystery."},{"text":"Readers feel like judges delivering a final verdict.","correct":false,"explanation":"Utterson’s restricted knowledge creates uncertainty rather than authority, so readers cannot confidently judge the characters. Instead, they feel like detectives solving a bizarre case."},{"text":"Readers feel like prophets predicting an obvious outcome.","correct":false,"explanation":"The limited viewpoint conceals Jekyll’s secret rather than giving readers complete knowledge of future events. Readers therefore feel like detectives solving a bizarre case."},{"text":"Readers feel like spectators watching a straightforward drama.","correct":false,"explanation":"Readers are encouraged to assemble clues actively, not passively observe a familiar story. Utterson’s limited knowledge makes them feel like detectives solving a bizarre case."}]},{"id":"ebea7039-3b1b-4ecd-bc7b-41ead5b95322","cardType":"cloze","points":null,"front":"Stevenson shifts from [ ] narration to [ ] accounts.","back":"Stevenson shifts from third-person limited narration to first-person epistolary accounts.","mcqOptions":[{"text":"Stevenson shifts from third-person limited narration to first-person epistolary accounts.","correct":true,"explanation":"The earlier chapters follow Utterson through third-person limited narration, while Lanyon’s and Jekyll’s written testimonies use first-person epistolary accounts to disclose the truth."},{"text":"Stevenson shifts from third-person omniscient narration to first-person epistolary accounts.","correct":false,"explanation":"The opening is not narrated by an all-knowing voice because readers are restricted largely to Utterson’s discoveries. Stevenson shifts from third-person limited narration to first-person epistolary accounts."},{"text":"Stevenson shifts from third-person limited narration to third-person objective accounts.","correct":false,"explanation":"The final testimonies are letters and confessions written in the first person, not detached third-person reports. The shift is from third-person limited narration to first-person epistolary accounts."},{"text":"Stevenson shifts from second-person limited narration to second-person epistolary accounts.","correct":false,"explanation":"Neither section uses second-person narration, which would address the reader as “you”. Stevenson moves from third-person limited narration to first-person epistolary accounts."}]},{"id":"a1830711-6b97-4ea8-8727-a0a53ddfb9e1","cardType":"basic","points":2,"front":"What does the epistolary shift in Chapters 9 and 10 mimic?","back":"The peeling back of Jekyll’s respectable facade.","mcqOptions":[{"text":"The peeling back of Jekyll’s respectable facade.","correct":true,"explanation":"Lanyon’s and Jekyll’s documents gradually reveal the truth hidden beneath Jekyll’s respectable public identity, structurally imitating the removal of layers from his facade."},{"text":"The strengthening of Jekyll’s respectable facade.","correct":false,"explanation":"The letters expose rather than reinforce Jekyll’s respectable identity, revealing the concealed corruption beneath it. The shift mimics the peeling back of Jekyll’s respectable facade."},{"text":"The sudden rebuilding of Jekyll’s respectable facade.","correct":false,"explanation":"Although Jekyll’s reputation ultimately collapses, the narrative shift specifically reveals his secret layer by layer. It mimics the peeling back of Jekyll’s respectable facade."},{"text":"The public celebration of Jekyll’s respectable facade.","correct":false,"explanation":"The documents reveal private shame rather than celebrating Jekyll’s public reputation. Their gradual disclosures mimic the peeling back of Jekyll’s respectable facade."}]},{"id":"bfc1d826-e625-419a-8361-2af744a885db","cardType":"basic","points":2,"front":"What change in reader focus does the epistolary shift create?","back":"

From Hyde’s external horrors
To Jekyll’s internal torment

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From Hyde’s external horrors
To Jekyll’s internal torment

","correct":true,"explanation":"The earlier mystery emphasises Hyde’s visible violence and appearance, whereas Jekyll’s confession redirects attention towards his psychological conflict, guilt and suffering."},{"text":"

