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embody Victorian fears about respectability, scientific experimentation and the divided mind, so their thematic functions matter more than lifelike individuality."},{"text":"They represent historically verified Victorian individuals.","correct":false,"explanation":"The characters are fictional creations rather than accurate portraits of documented Victorians. They should be analysed as constructs representing social, scientific and psychological anxieties."},{"text":"They represent people independent of Stevenson’s intentions.","correct":false,"explanation":"Treating characters as autonomous personalities overlooks Stevenson’s deliberate authorial choices. They are constructs used to represent social, scientific and psychological anxieties."},{"text":"They represent entertainment without any thematic significance.","correct":false,"explanation":"Although the characters participate in a dramatic plot, their principal analytical importance is thematic: they represent Victorian social, scientific and psychological anxieties."}]},{"id":"a7c93eb2-c8c9-4a66-a543-c2f5658b9ef9","cardType":"cloze","points":null,"front":"In Victorian literature, characters can be literary [ ] designed to explore wider anxieties.","back":"In Victorian literature, characters can be literary constructs designed to explore wider anxieties.","mcqOptions":[{"text":"constructs","correct":true,"explanation":"Characters are literary constructs because authors deliberately create and shape them to communicate ideas, rather than presenting them as autonomous, real people."},{"text":"settings","correct":false,"explanation":"Settings are the times and places in which events occur, not the fictional people involved. Characters are literary constructs designed to explore wider anxieties."},{"text":"themes","correct":false,"explanation":"Themes are the central ideas explored by a text, whereas characters are the deliberately created figures through whom those ideas operate. The required term is constructs."},{"text":"narrators","correct":false,"explanation":"Narrators tell or mediate a story, and only some characters perform that role. All fictional characters can instead be understood as literary constructs."}]},{"id":"ca8adcb7-dc6a-4df1-aa1f-f552e2ed4876","cardType":"cloze","points":null,"front":"In the novella, duality means human nature is split between a [ ] and a [ ].","back":"In the novella, duality means human nature is split between a civilized, good side and a primitive, evil side.","mcqOptions":[{"text":"In the novella, duality means human nature is split between a civilized, good side and a primitive, evil side.","correct":true,"explanation":"Stevenson presents humanity as inherently divided: civilized morality and social restraint coexist with primitive impulses and evil desires within the same person."},{"text":"In the novella, duality means human nature is split between a civilized, evil side and a primitive, good side.","correct":false,"explanation":"This reverses the novella’s moral associations. Civilization is linked with socially restrained goodness, while primitive, atavistic impulses are associated with Hyde and evil."},{"text":"In the novella, duality means human nature is split between a civilized, good side and a rational, scientific side.","correct":false,"explanation":"Scientific rationality is not the opposing half in Stevenson’s model of human nature. Duality contrasts a civilized, good side with a primitive, evil side."},{"text":"In the novella, duality means human nature is split between a primitive, evil side and a civilized, good side.","correct":false,"explanation":"The two sides have been placed in the wrong order. Jekyll initially represents civilized goodness, while Hyde gives physical expression to primitive evil."}]},{"id":"1f63d5f5-55a5-462f-914d-a4e896b8fe9c","cardType":"cloze","points":null,"front":"Hyde is Jekyll’s physical [ ], representing Jekyll’s [ ].","back":"Hyde is Jekyll’s physical doppelgänger, representing Jekyll’s repressed desires.","mcqOptions":[{"text":"Hyde is Jekyll’s physical doppelgänger, representing Jekyll’s repressed desires.","correct":true,"explanation":"Hyde is Jekyll’s double made physically separate, and his violence gives form to the forbidden appetites that respectable Jekyll has suppressed."},{"text":"Hyde is Jekyll’s physical disguise, representing Jekyll’s repressed desires.","correct":false,"explanation":"Hyde is a genuinely embodied second form, not merely clothing or a false appearance adopted by Jekyll. He is Jekyll’s physical doppelgänger, expressing repressed desires."