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A damaged reputation could threaten his relationships, influence and standing within respectable society."},{"text":"His wealth.","correct":false,"explanation":"Wealth supported a gentleman’s status, but money alone could not guarantee social acceptance. His reputation was more valuable because scandal could destroy his respectability despite his fortune."},{"text":"His education.","correct":false,"explanation":"Education helped mark someone as a gentleman, but it was not his most valuable social asset. His reputation determined whether society continued to regard him as respectable."},{"text":"His appearance.","correct":false,"explanation":"A respectable appearance could create a favourable impression, but it was less important than sustained public judgement. A gentleman’s most valuable social asset was his reputation."}]},{"id":"1a8961f4-e769-4e93-a16e-5c4225dfcee5","cardType":"cloze","points":null,"front":"Victorian respectability demanded [ ] and [ ], especially from upper-class men.","back":"Victorian respectability demanded emotional restraint and public decorum, especially from upper-class men.","mcqOptions":[{"text":"Victorian respectability demanded emotional restraint and public decorum, especially from upper-class men.","correct":true,"explanation":"Upper-class Victorian men were expected to control visible emotion and behave properly in public. These standards protected the appearance of dignity, discipline and respectability."},{"text":"Victorian respectability demanded emotional openness and public decorum, especially from upper-class men.","correct":false,"explanation":"Emotional openness reverses the Victorian ideal of masculine self-control. Respectability demanded emotional restraint alongside public decorum, particularly from upper-class gentlemen."},{"text":"Victorian respectability demanded emotional restraint and private indulgence, especially from upper-class men.","correct":false,"explanation":"Private indulgence sometimes occurred behind respectable appearances, but it was not an expectation of respectability. The stated ideals were emotional restraint and public decorum."},{"text":"Victorian respectability demanded emotional expression and public rebellion, especially from upper-class men.","correct":false,"explanation":"Both terms oppose conventional Victorian expectations. Respectable upper-class men were supposed to display emotional restraint and public decorum rather than open feeling or rebellion."}]},{"id":"ca23c8ff-8368-4944-a0ec-060ffccb8916","cardType":"basic","points":1,"front":"What could public weakness, anger, or sexual desire do to a Victorian gentleman?","back":"It could ruin his reputation.","mcqOptions":[{"text":"It could ruin his reputation.","correct":true,"explanation":"Victorian masculinity demanded self-control and discretion. Public displays of weakness, anger or sexual desire could expose a gentleman to scandal and ruin his reputation."},{"text":"It could improve his reputation.","correct":false,"explanation":"This reverses the social consequences of uncontrolled behaviour. Public weakness, anger or desire threatened ideals of masculine restraint and could ruin a gentleman’s reputation."},{"text":"It could increase his authority.","correct":false,"explanation":"Victorian authority was associated with discipline and self-command, not uncontrolled emotion or desire. Such displays could instead ruin a gentleman’s reputation."},{"text":"It could prove his respectability.","correct":false,"explanation":"Respectability required gentlemen to conceal strong emotions and sexual desires. Displaying them publicly would undermine, rather than prove, respectability and could ruin his reputation."}]},{"id":"85a16190-4ae0-4842-bbd3-d04dd3783c2f","cardType":"basic","points":1,"front":"What lifestyle did extreme Victorian respectability pressure create for many gentlemen?","back":"Double lives: public virtue by day, secret vice by night.","mcqOptions":[{"text":"Double lives: public virtue by day, secret vice by night.","correct":true,"explanation":"Extreme pressure to appear respectable encouraged some gentlemen to separate their public and private behaviour, displaying virtue openly while concealing desires and wrongdoing."},{"text":"Open lives: public virtue by day, confessed vice by night.","correct":false,"explanation":"Victorian respectability encouraged concealment rather than open confession of socially unacceptable behaviour. The pressure therefore produced double lives, with public virtue masking secret vice."