From Jekyll’s internal torment
To Hyde’s external horrors

","correct":false,"explanation":"This reverses the novella’s movement: Hyde’s outward actions dominate earlier chapters, while Jekyll’s final confession reveals his inner struggle. The focus moves from external horrors to internal torment."},{"text":"

From Hyde’s external horrors
To Utterson’s legal concerns

","correct":false,"explanation":"The epistolary accounts do not redirect attention towards Utterson’s professional concerns. They move from Hyde’s visible horrors to the previously concealed internal torment experienced by Jekyll."},{"text":"

From Jekyll’s public reputation
To Hyde’s internal torment

","correct":false,"explanation":"The final documents disclose Jekyll’s psychological suffering, not Hyde’s private thoughts, which remain inaccessible. The focus shifts from Hyde’s external horrors to Jekyll’s internal torment."}]},{"id":"351f55ab-cf88-4e82-9a27-dbdf9707902d","cardType":"basic","points":1,"front":"Which chapter acts as the novella’s exposition?","back":"Chapter 1, Story of the Door.","mcqOptions":[{"text":"Chapter 1, Story of the Door.","correct":true,"explanation":"Chapter 1 introduces Utterson, Enfield, Hyde’s disturbing behaviour and the symbolic door, establishing the characters, atmosphere and central mystery required for the exposition."},{"text":"Chapter 2, Search for Mr Hyde.","correct":false,"explanation":"Chapter 2 develops Utterson’s investigation after the principal characters and mystery have already been introduced. The novella’s exposition is Chapter 1, Story of the Door."},{"text":"Chapter 4, The Carew Murder Case.","correct":false,"explanation":"Chapter 4 intensifies the conflict through Carew’s murder, so it functions as rising action rather than exposition. Chapter 1, Story of the Door, establishes the novella."},{"text":"Chapter 10, Henry Jekyll’s Full Statement.","correct":false,"explanation":"Chapter 10 provides Jekyll’s final explanation and resolves the central mystery, making it a concluding revelation. The exposition is Chapter 1, Story of the Door."}]},{"id":"3757b5e2-7632-42f2-9772-f36f62d1c3d8","cardType":"basic","points":2,"front":"In Chapter 1, what does the laboratory door’s contrast with the prosperous street symbolise?","back":"The dual nature of Victorian society.","mcqOptions":[{"text":"The dual nature of Victorian society.","correct":true,"explanation":"The neglected laboratory entrance exists beside an orderly, affluent street, suggesting that respectable Victorian appearances can conceal corruption, secrecy and immoral desires."},{"text":"The scientific progress of Victorian society.","correct":false,"explanation":"The contrast is not primarily about Victorian technological progress; it places decay beside prosperity to expose hidden corruption. It symbolises the dual nature of Victorian society."},{"text":"The economic success of Victorian society.","correct":false,"explanation":"The prosperous street suggests material success, but the neglected door complicates rather than celebrates it. Their contrast symbolises the dual nature of Victorian society."},{"text":"The moral unity of Victorian society.","correct":false,"explanation":"The door and street reveal concealed disorder beneath respectable appearances, not a society united by shared values. They symbolise the dual nature of Victorian society."}]},{"id":"61ab7273-5f6f-482d-9307-c377bd70b22f","cardType":"cloze","points":null,"front":"The adverb [ ] clashes with “trampled” to show Hyde’s [ ].","back":"The adverb calmly clashes with “trampled” to show Hyde’s lack of empathy.","mcqOptions":[{"text":"The adverb calmly clashes with “trampled” to show Hyde’s lack of empathy.","correct":true,"explanation":"“Calmly” contrasts disturbingly with the brutality of “trampled”, showing that Hyde harms the child without emotional disturbance, remorse or concern for her suffering."