},{"text":"Hyde is Jekyll’s physical doppelgänger, representing Jekyll’s social respectability.","correct":false,"explanation":"Jekyll’s respectable public identity represents his social reputation, whereas Hyde embodies what that identity conceals. Hyde is his doppelgänger representing repressed desires."},{"text":"Hyde is Jekyll’s physical son, representing Jekyll’s charitable instincts.","correct":false,"explanation":"Hyde is created from Jekyll rather than being his child, and he expresses forbidden appetites rather than benevolence. He is a doppelgänger representing repressed desires."}]},{"id":"b52d2a60-6cf0-472d-8491-e234c5840a20","cardType":"basic","points":1,"front":"To the outer world, what ideal does Jekyll embody?","back":"Victorian propriety.","mcqOptions":[{"text":"Victorian propriety.","correct":true,"explanation":"Jekyll’s wealth, professional status, manners and public reputation make him appear to exemplify the respectability and self-control demanded by Victorian society."},{"text":"Romantic individualism.","correct":false,"explanation":"Romantic individualism values personal freedom and emotional self-expression, whereas Jekyll’s public identity embodies Victorian propriety, restraint and respectable social behaviour."},{"text":"Working-class rebellion.","correct":false,"explanation":"Jekyll belongs to the wealthy professional elite and carefully protects his reputation. He therefore embodies Victorian propriety, not resistance by the working classes."},{"text":"Religious nonconformity.","correct":false,"explanation":"Jekyll’s public image rests on conventional respectability, not rejection of established religious practice. To the outer world, he embodies Victorian propriety."}]},{"id":"7b5e03f3-a138-408f-a4c0-b19ad8290396","cardType":"basic","points":1,"front":"Which fatal flaw drives Jekyll’s experiment?","back":"Hubris.","mcqOptions":[{"text":"Hubris.","correct":true,"explanation":"Jekyll arrogantly believes that his scientific power can divide human nature and free him from ordinary moral limits, making hubris his fatal flaw."},{"text":"Avarice.","correct":false,"explanation":"Jekyll is not driven by a desire to accumulate wealth. His experiment results from hubris: excessive pride in his ability to master human nature."},{"text":"Jealousy.","correct":false,"explanation":"No envy of another person motivates Jekyll’s experiment. His fatal flaw is hubris, shown by his overconfident attempt to control and divide human nature."},{"text":"Sloth.","correct":false,"explanation":"Jekyll actively pursues a dangerous scientific breakthrough, so laziness is not his motivating flaw. His excessive ambition and self-confidence demonstrate hubris."}]},{"id":"e54b15fd-848b-44de-b7e2-484e113637d7","cardType":"basic","points":2,"front":"What does Jekyll try to use science to do to human nature?","back":"Sever its good and evil sides completely.","mcqOptions":[{"text":"Sever its good and evil sides completely.","correct":true,"explanation":"Jekyll attempts to isolate the opposing moral elements within every person, believing science can separate the good self entirely from the evil self."},{"text":"Merge its good and evil sides permanently.","correct":false,"explanation":"Jekyll believes good and evil are already combined and regards that mixture as humanity’s burden. His experiment aims to sever those sides completely, not merge them."},{"text":"Strengthen its good side over its evil side completely.","correct":false,"explanation":"Jekyll does not merely seek to make goodness dominant while retaining both elements. He aims to use science to sever the good and evil sides completely."},{"text":"Separate its rational and emotional sides completely.","correct":false,"explanation":"The experiment concerns humanity’s moral division rather than a contrast between reason and emotion. Jekyll seeks to sever the good and evil sides completely."}]},{"id":"620d7daa-efd1-495b-8b4f-c5fd6972c410","cardType":"basic","points":1,"front":"Which idea is expressed by Jekyll’s quote \"man is not truly one, but truly two\"?","back":"Duality.","mcqOptions":[{"text":"Duality.","correct":true,"explanation":"The assertion that humanity is simultaneously “one” and “two” directly expresses duality: opposing good and evil selves coexist within each individual."},{"text":"Atavism.","correct":false,"explanation":"Atavism is the reappearance of supposedly primitive ancestral traits, particularly associated with Hyde. The quotation instead explicitly describes the duality of human nature."},{"text":"Repression.","correct":false,"explanation":"Repression explains why Jekyll conceals and suppresses his desires, but the claim that every person is fundamentally two expresses the broader idea of duality."