},{"text":"Virtuous lives: public morality by day, private morality by night.","correct":false,"explanation":"This ignores the hypocrisy created by intense pressure to seem respectable. Many gentlemen instead led double lives, presenting public virtue while secretly pursuing vice."},{"text":"Bohemian lives: public rebellion by day, open vice by night.","correct":false,"explanation":"Open rebellion would abandon respectability rather than preserve its appearance. The pressure encouraged double lives in which public virtue concealed secret vice."}]},{"id":"eddf297d-d255-4881-99f9-bdad518d099f","cardType":"cloze","points":null,"front":"“I concealed my pleasures... I stood already committed to a profound [ ] of life.”","back":"“I concealed my pleasures... I stood already committed to a profound duplicity of life.”","mcqOptions":[{"text":"duplicity","correct":true,"explanation":"Duplicity means deceitfulness or living in two contradictory ways. Jekyll’s concealed pleasures and respectable public identity commit him to a divided, deceptive existence."},{"text":"integrity","correct":false,"explanation":"Integrity means moral consistency and honesty, which conflicts with Jekyll’s concealment. The correct term is duplicity because he maintains opposing public and private identities."},{"text":"innocence","correct":false,"explanation":"Innocence suggests freedom from guilt or wrongdoing, whereas Jekyll knowingly conceals his pleasures. The correct term is duplicity, expressing his deceptive double life."},{"text":"simplicity","correct":false,"explanation":"Simplicity suggests an uncomplicated or unified life, the opposite of Jekyll’s divided existence. Duplicity is correct because he separates respectable appearances from secret pleasures."}]},{"id":"c57b933b-650d-45ba-bb14-775a5ce6aa24","cardType":"basic","points":2,"front":"What makes Jekyll’s attempt to preserve respectability destructive?","back":"He splits off his flaws instead of admitting them.","mcqOptions":[{"text":"He splits off his flaws instead of admitting them.","correct":true,"explanation":"Jekyll refuses to accept moral imperfection as part of his whole identity. By separating his flaws into Hyde, he allows them to grow increasingly powerful and destructive."},{"text":"He confesses his flaws instead of concealing them.","correct":false,"explanation":"Jekyll does not openly confess and confront his flaws; he tries to isolate and hide them. His attempt becomes destructive because he splits them off into Hyde."},{"text":"He corrects his flaws instead of repeating them.","correct":false,"explanation":"Jekyll does not reform his behaviour through self-discipline. He splits off his flaws rather than admitting them, creating Hyde and removing normal restraints on his desires."},{"text":"He accepts his flaws instead of denying them.","correct":false,"explanation":"Acceptance would require Jekyll to recognise good and evil within one human identity. Instead, he splits off his flaws, allowing Hyde to act without restraint."}]},{"id":"0667113c-c12c-415a-be3a-a18bff68c3dc","cardType":"basic","points":1,"front":"Which scientific idea most unsettled Victorian religious belief in the notes?","back":"Darwin’s theory of evolution.","mcqOptions":[{"text":"Darwin’s theory of evolution.","correct":true,"explanation":"Darwin’s theory proposed that species changed over time through natural processes. This challenged traditional literal readings of biblical creation and unsettled Victorian religious certainty."},{"text":"Lamarck’s theory of acquired characteristics.","correct":false,"explanation":"Lamarck also proposed that species changed, but the notes identify Darwin’s theory of evolution as the major challenge to Victorian religious belief."},{"text":"Newton’s theory of gravity.","correct":false,"explanation":"Newtonian gravity described physical attraction and long predated the late-Victorian crisis of faith. The unsettling scientific idea in the notes is Darwin’s theory of evolution."},{"text":"Dalton’s theory of atomic matter.","correct":false,"explanation":"Atomic theory concerned the composition of matter rather than directly challenging biblical accounts of human origins. Darwin’s theory of evolution caused the stated religious unease."}]},{"id":"76a7e60a-882c-4b0c-a4f3-0ee952eb02b9","cardType":"cloze","points":null,"front":"Darwin’s On the Origin of Species was published in [ ].","back":"Darwin’s On the Origin of Species was published in 1859.","mcqOptions":[{"text":"1859","correct":true,"explanation":"Darwin published On the Origin of Species in 1859, presenting his theory of evolution by natural selection to a wide Victorian readership."