32:I[196793,["/_next/static/chunks/0yhh7a4cr8bkn.js?dpl=nogit-1789871738","/_next/static/chunks/2_6olli-sutu3.js?dpl=nogit-1789871738","/_next/static/chunks/0i-8vweyyd2z1.js?dpl=nogit-1789871738","/_next/static/chunks/04u0lp5-90-_i.js?dpl=nogit-1789871738","/_next/static/chunks/2juje0t3dlhbm.js?dpl=nogit-1789871738","/_next/static/chunks/14b49sowq3167.js?dpl=nogit-1789871738","/_next/static/chunks/19ijf68pshdcn.js?dpl=nogit-1789871738","/_next/static/chunks/3hxsq15e9l6ex.js?dpl=nogit-1789871738","/_next/static/chunks/1aqrb5reeg4jz.js?dpl=nogit-1789871738","/_next/static/chunks/0zkcxwtbsqliz.js?dpl=nogit-1789871738","/_next/static/chunks/1bbv7o2-m-0ni.js?dpl=nogit-1789871738","/_next/static/chunks/1h4wccj42vygd.js?dpl=nogit-1789871738","/_next/static/chunks/3ml3vooxhiupb.js?dpl=nogit-1789871738","/_next/static/chunks/3r5hh4t0jf4es.js?dpl=nogit-1789871738","/_next/static/chunks/2dnqaa04bem_z.js?dpl=nogit-1789871738","/_next/static/chunks/3jpl-42mbad5n.js?dpl=nogit-1789871738","/_next/static/chunks/0zkr_ldmw_b-5.js?dpl=nogit-1789871738","/_next/static/chunks/3ht89vb0p09bm.js?dpl=nogit-1789871738","/_next/static/chunks/2qlkd_50jnb67.js?dpl=nogit-1789871738","/_next/static/chunks/2os7nxouq91eq.js?dpl=nogit-1789871738","/_next/static/chunks/0jfmg0zlq-m5d.js?dpl=nogit-1789871738","/_next/static/chunks/0qfm0wv_qgrsj.js?dpl=nogit-1789871738","/_next/static/chunks/2ksfr-nhqev3t.js?dpl=nogit-1789871738","/_next/static/chunks/2m6e6q-u1dwrv.js?dpl=nogit-1789871738","/_next/static/chunks/1yts3efoejfo0.js?dpl=nogit-1789871738","/_next/static/chunks/307r27ue-gdnh.js?dpl=nogit-1789871738","/_next/static/chunks/1etpegfqjrr5x.js?dpl=nogit-1789871738","/_next/static/chunks/286mv7-4tz6nc.js?dpl=nogit-1789871738","/_next/static/chunks/0gvj8_2lj8s8m.js?dpl=nogit-1789871738","/_next/static/chunks/2dx-vzwyw9a3g.js?dpl=nogit-1789871738","/_next/static/chunks/2_zyy4shki--m.js?dpl=nogit-1789871738","/_next/static/chunks/3dva8kwo2jtnh.js?dpl=nogit-1789871738","/_next/static/chunks/04zr-wqafvwoa.js?dpl=nogit-1789871738","/_next/static/chunks/0k-y_4mcfub-p.js?dpl=nogit-1789871738","/_next/static/chunks/0llqhg6-bxn_b.js?dpl=nogit-1789871738","/_next/static/chunks/1lmsakk_pbrkh.js?dpl=nogit-1789871738","/_next/static/chunks/38_tm7ez4-lmd.js?dpl=nogit-1789871738","/_next/static/chunks/3ph9sdgb29nmu.js?dpl=nogit-1789871738","/_next/static/chunks/0pbd73h215s8y.js?dpl=nogit-1789871738","/_next/static/chunks/1nm-1_tydvrnk.js?dpl=nogit-1789871738","/_next/static/chunks/12mv6p8rwcl5o.js?dpl=nogit-1789871738","/_next/static/chunks/05wg15o8_eo26.js?dpl=nogit-1789871