},{"text":"Degeneration.","correct":false,"explanation":"Degeneration concerns fears that individuals or society might regress into a less evolved state. Jekyll’s claim about two coexisting selves specifically expresses duality."}]},{"id":"6354077a-8922-4ab9-8193-aede6628b4fd","cardType":"basic","points":1,"front":"In \"my devil had been long caged\", what does the \"devil\" represent?","back":"Jekyll’s repressed desires.","mcqOptions":[{"text":"Jekyll’s repressed desires.","correct":true,"explanation":"The “devil” symbolises the forbidden desires Jekyll has suppressed to preserve his respectable public identity. Prolonged repression makes these desires increasingly forceful and difficult to control."},{"text":"Jekyll’s religious conscience.","correct":false,"explanation":"The devil is associated with immoral impulses rather than the conscience that restrains them. It represents Jekyll’s repressed desires, which grow stronger while confined."},{"text":"Jekyll’s public reputation.","correct":false,"explanation":"Jekyll’s reputation is the respectable appearance that motivates his repression, not the “devil” itself. The metaphor represents the forbidden desires he has kept imprisoned."},{"text":"Jekyll’s scientific ambition.","correct":false,"explanation":"Although scientific ambition leads Jekyll to create the potion, the caged “devil” specifically represents his repressed desires and their violent release through Hyde."}]},{"id":"28b95c92-1e00-4594-9855-1a259234bf2e","cardType":"basic","points":2,"front":"What does \"roaring\" suggest about Jekyll’s repressed desires?","back":"Repression made them more powerful and animalistic.","mcqOptions":[{"text":"Repression made them more powerful and animalistic.","correct":true,"explanation":"“Roaring” uses animalistic sound imagery to suggest that Jekyll’s desires became fiercer and more powerful while suppressed, eventually emerging through Hyde without moral restraint."},{"text":"Repression made them weaker and more manageable.","correct":false,"explanation":"This reverses the effect of repression in the novella. “Roaring” suggests that Jekyll’s suppressed desires grew more powerful and animalistic rather than becoming easier to control."},{"text":"Repression made them more rational and civilized.","correct":false,"explanation":"“Roaring” has wild, animalistic connotations rather than rational or civilised ones. Repression intensified Jekyll’s desires, making them more powerful and bestial when released."},{"text":"Repression made them less intense and threatening.","correct":false,"explanation":"The violent sound implied by “roaring” shows increasing intensity and danger. Jekyll’s repression made his desires more powerful and animalistic, not less threatening."}]},{"id":"1cc6a169-8381-4e33-978b-44170a19b70f","cardType":"basic","points":1,"front":"What is Hyde the physical manifestation of?","back":"Jekyll’s repressed evil.","mcqOptions":[{"text":"Jekyll’s repressed evil.","correct":true,"explanation":"Hyde gives physical form to the evil impulses that Jekyll suppresses beneath his respectable identity, allowing those impulses to act without conscience or social restraint."},{"text":"Jekyll’s public respectability.","correct":false,"explanation":"Public respectability belongs to Jekyll’s outward identity, which conceals Hyde. Hyde instead physically manifests the repressed evil hidden beneath Jekyll’s respectable appearance."},{"text":"Jekyll’s moral conscience.","correct":false,"explanation":"A moral conscience restricts harmful impulses, whereas Hyde acts without remorse or restraint. He is the physical manifestation of Jekyll’s repressed evil."},{"text":"Jekyll’s scientific intelligence.","correct":false,"explanation":"Jekyll’s intelligence enables his experiment, but Hyde does not embody that quality. Hyde physically manifests the evil desires Jekyll has repressed."}]},{"id":"8d771196-eb4f-4b29-9d90-e5aaa6ef2026","cardType":"cloze","points":null,"front":"Atavism reflects Victorian Darwinian fears that humans could [ ] into [ ].","back":"Atavism reflects Victorian Darwinian fears that humans could biologically regress into ape-like beasts.","mcqOptions":[{"text":"Atavism reflects Victorian Darwinian fears that humans could biologically regress into ape-like beasts.","correct":true,"explanation":"Atavism is the biological reappearance of ancestral characteristics. Victorian readers influenced by Darwinian ideas feared that civilised humans might regress into primitive, ape-like beings."},{"text":"Atavism reflects Victorian Darwinian fears that humans could biologically progress into ape-like beasts.","correct":false,"explanation":"This confuses regression with evolutionary progress. Atavism describes biological regression towards ancestral forms, represented in the novella by the fear of becoming ape-like beasts."