},{"text":"1849","correct":false,"explanation":"This places publication ten years too early. Darwin’s On the Origin of Species appeared in 1859 after many years of research and development."},{"text":"1869","correct":false,"explanation":"This is a ten-year-late dating error. On the Origin of Species was published in 1859, during the middle of the Victorian period."},{"text":"1871","correct":false,"explanation":"This confuses On the Origin of Species with Darwin’s later The Descent of Man. The earlier work was published in 1859."}]},{"id":"29b9bd90-b316-4b76-a145-bbd9861e9f8b","cardType":"basic","points":1,"front":"What new fear did Darwin’s theory trigger in Victorian readers?","back":"Humans might degenerate backward into beasts.","mcqOptions":[{"text":"Humans might degenerate backward into beasts.","correct":true,"explanation":"Darwin’s theory challenged confidence in steady human progress, creating anxiety that civilised people could regress towards primitive, animalistic forms of behaviour."},{"text":"Humans might evolve forward into angels.","correct":false,"explanation":"This confuses evolution with guaranteed spiritual improvement. Victorian anxiety focused instead on humans degenerating backward into beasts and losing the qualities associated with civilisation."},{"text":"Humans might remain biologically unchanged forever.","correct":false,"explanation":"This reflects the older belief that species were fixed, which Darwin challenged. The new fear was that humans might degenerate backward into beasts."},{"text":"Animals might degenerate backward into plants.","correct":false,"explanation":"Darwin’s implications caused anxiety about human regression, not animals turning into plants. Victorians feared that humans might degenerate backward into beasts."}]},{"id":"a2074f2e-e982-41be-b76a-54c6459ea8e6","cardType":"cloze","points":null,"front":"[ ] means ancestral, primitive characteristics reappearing in a modern organism.","back":"Atavism means ancestral, primitive characteristics reappearing in a modern organism.","mcqOptions":[{"text":"Atavism","correct":true,"explanation":"Atavism is the reappearance of ancestral characteristics in a modern organism, making it seem like a throwback to an earlier evolutionary stage."},{"text":"Evolution","correct":false,"explanation":"Evolution describes biological change across generations, rather than the reappearance of a specific ancestral trait. The precise term for such a throwback is atavism."},{"text":"Mutation","correct":false,"explanation":"A mutation is a change in genetic material and does not necessarily recreate an ancestral characteristic. The reappearance of primitive traits is called atavism."},{"text":"Adaptation","correct":false,"explanation":"An adaptation is a characteristic that improves survival or reproduction in an environment. An ancestral characteristic reappearing in a modern organism is atavism."}]},{"id":"960695f0-3b6e-4000-8d1a-197dbf21eb31","cardType":"basic","points":1,"front":"Who did Victorians often fear were evolutionary throwbacks?","back":"Criminals and the “undeserving poor”.","mcqOptions":[{"text":"Criminals and the “undeserving poor”.","correct":true,"explanation":"Victorian theories of degeneration often portrayed criminals and the “undeserving poor” as biologically primitive people who threatened the stability of respectable society."},{"text":"Aristocrats and the “respectable rich”.","correct":false,"explanation":"Wealthy and respectable groups were generally treated as socially advanced, not evolutionary throwbacks. Such prejudiced theories instead targeted criminals and the “undeserving poor”."},{"text":"Scientists and the “educated elite”.","correct":false,"explanation":"Education and scientific status were associated with progress rather than biological regression. Victorians more often labelled criminals and the “undeserving poor” as evolutionary throwbacks."},{"text":"Clergymen and the “deserving poor”.","correct":false,"explanation":"Victorian society generally regarded these groups as morally respectable, not inherently degenerate. Fear of evolutionary throwbacks was directed at criminals and the “undeserving poor”."}]},{"id":"af38e633-0647-452b-851d-c906245db6c0","cardType":"basic","points":1,"front":"Which Carew-murder quotation presents Hyde as animalistic?","back":"“ape-like fury”.","mcqOptions":[{"text":"“ape-like fury”.","correct":true,"explanation":"The simile directly compares Hyde’s violent attack on Carew to an ape’s behaviour, presenting him as primitive, uncontrolled and evolutionarily regressive."