},{"text":"The adverb violently clashes with “trampled” to show Hyde’s physical strength.","correct":false,"explanation":"“Violently” would reinforce rather than clash with “trampled”, and the description is not intended primarily to establish physical power. “Calmly” reveals Hyde’s lack of empathy."},{"text":"The adverb calmly clashes with “trampled” to show Hyde’s fear of punishment.","correct":false,"explanation":"Although “calmly” is the correct adverb, Hyde’s composure demonstrates emotional indifference rather than fear of consequences. The contrast reveals his lack of empathy."},{"text":"The adverb reluctantly clashes with “trampled” to show Hyde’s sense of guilt.","correct":false,"explanation":"“Reluctantly” would imply hesitation or unwillingness, which Hyde does not display, while guilt is absent from his reaction. “Calmly” instead reveals his lack of empathy."}]},{"id":"dd7bcad2-a886-4995-bc27-3efda23b0ba0","cardType":"basic","points":2,"front":"How does Carew’s murder change Hyde’s threat level?","back":"From a private menace to a public, national threat.","mcqOptions":[{"text":"From a private menace to a public, national threat.","correct":true,"explanation":"Carew is a prominent public figure, so his murder brings Hyde to national attention. Hyde’s violence now threatens the wider social order rather than only private individuals."},{"text":"From a public menace to a private, personal threat.","correct":false,"explanation":"This reverses Hyde’s development. Carew’s public status and the resulting police pursuit transform Hyde from a private menace into a public, national threat."},{"text":"From a violent criminal to a repentant, moral figure.","correct":false,"explanation":"Hyde shows no remorse or moral improvement after the murder. His brutal attack on Carew establishes him as a public, national threat rather than a reformed figure."},{"text":"From a supernatural mystery to a harmless, comic figure.","correct":false,"explanation":"The murder intensifies Hyde’s frightening significance rather than making him harmless or comic. It changes him from a private menace into a threat to national order."}]},{"id":"4b907b1a-4be1-414e-88f1-18233ee89b31","cardType":"cloze","points":null,"front":"The metaphor [ ] evokes late-Victorian fears of [ ].","back":"The metaphor ape-like fury evokes late-Victorian fears of atavism.","mcqOptions":[{"text":"The metaphor ape-like fury evokes late-Victorian fears of atavism.","correct":true,"explanation":"Hyde’s animalistic violence suggests atavism, the feared reappearance of primitive ancestral traits. The metaphor reflects late-Victorian anxieties about degeneration and evolutionary regression."},{"text":"The metaphor ape-like fury evokes late-Victorian fears of industrialisation.","correct":false,"explanation":"Industrialisation concerns economic and technological change, not evolutionary regression. The animalistic metaphor specifically evokes atavism, the fear that humans could revert to primitive ancestral forms."},{"text":"The metaphor child-like innocence evokes late-Victorian fears of atavism.","correct":false,"explanation":"Hyde is described through savage animal imagery, not innocent childhood imagery. “Ape-like fury” links his violence to atavism and fears of regression towards primitive humanity."},{"text":"The metaphor wolf-like cunning evokes late-Victorian fears of urbanisation.","correct":false,"explanation":"Neither filled term matches Stevenson’s language or its evolutionary implication. “Ape-like fury” evokes atavism by presenting Hyde as a regression to a primitive ancestral state."