},{"text":"Atavism reflects Victorian Darwinian fears that humans could biologically regress into morally perfect beings.","correct":false,"explanation":"Atavism was feared as a return to primitive ancestral characteristics, not an improvement in morality. Victorians feared biological regression into ape-like beasts."},{"text":"Atavism reflects Victorian Darwinian fears that humans could socially advance into ape-like beasts.","correct":false,"explanation":"Atavism concerns inherited biology rather than social advancement. The relevant Victorian fear was that humans could biologically regress into primitive, ape-like beasts."}]},{"id":"d549e37f-1ace-4856-a19c-c9b14d1d0328","cardType":"basic","points":2,"front":"What does Hyde’s indefinable deformity reflect?","back":"Fear of unknown evil beneath civilized surfaces.","mcqOptions":[{"text":"Fear of unknown evil beneath civilized surfaces.","correct":true,"explanation":"Because observers sense Hyde’s deformity but cannot identify it, his appearance suggests an invisible moral corruption concealed beneath the outward surface of civilised humanity."},{"text":"Fear of visible illness within weakened bodies.","correct":false,"explanation":"Hyde’s deformity cannot be located as a specific illness or bodily defect. Its indefinability instead reflects fear of unknown evil hidden beneath civilised surfaces."},{"text":"Fear of poverty among the urban classes.","correct":false,"explanation":"Although the novella presents anxieties about Victorian London, Hyde’s indefinable deformity is not primarily about poverty. It symbolises unknown evil concealed beneath civilised appearances."},{"text":"Fear of scientific change within modern society.","correct":false,"explanation":"Scientific change is an important wider theme, but Hyde’s unidentifiable deformity specifically reflects anxiety about unknown moral evil existing beneath apparently civilised surfaces."}]},{"id":"dcf00758-8001-4276-abce-20081db2773d","cardType":"cloze","points":null,"front":"Psychologically, Hyde represents the Freudian [ ], containing [ ] unrestricted by morality.","back":"Psychologically, Hyde represents the Freudian Id, containing basic, primal drives unrestricted by morality.","mcqOptions":[{"text":"Psychologically, Hyde represents the Freudian Id, containing basic, primal drives unrestricted by morality.","correct":true,"explanation":"In Freud’s model, the Id contains instinctive desires and seeks immediate satisfaction without considering morality. Hyde embodies these basic, primal drives without restraint."},{"text":"Psychologically, Hyde represents the Freudian Ego, containing basic, primal drives unrestricted by morality.","correct":false,"explanation":"This confuses the Ego with the Id. The Ego negotiates between desire and reality, while Hyde represents the Id and its basic, primal drives unrestricted by morality."},{"text":"Psychologically, Hyde represents the Freudian Id, containing moral conscience and restraint unrestricted by morality.","correct":false,"explanation":"Moral conscience and restraint belong to the Superego, making the sentence internally contradictory. Hyde’s Id contains basic, primal drives that operate without morality."},{"text":"Psychologically, Hyde represents the Freudian Superego, containing rational, balanced judgement unrestricted by morality.","correct":false,"explanation":"The Superego enforces moral standards, while balanced judgement is associated more closely with the Ego. Hyde represents the Id, containing basic, primal drives unrestricted by morality."}]},{"id":"db4f51ca-a807-4178-a6b5-63a98fe6a35c","cardType":"basic","points":1,"front":"In \"with ape-like fury\", which Victorian fear is evoked?","back":"Evolutionary regression or atavism.","mcqOptions":[{"text":"Evolutionary regression or atavism.","correct":true,"explanation":"The ape-like description presents Hyde as a primitive evolutionary throwback. It evokes Victorian fears of atavism, in which civilised humans might regress towards ancestral forms."},{"text":"Industrial expansion or urbanisation.","correct":false,"explanation":"Urbanisation is part of the novella’s social setting, but “ape-like” specifically invokes Darwinian fears. It suggests evolutionary regression, also known as atavism."},{"text":"Religious salvation or redemption.","correct":false,"explanation":"The violent, primitive imagery offers no suggestion of spiritual improvement or forgiveness. “Ape-like fury” evokes evolutionary regression, or atavism, into an ancestral state."},{"text":"Intellectual development or progress.","correct":false,"explanation":"This reverses the direction implied by the primitive ape imagery. The phrase evokes evolutionary regression, or atavism, rather than human intellectual progress."