},{"text":"“Satan’s signature”.","correct":false,"explanation":"This phrase associates Hyde’s appearance with evil rather than specifically presenting his Carew-murder violence as animalistic. The relevant quotation is “ape-like fury”."},{"text":"“something troglodytic”.","correct":false,"explanation":"This description suggests that Hyde resembles a prehistoric cave-dweller, but it is not the Carew-murder quotation. During the murder, he attacks with “ape-like fury”."},{"text":"“hardly human”.","correct":false,"explanation":"This phrase questions Hyde’s humanity but is not the animalistic description used during Carew’s murder. Stevenson describes the attack as driven by “ape-like fury”."}]},{"id":"952886b8-110e-4191-aecd-2f15e2b275b6","cardType":"basic","points":1,"front":"What does “troglodytic” suggest about Hyde?","back":"He seems prehistoric or caveman-like.","mcqOptions":[{"text":"He seems prehistoric or caveman-like.","correct":true,"explanation":"A troglodyte is a cave-dweller, so “troglodytic” makes Hyde appear prehistoric and primitive, reinforcing the novel’s anxieties about evolutionary regression."},{"text":"He seems foreign or mysterious.","correct":false,"explanation":"Although Hyde is unsettling, “troglodytic” specifically refers to cave-dwelling primitiveness rather than foreignness. It suggests that he is prehistoric or caveman-like."},{"text":"He seems wealthy or aristocratic.","correct":false,"explanation":"The word does not indicate wealth or social rank. “Troglodytic” evokes a primitive cave-dweller, making Hyde seem prehistoric or caveman-like."},{"text":"He seems mechanical or machine-like.","correct":false,"explanation":"This mistakes primitive imagery for industrial imagery. “Troglodytic” derives from the idea of a cave-dweller, so Hyde seems prehistoric or caveman-like."}]},{"id":"fea56a81-25d5-40e6-b573-b0cb68eb93f5","cardType":"basic","points":2,"front":"How does Stevenson make Hyde embody evolutionary anxiety?","back":"He presents Hyde as a physical throwback.","mcqOptions":[{"text":"He presents Hyde as a physical throwback.","correct":true,"explanation":"Hyde’s small, primitive and animalistic appearance makes him seem like an atavistic return to an earlier evolutionary stage, embodying fears of degeneration."},{"text":"He presents Hyde as a moral reformer.","correct":false,"explanation":"Hyde expresses violent and selfish impulses rather than moral improvement. Stevenson embodies evolutionary anxiety by presenting him as a physical throwback to a primitive stage."},{"text":"He presents Hyde as a social superior.","correct":false,"explanation":"Hyde’s wealth gives him access to society, but his body is presented as primitive rather than superior. Stevenson characterises him as a physical throwback."},{"text":"He presents Hyde as a rational scientist.","correct":false,"explanation":"Jekyll is the scientist, while Hyde represents uncontrolled primitive impulses. Stevenson therefore makes Hyde a physical throwback who embodies fears of evolutionary regression."}]},{"id":"d0066175-f86c-4336-b09d-74b5743886e0","cardType":"basic","points":2,"front":"How did Stevenson change traditional Gothic horror settings?","back":"He moved Gothic terror into contemporary London.","mcqOptions":[{"text":"He moved Gothic terror into contemporary London.","correct":true,"explanation":"Stevenson places Gothic secrecy, violence and horror within recognisable Victorian London, making danger feel close to the novel’s original urban readers."},{"text":"He moved Gothic terror into medieval Transylvania.","correct":false,"explanation":"Medieval Transylvania represents the remote, traditional Gothic setting Stevenson moved away from. He instead brought Gothic terror into contemporary London."},{"text":"He moved Gothic terror into remote Scottish ruins.","correct":false,"explanation":"Remote ruins would preserve a conventional Gothic distance from everyday life. Stevenson innovated by locating the novel’s terror within contemporary London."},{"text":"He moved Gothic terror into an ancient monastery.","correct":false,"explanation":"An ancient monastery would be a traditional isolated Gothic location. Stevenson instead made the genre more immediate by moving its terror into contemporary London."