738","/_next/static/chunks/14mwd0e-zm9ml.js?dpl=nogit-1789871738","/_next/static/chunks/0odk_0my0_b5-.js?dpl=nogit-1789871738","/_next/static/chunks/30vfxko_p2uug.js?dpl=nogit-1789871738","/_next/static/chunks/42rqpc4dvilwa.js?dpl=nogit-1789871738","/_next/static/chunks/2ida7sx9siun2.js?dpl=nogit-1789871738","/_next/static/chunks/0v7rexa-bizn8.js?dpl=nogit-1789871738","/_next/static/chunks/1nnw6yom6-qhh.js?dpl=nogit-1789871738","/_next/static/chunks/012ketbchr0jk.js?dpl=nogit-1789871738","/_next/static/chunks/2iga4gk4sqdi5.js?dpl=nogit-1789871738","/_next/static/chunks/1ketmojakm35n.js?dpl=nogit-1789871738","/_next/static/chunks/30dopbgd1dkf9.js?dpl=nogit-1789871738","/_next/static/chunks/2dr--mw_fu802.js?dpl=nogit-1789871738","/_next/static/chunks/43ajf4ofaeu5y.js?dpl=nogit-1789871738","/_next/static/chunks/0vr6ogrqn-7mw.js?dpl=nogit-1789871738","/_next/static/chunks/139ut7awapdtx.js?dpl=nogit-1789871738","/_next/static/chunks/0th4dobt3w2du.js?dpl=nogit-1789871738","/_next/static/chunks/1ksyn9m68446d.js?dpl=nogit-1789871738","/_next/static/chunks/32ng8bzdqftb9.js?dpl=nogit-1789871738","/_next/static/chunks/0zg1om_k0m5zv.js?dpl=nogit-1789871738","/_next/static/chunks/2868mdxx8uu2o.js?dpl=nogit-1789871738","/_next/static/chunks/2eg5oh5lh1bys.js?dpl=nogit-1789871738","/_next/static/chunks/03ql4_ajt89dj.js?dpl=nogit-1789871738","/_next/static/chunks/2y341-r8ncizo.js?dpl=nogit-1789871738","/_next/static/chunks/1iaa-7_lornqf.js?dpl=nogit-1789871738","/_next/static/chunks/319q2g4xo4rxr.js?dpl=nogit-1789871738"],"Gingerbread"] 34:I[647935,["/_next/static/chunks/0yhh7a4cr8bkn.js?dpl=nogit-1789871738","/_next/static/chunks/2_6olli-sutu3.js?dpl=nogit-1789871738","/_next/static/chunks/0i-8vweyyd2z1.js?dpl=nogit-1789871738","/_next/static/chunks/04u0lp5-90-_i.js?dpl=nogit-1789871738","/_next/static/chunks/2juje0t3dlhbm.js?dpl=nogit-1789871738","/_next/static/chunks/14b49sowq3167.js?dpl=nogit-1789871738","/_next/static/chunks/19ijf68pshdcn.js?dpl=nogit-1789871738","/_next/static/chunks/3hxsq15e9l6ex.js?dpl=nogit-1789871738","/_next/static/chunks/1aqrb5reeg4jz.js?dpl=nogit-1789871738","/_next/static/chunks/0zkcxwtbsqliz.js?dpl=nogit-1789871738","/_next/static/chunks/1bbv7o2-m-0ni.js?dpl=nogit-1789871738","/_next/static/chunks/1h4wccj42vygd.js?dpl=nogit-1789871738","/_next/static/chunks/3ml3vooxhiupb.js?dpl=nogit-1789871738","/_next/static/chunks/3r5hh4t0jf4es.js?dpl=nogit-1789871738","/_next/static/chunks/2dnqaa04bem_z.js?dpl=nogit-1789871738","/_next/static/chunks/3jpl-42mbad5n.js?dpl=nogit-1789871738","/_next/static/chunks/0zkr_ldmw