}]},{"id":"2a41d014-4958-4909-ab5f-d05e205f4bfe","cardType":"basic","points":2,"front":"What structural role does Utterson play in the novella?","back":"A detective figure guiding the reader through the mystery.","mcqOptions":[{"text":"A detective figure guiding the reader through the mystery.","correct":true,"explanation":"Utterson investigates Hyde, gathers evidence and links different accounts together. His limited perspective guides readers through the mystery while delaying the final revelation about Jekyll."},{"text":"A villainous figure creating the conflict within the mystery.","correct":false,"explanation":"Utterson investigates the central conflict rather than causing it. Structurally, he functions as a detective figure whose enquiries guide the reader through the mystery."},{"text":"A confessional narrator revealing Jekyll’s motives from the outset.","correct":false,"explanation":"Utterson does not confess or reveal Jekyll’s motives at the beginning; his limited knowledge preserves suspense. He acts as a detective figure guiding the investigation."},{"text":"A comic figure relieving the tension throughout the mystery.","correct":false,"explanation":"Utterson’s serious investigation sustains rather than relieves the novella’s tension. His structural role is that of a detective figure guiding readers through the mystery."}]},{"id":"554cce17-44c8-465b-87c5-8180bdbff8d0","cardType":"basic","points":2,"front":"What does Utterson’s concern for reputation make him do?","back":"Cover up potential scandals rather than expose truth.","mcqOptions":[{"text":"Cover up potential scandals rather than expose truth.","correct":true,"explanation":"Utterson prioritises respectability and social stability, so he suppresses damaging information instead of openly pursuing the truth. This reflects Victorian anxiety about reputation and hidden transgression."},{"text":"Publicise potential scandals before discovering truth.","correct":false,"explanation":"Publicising suspicion would threaten the reputations Utterson seeks to protect. He instead covers up potential scandals, placing discretion and social respectability above the open exposure of truth."},{"text":"Ignore potential scandals rather than investigate truth.","correct":false,"explanation":"Utterson does investigate suspicious events, so he does not simply ignore them. However, his concern for reputation ultimately leads him to conceal potential scandals rather than expose the truth."},{"text":"Invent potential scandals rather than establish truth.","correct":false,"explanation":"Utterson is cautious and reluctant to spread damaging rumours, not someone who invents scandals. He covers up potential scandals because preserving reputation matters more to him than disclosure."}]},{"id":"7cce9bb9-42c3-49c2-8cc5-ad4273266f47","cardType":"cloze","points":null,"front":"The novella uses [ ] perspective around Utterson in Chapters 1-8, then shifts to [ ].","back":"The novella uses third-person limited perspective around Utterson in Chapters 1-8, then shifts to first-person letters.","mcqOptions":[{"text":"The novella uses third-person limited perspective around Utterson in Chapters 1-8, then shifts to first-person letters.","correct":true,"explanation":"The restricted third-person perspective initially limits readers to Utterson’s incomplete understanding. Lanyon’s and Jekyll’s first-person documents then reveal the concealed events and solve the mystery."},{"text":"The novella uses first-person limited perspective around Utterson in Chapters 1-8, then shifts to third-person letters.","correct":false,"explanation":"Utterson does not narrate using “I”, and letters cannot provide a third-person narrative shift here. The novella begins with third-person limited narration and ends with first-person letters."},{"text":"The novella uses third-person omniscient perspective around Utterson in Chapters 1-8, then shifts to first-person letters.","correct":false,"explanation":"An omniscient narrator would reveal Jekyll’s and Hyde’s secrets much earlier. The opening chapters use third-person limited perspective around Utterson before first-person letters disclose the truth."},{"text":"The novella uses third-person limited perspective around Utterson in Chapters 1-8, then shifts to second-person letters.","correct":false,"explanation":"The final documents are personal accounts narrated with “I”, not second-person writing addressed through “you”. The shift is from third-person limited narration to first-person letters."}]},{"id":"90202f08-4c72-460c-94d5-e8d0a4ed9b05","cardType":"basic","points":3,"front":"Contrast Lanyon’s science with Jekyll’s science.","back":"

Lanyon: orthodox, rational science.