}]},{"id":"650b7861-48d8-48d1-b12b-58c6a2ad25bf","cardType":"basic","points":2,"front":"What does the fog in Chapter 4 symbolise?","back":"Victorian society’s moral blindness and hidden hypocrisy.","mcqOptions":[{"text":"Victorian society’s moral blindness and hidden hypocrisy.","correct":true,"explanation":"The fog obscures people and places, symbolising society’s inability or refusal to recognise its own corruption. It also conceals the hypocrisy beneath respectable Victorian appearances."},{"text":"Victorian society’s scientific progress and growing knowledge.","correct":false,"explanation":"Fog limits vision rather than representing increased knowledge or progress. It symbolises Victorian society’s moral blindness and its concealment of corruption beneath respectable appearances."},{"text":"Victorian society’s religious certainty and open honesty.","correct":false,"explanation":"The obscuring fog suggests uncertainty and concealment, not certainty or honesty. It represents moral blindness and the hidden hypocrisy beneath Victorian respectability."},{"text":"Victorian society’s social harmony and shared values.","correct":false,"explanation":"The fog creates confusion and division rather than harmony. Its concealment symbolises Victorian society’s moral blindness and the hypocrisy hidden beneath its supposedly shared respectable values."}]},{"id":"a826faa7-a35d-4698-b154-3208ad99f722","cardType":"basic","points":1,"front":"What is Chapter 8’s structural role in Utterson’s investigation?","back":"The physical climax of the investigation.","mcqOptions":[{"text":"The physical climax of the investigation.","correct":true,"explanation":"Utterson and Poole break into the cabinet and discover Hyde’s body, turning the investigation into direct physical action. The later documents provide the explanatory climax."},{"text":"The initial beginning of the investigation.","correct":false,"explanation":"Utterson’s investigation begins much earlier, after Enfield’s story and the discovery of Jekyll’s will. Chapter 8 is its physical climax, when the cabinet is forcibly entered."},{"text":"The comic interlude of the investigation.","correct":false,"explanation":"Chapter 8 heightens Gothic tension and culminates in a disturbing discovery, so it is not comic relief. It serves as the physical climax of Utterson’s investigation."},{"text":"The explanatory conclusion of the investigation.","correct":false,"explanation":"The full explanation comes through Lanyon’s narrative and Jekyll’s confession in Chapters 9 and 10. Chapter 8 instead provides the investigation’s physical climax."}]},{"id":"1ce8e38b-f395-43de-b909-4d3d5ba29b97","cardType":"basic","points":2,"front":"What does the crushed cabinet key symbolise in Chapter 8?","back":"Jekyll’s control over his dual nature is shattered.","mcqOptions":[{"text":"Jekyll’s control over his dual nature is shattered.","correct":true,"explanation":"The broken key reflects Jekyll’s loss of mastery over the division he created. Hyde has become uncontrollable, leaving Jekyll unable to contain or reverse his dual existence."},{"text":"Jekyll’s curiosity about his dual nature is satisfied.","correct":false,"explanation":"The crushed key signals destruction and lost control, not satisfied curiosity. It symbolises that Jekyll’s control over his divided nature has been shattered by Hyde’s dominance."},{"text":"Jekyll’s knowledge of his dual nature is strengthened.","correct":false,"explanation":"Although Jekyll understands his experiment, the broken key does not suggest stronger knowledge. It represents his shattered control as Hyde increasingly dominates their shared existence."},{"text":"Jekyll’s acceptance of his dual nature is complete.","correct":false,"explanation":"Jekyll does not peacefully accept his condition; he desperately tries to resist Hyde. The crushed key symbolises that his control over his dual nature has been shattered."