_b-5.js?dpl=nogit-1789871738","/_next/static/chunks/3ht89vb0p09bm.js?dpl=nogit-1789871738","/_next/static/chunks/2qlkd_50jnb67.js?dpl=nogit-1789871738","/_next/static/chunks/2os7nxouq91eq.js?dpl=nogit-1789871738","/_next/static/chunks/0jfmg0zlq-m5d.js?dpl=nogit-1789871738","/_next/static/chunks/0qfm0wv_qgrsj.js?dpl=nogit-1789871738","/_next/static/chunks/2ksfr-nhqev3t.js?dpl=nogit-1789871738","/_next/static/chunks/2m6e6q-u1dwrv.js?dpl=nogit-1789871738","/_next/static/chunks/1yts3efoejfo0.js?dpl=nogit-1789871738","/_next/static/chunks/307r27ue-gdnh.js?dpl=nogit-1789871738","/_next/static/chunks/1etpegfqjrr5x.js?dpl=nogit-1789871738","/_next/static/chunks/286mv7-4tz6nc.js?dpl=nogit-1789871738","/_next/static/chunks/0gvj8_2lj8s8m.js?dpl=nogit-1789871738","/_next/static/chunks/2dx-vzwyw9a3g.js?dpl=nogit-1789871738","/_next/static/chunks/2_zyy4shki--m.js?dpl=nogit-1789871738","/_next/static/chunks/3dva8kwo2jtnh.js?dpl=nogit-1789871738","/_next/static/chunks/04zr-wqafvwoa.js?dpl=nogit-1789871738","/_next/static/chunks/0k-y_4mcfub-p.js?dpl=nogit-1789871738","/_next/static/chunks/0llqhg6-bxn_b.js?dpl=nogit-1789871738","/_next/static/chunks/1lmsakk_pbrkh.js?dpl=nogit-1789871738","/_next/static/chunks/38_tm7ez4-lmd.js?dpl=nogit-1789871738","/_next/static/chunks/3ph9sdgb29nmu.js?dpl=nogit-1789871738","/_next/static/chunks/0pbd73h215s8y.js?dpl=nogit-1789871738","/_next/static/chunks/1nm-1_tydvrnk.js?dpl=nogit-1789871738","/_next/static/chunks/12mv6p8rwcl5o.js?dpl=nogit-1789871738","/_next/static/chunks/05wg15o8_eo26.js?dpl=nogit-1789871738","/_next/static/chunks/14mwd0e-zm9ml.js?dpl=nogit-1789871738","/_next/static/chunks/0odk_0my0_b5-.js?dpl=nogit-1789871738","/_next/static/chunks/30vfxko_p2uug.js?dpl=nogit-1789871738","/_next/static/chunks/42rqpc4dvilwa.js?dpl=nogit-1789871738","/_next/static/chunks/2ida7sx9siun2.js?dpl=nogit-1789871738","/_next/static/chunks/0v7rexa-bizn8.js?dpl=nogit-1789871738","/_next/static/chunks/1nnw6yom6-qhh.js?dpl=nogit-1789871738","/_next/static/chunks/012ketbchr0jk.js?dpl=nogit-1789871738","/_next/static/chunks/2iga4gk4sqdi5.js?dpl=nogit-1789871738","/_next/static/chunks/1ketmojakm35n.js?dpl=nogit-1789871738","/_next/static/chunks/30dopbgd1dkf9.js?dpl=nogit-1789871738","/_next/static/chunks/2dr--mw_fu802.js?dpl=nogit-1789871738","/_next/static/chunks/43ajf4ofaeu5y.js?dpl=nogit-1789871738","/_next/static/chunks/0vr6ogrqn-7mw.js?dpl=nogit-1789871738","/_next/static/chunks/139ut7awapdtx.js?dpl=nogit-1789871738","/_next/static/chunks/0th4dobt3w2du.js?dpl=nogit-1789871738","/_next/static/chunks/1ksyn9m68446d.js