Jekyll: transcendental, mystical, dangerous science.

","mcqOptions":[{"text":"

Lanyon: orthodox, rational science.
Jekyll: transcendental, mystical, dangerous science.

","correct":true,"explanation":"Lanyon represents conventional empirical science, whereas Jekyll pursues knowledge beyond accepted material boundaries. Jekyll’s mystical experimentation becomes dangerous because it ignores scientific and moral restraints."},{"text":"

Lanyon: transcendental, mystical science.
Jekyll: orthodox, rational, cautious science.

","correct":false,"explanation":"This reverses the characters’ scientific positions. Lanyon defends orthodox rational science, while Jekyll explores transcendental, mystical ideas through experiments that become physically and morally dangerous."},{"text":"

Lanyon: orthodox, mystical science.
Jekyll: rational, cautious, harmless science.

","correct":false,"explanation":"Lanyon rejects mysticism rather than combining it with orthodoxy, while Jekyll’s work is neither cautious nor harmless. Lanyon is rational; Jekyll’s transcendental science becomes dangerous."},{"text":"

Lanyon: dangerous, irrational science.
Jekyll: conventional, empirical, respected science.

","correct":false,"explanation":"This attributes Jekyll’s recklessness to Lanyon and mistakes Jekyll for a conventional scientist. Lanyon represents orthodox rationalism, whereas Jekyll pursues dangerous mystical and transcendental science."}]},{"id":"854c1e24-afb1-4279-ba65-d78897b5bf55","cardType":"basic","points":2,"front":"What does Lanyon’s physical decay after seeing the transformation represent?","back":"The destruction of Victorian scientific certainty.","mcqOptions":[{"text":"The destruction of Victorian scientific certainty.","correct":true,"explanation":"Lanyon’s rapid decline shows that witnessing Jekyll’s impossible transformation shatters his confidence in rational, orthodox science. His body reflects the collapse of his previously secure worldview."},{"text":"The triumph of Victorian scientific certainty.","correct":false,"explanation":"Lanyon’s collapse is not a triumph for his rational beliefs; the transformation destroys them. His physical decay represents the destruction of Victorian scientific certainty when confronted by the inexplicable."},{"text":"The restoration of Victorian religious certainty.","correct":false,"explanation":"Lanyon does not regain a stable religious worldview after witnessing the transformation. His decline symbolises the destruction of Victorian scientific certainty, as orthodox rationalism cannot explain what he sees."},{"text":"The preservation of Victorian social respectability.","correct":false,"explanation":"Although respectability is important elsewhere in the novella, Lanyon’s decay follows a direct challenge to his scientific beliefs. It therefore represents the destruction of Victorian scientific certainty."}]}]}],"examCountdown":{"examDate":"2027-05-12","paperLabel":"Paper 1"},"heading":"Characters","title":"Characters Flashcards","topbar":{"backHref":"/gcse/english-literature/aqa/flashcards"},"topicSidebar":"$L38"}]}],"topicId":"72d586b6-5a2d-51eb-bf22-d51557e24a37","walled":"$L39"}],"$L3a","$L3b"]