}]},{"id":"c97fc190-bcc6-42c1-bc04-53159d109f2e","cardType":"cloze","points":null,"front":"Poole’s phrase “[ ]” suggests Hyde has overwhelmed Jekyll’s [ ].","back":"Poole’s phrase “mere animal terror” suggests Hyde has overwhelmed Jekyll’s rational, human side.","mcqOptions":[{"text":"Poole’s phrase “mere animal terror” suggests Hyde has overwhelmed Jekyll’s rational, human side.","correct":true,"explanation":"The phrase reduces the figure in the cabinet to instinctive fear, suggesting that Hyde’s animalistic nature has defeated Jekyll’s rationality and recognisably human self-control."},{"text":"Poole’s phrase “mere animal terror” suggests Hyde has overwhelmed Jekyll’s violent, primitive side.","correct":false,"explanation":"Hyde represents Jekyll’s violent, primitive side, so he cannot overwhelm that same aspect. The phrase shows Hyde defeating Jekyll’s rational, human side instead."},{"text":"Poole’s phrase “calm human courage” suggests Hyde has overwhelmed Jekyll’s rational, human side.","correct":false,"explanation":"Poole describes instinctive panic rather than controlled courage. “Mere animal terror” shows Jekyll’s rational, human side being overwhelmed by Hyde’s primitive nature."},{"text":"Poole’s phrase “mere animal terror” suggests Hyde has overwhelmed Jekyll’s scientific, ambitious side.","correct":false,"explanation":"The contrast is primarily between animal instinct and human rationality, not between Hyde and scientific ambition. Hyde has overwhelmed Jekyll’s rational, human side."}]},{"id":"fc58b7d5-edfb-443f-b240-1723dd4ff870","cardType":"basic","points":2,"front":"What supernatural event does Lanyon witness in Chapter 9?","back":"Hyde drinks the potion and transforms into Jekyll.","mcqOptions":[{"text":"Hyde drinks the potion and transforms into Jekyll.","correct":true,"explanation":"Lanyon watches Hyde consume the chemical mixture and physically change into Dr Jekyll. This direct supernatural revelation destroys Lanyon’s rational worldview and contributes to his death."},{"text":"Jekyll drinks the potion and transforms into Lanyon.","correct":false,"explanation":"The potion does not turn Jekyll into Lanyon. Lanyon witnesses Hyde drink the mixture and transform into Jekyll, revealing that the two identities share one body."},{"text":"Hyde opens the cabinet and transforms into Poole.","correct":false,"explanation":"Poole is not involved in the witnessed transformation, and opening the cabinet causes no change. Lanyon sees Hyde drink the potion and transform into Jekyll."},{"text":"Jekyll destroys the potion and transforms into Hyde.","correct":false,"explanation":"Lanyon does not witness Jekyll destroying the potion. He sees Hyde drink it and become Jekyll, proving the shocking physical connection between the two identities."}]},{"id":"6836dd07-c88d-43fa-a070-6cd7fbedf7aa","cardType":"basic","points":2,"front":"What does the transforming vial symbolise in Chapter 9?","back":"The dangerous overreaching of human ambition.","mcqOptions":[{"text":"The dangerous overreaching of human ambition.","correct":true,"explanation":"The vial embodies Jekyll’s attempt to exceed natural and moral limits through science. Its transformative power demonstrates the destructive consequences of uncontrolled human ambition."},{"text":"The beneficial advancement of human ambition.","correct":false,"explanation":"The potion causes suffering, violence and death rather than beneficial progress. It symbolises dangerous overreaching because Jekyll’s ambition crosses natural and moral boundaries."},{"text":"The peaceful resolution of human ambition.","correct":false,"explanation":"The transformation creates conflict and ultimately destroys Jekyll, so the vial cannot represent peaceful resolution. It symbolises the dangerous overreaching of human ambition."