?dpl=nogit-1789871738","/_next/static/chunks/32ng8bzdqftb9.js?dpl=nogit-1789871738","/_next/static/chunks/0zg1om_k0m5zv.js?dpl=nogit-1789871738","/_next/static/chunks/2868mdxx8uu2o.js?dpl=nogit-1789871738","/_next/static/chunks/2eg5oh5lh1bys.js?dpl=nogit-1789871738","/_next/static/chunks/03ql4_ajt89dj.js?dpl=nogit-1789871738","/_next/static/chunks/2y341-r8ncizo.js?dpl=nogit-1789871738","/_next/static/chunks/1iaa-7_lornqf.js?dpl=nogit-1789871738","/_next/static/chunks/319q2g4xo4rxr.js?dpl=nogit-1789871738"],"RecordResourceResume"] 35:I[830476,["/_next/static/chunks/0yhh7a4cr8bkn.js?dpl=nogit-1789871738","/_next/static/chunks/2_6olli-sutu3.js?dpl=nogit-1789871738","/_next/static/chunks/0i-8vweyyd2z1.js?dpl=nogit-1789871738","/_next/static/chunks/04u0lp5-90-_i.js?dpl=nogit-1789871738","/_next/static/chunks/2juje0t3dlhbm.js?dpl=nogit-1789871738","/_next/static/chunks/14b49sowq3167.js?dpl=nogit-1789871738","/_next/static/chunks/19ijf68pshdcn.js?dpl=nogit-1789871738","/_next/static/chunks/3hxsq15e9l6ex.js?dpl=nogit-1789871738","/_next/static/chunks/1aqrb5reeg4jz.js?dpl=nogit-1789871738","/_next/static/chunks/0zkcxwtbsqliz.js?dpl=nogit-1789871738","/_next/static/chunks/1bbv7o2-m-0ni.js?dpl=nogit-1789871738","/_next/static/chunks/1h4wccj42vygd.js?dpl=nogit-1789871738","/_next/static/chunks/3ml3vooxhiupb.js?dpl=nogit-1789871738","/_next/static/chunks/3r5hh4t0jf4es.js?dpl=nogit-1789871738","/_next/static/chunks/2dnqaa04bem_z.js?dpl=nogit-1789871738","/_next/static/chunks/3jpl-42mbad5n.js?dpl=nogit-1789871738","/_next/static/chunks/0zkr_ldmw_b-5.js?dpl=nogit-1789871738","/_next/static/chunks/3ht89vb0p09bm.js?dpl=nogit-1789871738","/_next/static/chunks/2qlkd_50jnb67.js?dpl=nogit-1789871738","/_next/static/chunks/2os7nxouq91eq.js?dpl=nogit-1789871738","/_next/static/chunks/0jfmg0zlq-m5d.js?dpl=nogit-1789871738","/_next/static/chunks/0qfm0wv_qgrsj.js?dpl=nogit-1789871738","/_next/static/chunks/2ksfr-nhqev3t.js?dpl=nogit-1789871738","/_next/static/chunks/2m6e6q-u1dwrv.js?dpl=nogit-1789871738","/_next/static/chunks/1yts3efoejfo0.js?dpl=nogit-1789871738","/_next/static/chunks/307r27ue-gdnh.js?dpl=nogit-1789871738","/_next/static/chunks/1etpegfqjrr5x.js?dpl=nogit-1789871738","/_next/static/chunks/286mv7-4tz6nc.js?dpl=nogit-1789871738","/_next/static/chunks/0gvj8_2lj8s8m.js?dpl=nogit-1789871738","/_next/static/chunks/2dx-vzwyw9a3g.js?dpl=nogit-1789871738","/_next/static/chunks/2_zyy4shki--m.js?dpl=nogit-1789871738","/_next/static/chunks/3dva8kwo2jtnh.js?dpl=nogit-1789871738","/_next/static/chunks/04zr-wqafvwoa.js?dpl=nogit-1789871738","/_next