}]},{"id":"9a8ff3ed-dbfd-4f0d-a985-c9746534db43","cardType":"cloze","points":null,"front":"Stevenson’s [ ] brings horror into familiar, foggy city streets.","back":"Stevenson’s Urban Gothic brings horror into familiar, foggy city streets.","mcqOptions":[{"text":"Urban Gothic","correct":true,"explanation":"Urban Gothic relocates Gothic fear from remote castles and ruins to modern city spaces, making familiar London streets threatening and mysterious."},{"text":"Domestic Gothic","correct":false,"explanation":"Domestic Gothic centres fear within the home or family, whereas Stevenson’s use of foggy London streets belongs to Urban Gothic."},{"text":"Rural Gothic","correct":false,"explanation":"Rural Gothic uses isolated countryside settings rather than modern city streets. Stevenson’s threatening representation of London is an example of Urban Gothic."},{"text":"Medieval Gothic","correct":false,"explanation":"Medieval Gothic typically features distant historical settings such as castles or monasteries. Stevenson’s horror unfolds in a recognisable modern city, making it Urban Gothic."}]},{"id":"98a44d73-dfa6-4970-9167-d10d7f2342e8","cardType":"basic","points":1,"front":"What does the West End represent in the novella’s divided geography?","back":"Wealthy, respectable society.","mcqOptions":[{"text":"Wealthy, respectable society.","correct":true,"explanation":"The West End was associated with affluent, socially respectable Victorians. Stevenson uses it to represent the privileged public world in which reputation and appearances are carefully maintained."},{"text":"Poor, criminal society.","correct":false,"explanation":"This confuses the West End with Soho and the East End, which were associated with poverty and crime. The West End represents wealthy, respectable society."},{"text":"Industrial, working-class society.","correct":false,"explanation":"Industrial and working-class districts were concentrated elsewhere in Victorian London. The fashionable West End instead represents wealthy, respectable society and its concern with status."},{"text":"Secret, immoral society.","correct":false,"explanation":"Secrecy and immorality are linked more closely to Hyde and Soho. The West End represents wealthy, respectable society, although Stevenson exposes hypocrisy beneath its respectable appearance."}]},{"id":"e7e6d7ec-2cd4-4982-859d-59d0f2022c58","cardType":"basic","points":1,"front":"What does Soho/East End represent in the novella’s divided geography?","back":"Poverty, crime, disease, and overcrowding.","mcqOptions":[{"text":"Poverty, crime, disease, and overcrowding.","correct":true,"explanation":"Soho and the East End were associated with deprived, densely populated areas of Victorian London. They therefore represent poverty, crime, disease, and overcrowding in the novella’s geography."},{"text":"Wealth, respectability, comfort, and order.","correct":false,"explanation":"These qualities belong to the novella’s presentation of the West End, not Soho or the East End. Soho represents poverty, crime, disease, and overcrowding."},{"text":"Science, education, progress, and discovery.","correct":false,"explanation":"Scientific progress is explored through Jekyll’s experiments rather than through Soho’s social geography. Soho and the East End represent poverty, crime, disease, and overcrowding."},{"text":"Religion, morality, charity, and community.","correct":false,"explanation":"This idealised view overlooks Stevenson’s depiction of urban deprivation. Soho and the East End represent poverty, crime, disease, and overcrowding rather than moral and charitable community life."}]},{"id":"68d96e32-74d9-45b7-ace7-e2d3ff8d81fe","cardType":"basic","points":1,"front":"What does the front entrance of Jekyll’s house symbolise?","back":"Jekyll’s public, respectable persona.","mcqOptions":[{"text":"Jekyll’s public, respectable persona.","correct":true,"explanation":"The attractive front entrance reflects the identity Jekyll presents to respectable society. It symbolises his public persona and contrasts with the neglected door associated with Hyde."},{"text":"Jekyll’s private, criminal identity.","correct":false,"explanation":"This confuses the meanings of the house’s two entrances. The front entrance symbolises Jekyll’s public, respectable persona, while the back laboratory door is associated with secrecy and Hyde."},{"text":"Jekyll’s scientific, progressive ambitions.","correct":false,"explanation":"Although Jekyll is a scientist, the respectable front of his home primarily represents the socially acceptable identity he displays. It symbolises his public, respectable persona."