},{"text":"The necessary restriction of human ambition.","correct":false,"explanation":"The vial is produced by Jekyll’s refusal to restrict his experiments, not by restraint itself. It symbolises dangerous overreaching beyond accepted scientific and moral limits."}]},{"id":"78e97b8b-6924-42da-86a8-9d3293b547f5","cardType":"cloze","points":null,"front":"“[ ]” shows Jekyll’s transgression destroys Lanyon’s [ ].","back":"“Shaken to its roots” shows Jekyll’s transgression destroys Lanyon’s rationalist Victorian worldview.","mcqOptions":[{"text":"“Shaken to its roots” shows Jekyll’s transgression destroys Lanyon’s rationalist Victorian worldview.","correct":true,"explanation":"Lanyon’s rationalism cannot accommodate Jekyll’s supernatural transformation. The metaphor suggests that witnessing it destroys the fundamental beliefs on which Lanyon’s understanding of reality rests."},{"text":"“Shaken to its roots” shows Jekyll’s transgression destroys Lanyon’s deeply held religious faith.","correct":false,"explanation":"Lanyon is defined by scientific rationalism rather than religious faith. The experience destroys his rationalist Victorian worldview because Jekyll’s transformation contradicts his belief in observable, conventional science."},{"text":"“Calmly composed” shows Jekyll’s transgression destroys Lanyon’s rationalist Victorian worldview.","correct":false,"explanation":"This reverses Lanyon’s actual reaction by suggesting emotional control. “Shaken to its roots” conveys that Jekyll’s transformation fundamentally destroys Lanyon’s rationalist Victorian worldview."},{"text":"“Shaken to its roots” shows Jekyll’s transgression destroys Lanyon’s respectable professional reputation.","correct":false,"explanation":"The passage concerns the collapse of Lanyon’s beliefs, not damage to his reputation. Jekyll’s transformation destroys Lanyon’s rationalist Victorian worldview by proving that apparently impossible events can occur."}]},{"id":"d27e29f7-0b45-4f38-9d25-46d6b6c7c492","cardType":"cloze","points":null,"front":"Chronologically, Chapters 9 and 10 happen [ ] the door is broken down, but Stevenson places them [ ].","back":"Chronologically, Chapters 9 and 10 happen before the door is broken down, but Stevenson places them afterwards.","mcqOptions":[{"text":"Chronologically, Chapters 9 and 10 happen before the door is broken down, but Stevenson places them afterwards.","correct":true,"explanation":"The confessional documents describe events that occurred before Utterson and Poole entered the laboratory. Stevenson reveals them afterwards to preserve mystery and delay the full explanation."},{"text":"Chronologically, Chapters 9 and 10 happen after the door is broken down, but Stevenson places them beforehand.","correct":false,"explanation":"This reverses both the story chronology and the narrative order. The events happen before the door is broken down, although Stevenson places their written explanations afterwards."},{"text":"Chronologically, Chapters 9 and 10 happen before the door is broken down, but Stevenson places them immediately.","correct":false,"explanation":"The chronology is correct, but their placement is not immediate. Stevenson presents the explanatory documents afterwards, following the breaking down of the door and the discovery inside."},{"text":"Chronologically, Chapters 9 and 10 happen after the door is broken down, but Stevenson places them afterwards.","correct":false,"explanation":"This mistakes narrative order for chronological order. Stevenson places the chapters afterwards, but the events they recount happened before Utterson and Poole broke down the laboratory door."}]},{"id":"c1b7bea3-3cfc-4783-a91b-c0fe9c447e52","cardType":"basic","points":3,"front":"How does Chapter 10 change our view of Jekyll?","back":"

From victim of a monster
To tragic figure responsible for his doom

","mcqOptions":[{"text":"

From victim of a monster
To tragic figure responsible for his doom

","correct":true,"explanation":"Jekyll’s confession reveals that he voluntarily created and repeatedly became Hyde. He remains tragic, but his choices make him responsible for the monster and his own destruction."},{"text":"

From villain who created a monster
To innocent victim absolved of his doom

","correct":false,"explanation":"Chapter 10 does not absolve Jekyll of responsibility. His confession reveals that he willingly pursued forbidden desires, changing him from an apparent victim into a tragic figure responsible for his doom."},{"text":"

From rational scientist studying a monster
To heroic figure who conquers his doom

","correct":false,"explanation":"Jekyll neither studies Hyde from a distance nor conquers him heroically. Chapter 10 shows that Hyde is his creation and alter ego, making Jekyll responsible for his own doom."},{"text":"

From minor witness pursuing a monster
To clever detective who solves his doom

","correct":false,"explanation":"This confuses Jekyll’s role with Utterson’s investigative role. Jekyll’s confession changes him from an apparent victim of Hyde into a tragic figure responsible for creating his own doom."}]},{"id":"d5d2ef3f-dff5-4682-87d4-a771b0aae7d1","cardType":"basic","points":2,"front":"What cause of Jekyll’s downfall is revealed by “profound duplicity of life”?","back":"He cannot reconcile his public persona with private desires.","mcqOptions":[{"text":"He cannot reconcile his public persona with private desires.","correct":true,"explanation":"“Duplicity” identifies Jekyll’s divided existence: he maintains a respectable public identity while secretly pursuing forbidden desires. His failure to integrate these sides ultimately produces Hyde."},{"text":"He cannot reconcile his scientific ambition with religious faith.","correct":false,"explanation":"The quotation concerns Jekyll’s double life, not a direct struggle between science and religion. His downfall comes from separating his respectable public persona from his private desires."},{"text":"He cannot reconcile his hatred of Hyde with loyalty to Utterson.","correct":false,"explanation":"Utterson is not one half of the duplicity Jekyll describes. The phrase refers to the conflict between Jekyll’s respectable public persona and his concealed private desires."},{"text":"He cannot reconcile his legal duties with private friendship.","correct":false,"explanation":"This mistakenly applies Utterson’s concerns to Jekyll. “Profound duplicity of life” reveals Jekyll’s inability to reconcile his socially respectable public persona with his forbidden private desires."}]},{"id":"9b795d03-5d26-4269-97ec-f800e1ac05ce","cardType":"basic","points":2,"front":"What conflict is revealed by “plunged in shame” versus “laboured” and “relief”?","back":"Jekyll’s private sin conflicts with his public service.","mcqOptions":[{"text":"Jekyll’s private sin conflicts with his public service.","correct":true,"explanation":"“Plunged in shame” conveys guilt about Jekyll’s concealed wrongdoing, while “laboured” and “relief” describe his respectable service to others. Together they expose his divided moral life."},{"text":"Jekyll’s private science conflicts with his public religion.","correct":false,"explanation":"The contrast is moral and social rather than specifically scientific and religious. Jekyll feels shame over private sin but seeks relief through respectable acts of public service."},{"text":"Jekyll’s fear of Hyde conflicts with his loyalty to Utterson.","correct":false,"explanation":"The words do not contrast Jekyll’s relationships with Hyde and Utterson. They reveal how his shameful private sin conflicts with his outwardly respectable public service."},{"text":"Jekyll’s public sin conflicts with his private service.","correct":false,"explanation":"This reverses the public-private contrast. Jekyll conceals his sinful desires in private, while his charitable labour and respectable service are performed publicly to restore his self-image."}]},{"id":"f80d2df1-5cb7-4edd-b968-132afe41d91e","cardType":"basic","points":2,"front":"Why does Stevenson delay the explanations until the final chapters?","back":"To maximise tension by making readers share Utterson’s mystery.","mcqOptions":[{"text":"To maximise tension by making readers share Utterson’s mystery.","correct":true,"explanation":"Withholding Lanyon’s account and Jekyll’s confession restricts readers to Utterson’s limited knowledge. This sustains uncertainty and tension until the final chapters explain Hyde’s identity and origins."},{"text":"To reduce tension by revealing Jekyll’s secret before Utterson investigates.","correct":false,"explanation":"Stevenson does the opposite: he withholds Jekyll’s secret throughout Utterson’s investigation. Delaying the explanations maximises tension because readers share Utterson’s confusion and limited knowledge."},{"text":"To create dramatic irony by telling readers the truth before Utterson.","correct":false,"explanation":"Dramatic irony would require readers to know more than Utterson, but they largely share his uncertainty. The delayed explanations maximise tension by preserving the mystery for both."},{"text":"To simplify chronology by presenting all events in their original order.","correct":false,"explanation":"The final chapters disrupt chronological order because they recount earlier events after the laboratory discovery. This delayed structure maximises tension by keeping readers within Utterson’s unresolved mystery."}]}]}],"examCountdown":{"examDate":"2027-05-12","paperLabel":"Paper 1"},"heading":"Key Chapters","title":"Key Chapters Flashcards","topbar":{"backHref":"/gcse/english-literature/aqa/flashcards"},"topicSidebar":"$L38"}]}],"topicId":"39994430-5eb1-5796-a9e9-a2fdafb50b64","walled":"$L39"}],"$L3a","$L3b"]