},{"text":"Jekyll’s religious, repentant conscience.","correct":false,"explanation":"The entrance does not chiefly symbolise repentance or religious belief. Its respectable appearance represents Jekyll’s public persona and his desire to preserve his social reputation."}]},{"id":"7161e5bd-23f8-43a9-838f-9077be9ba863","cardType":"basic","points":1,"front":"What does the back laboratory door symbolise?","back":"Jekyll’s hidden, repressed subconscious.","mcqOptions":[{"text":"Jekyll’s hidden, repressed subconscious.","correct":true,"explanation":"The neglected back door provides secret access to the laboratory and is associated with Hyde. It symbolises the concealed desires and impulses Jekyll represses beneath his respectable identity."},{"text":"Jekyll’s public, respectable reputation.","correct":false,"explanation":"This reverses the symbolism of the house’s entrances. The respectable front represents Jekyll’s public persona, while the back laboratory door symbolises his hidden, repressed subconscious."},{"text":"Jekyll’s rational, scientific intellect.","correct":false,"explanation":"The laboratory has scientific associations, but its secret, neglected entrance primarily reflects what Jekyll conceals. It symbolises his hidden, repressed subconscious rather than rational thought."},{"text":"Jekyll’s innocent, moral conscience.","correct":false,"explanation":"The door is associated with secrecy, Hyde, and forbidden impulses, not Jekyll’s innocence. It symbolises his hidden, repressed subconscious beneath his respectable social appearance."}]},{"id":"f90906e9-64d2-4117-aa56-6f6e77495c2f","cardType":"cloze","points":null,"front":"Calvinism teaches the total [ ] of human nature: humans are naturally [ ].","back":"Calvinism teaches the total depravity of human nature: humans are naturally sinful.","mcqOptions":[{"text":"Calvinism teaches the total depravity of human nature: humans are naturally sinful.","correct":true,"explanation":"Total depravity is the Calvinist belief that every aspect of human nature has been corrupted by sin. Humans are therefore considered naturally sinful and dependent on divine grace."},{"text":"Calvinism teaches the total goodness of human nature: humans are naturally virtuous.","correct":false,"explanation":"This reverses the Calvinist doctrine by presenting humanity as naturally good. Calvinism teaches total depravity: human nature is corrupted by original sin, so humans are naturally sinful."},{"text":"Calvinism teaches the total perfectibility of human nature: humans are naturally neutral.","correct":false,"explanation":"Perfectibility suggests people can become morally flawless through their own efforts, while moral neutrality denies inherited sin. Calvinism instead teaches total depravity and natural sinfulness."},{"text":"Calvinism teaches the total innocence of human nature: humans are naturally pure.","correct":false,"explanation":"Natural innocence and purity contradict the Calvinist emphasis on original sin. The doctrine is total depravity, meaning human nature is corrupted and humans are naturally sinful."}]},{"id":"0dd058f2-66bc-4344-9c44-b0c7ba9207a7","cardType":"basic","points":2,"front":"Why is Jekyll’s experiment religious as well as scientific?","back":"He tries to escape the guilt of sin.","mcqOptions":[{"text":"He tries to escape the guilt of sin.","correct":true,"explanation":"Jekyll hopes to separate his sinful desires from his respectable self, allowing Hyde to act without burdening Jekyll’s conscience. His experiment therefore attempts to escape religious guilt."},{"text":"He tries to prove that God does not exist.","correct":false,"explanation":"Jekyll does not conduct the experiment to disprove God’s existence. Its religious significance comes from his attempt to separate off sinful impulses and escape the guilt of sin."},{"text":"He tries to replace religion with modern science.","correct":false,"explanation":"The experiment challenges boundaries, but Jekyll’s main religious motive is not to replace faith with science. He tries to escape the guilt attached to his sinful desires."},{"text":"He tries to earn forgiveness through scientific discovery.","correct":false,"explanation":"Jekyll does not seek forgiveness or atonement through his research. Instead, he attempts to avoid moral responsibility by separating his sinful side and escaping the guilt of sin."}]}]}],"examCountdown":{"examDate":"2027-05-12","paperLabel":"Paper 1"},"heading":"Context","title":"Context Flashcards","topbar":{"backHref":"/gcse/english-literature/aqa/flashcards"},"topicSidebar":"$L38"}]}],"topicId":"4dbc5500-9db1-519e-9695-d679200a6d97","walled":"$L39"}],"$L3a","$L3b"]