/static/chunks/0k-y_4mcfub-p.js?dpl=nogit-1789871738","/_next/static/chunks/0llqhg6-bxn_b.js?dpl=nogit-1789871738","/_next/static/chunks/1lmsakk_pbrkh.js?dpl=nogit-1789871738","/_next/static/chunks/38_tm7ez4-lmd.js?dpl=nogit-1789871738","/_next/static/chunks/3ph9sdgb29nmu.js?dpl=nogit-1789871738","/_next/static/chunks/0pbd73h215s8y.js?dpl=nogit-1789871738","/_next/static/chunks/1nm-1_tydvrnk.js?dpl=nogit-1789871738","/_next/static/chunks/12mv6p8rwcl5o.js?dpl=nogit-1789871738","/_next/static/chunks/05wg15o8_eo26.js?dpl=nogit-1789871738","/_next/static/chunks/14mwd0e-zm9ml.js?dpl=nogit-1789871738","/_next/static/chunks/0odk_0my0_b5-.js?dpl=nogit-1789871738","/_next/static/chunks/30vfxko_p2uug.js?dpl=nogit-1789871738","/_next/static/chunks/42rqpc4dvilwa.js?dpl=nogit-1789871738","/_next/static/chunks/2ida7sx9siun2.js?dpl=nogit-1789871738","/_next/static/chunks/0v7rexa-bizn8.js?dpl=nogit-1789871738","/_next/static/chunks/1nnw6yom6-qhh.js?dpl=nogit-1789871738","/_next/static/chunks/012ketbchr0jk.js?dpl=nogit-1789871738","/_next/static/chunks/2iga4gk4sqdi5.js?dpl=nogit-1789871738","/_next/static/chunks/1ketmojakm35n.js?dpl=nogit-1789871738","/_next/static/chunks/30dopbgd1dkf9.js?dpl=nogit-1789871738","/_next/static/chunks/2dr--mw_fu802.js?dpl=nogit-1789871738","/_next/static/chunks/43ajf4ofaeu5y.js?dpl=nogit-1789871738","/_next/static/chunks/0vr6ogrqn-7mw.js?dpl=nogit-1789871738","/_next/static/chunks/139ut7awapdtx.js?dpl=nogit-1789871738","/_next/static/chunks/0th4dobt3w2du.js?dpl=nogit-1789871738","/_next/static/chunks/1ksyn9m68446d.js?dpl=nogit-1789871738","/_next/static/chunks/32ng8bzdqftb9.js?dpl=nogit-1789871738","/_next/static/chunks/0zg1om_k0m5zv.js?dpl=nogit-1789871738","/_next/static/chunks/2868mdxx8uu2o.js?dpl=nogit-1789871738","/_next/static/chunks/2eg5oh5lh1bys.js?dpl=nogit-1789871738","/_next/static/chunks/03ql4_ajt89dj.js?dpl=nogit-1789871738","/_next/static/chunks/2y341-r8ncizo.js?dpl=nogit-1789871738","/_next/static/chunks/1iaa-7_lornqf.js?dpl=nogit-1789871738","/_next/static/chunks/319q2g4xo4rxr.js?dpl=nogit-1789871738"],"FlashcardAccessBranch"] 36:I[315438,["/_next/static/chunks/0yhh7a4cr8bkn.js?dpl=nogit-1789871738","/_next/static/chunks/2_6olli-sutu3.js?dpl=nogit-1789871738","/_next/static/chunks/0i-8vweyyd2z1.js?dpl=nogit-1789871738","/_next/static/chunks/04u0lp5-90-_i.js?dpl=nogit-1789871738","/_next/static/chunks/2juje0t3dlhbm.js?dpl=nogit-1789871738","/_next/static/chunks/14b49sowq3167.js?dpl=nogit-1789871738","/_next/static/chunks/19ijf68pshdcn.js?dpl=nogit-1789871738","/_next/static/chunks/3hxsq15e9l6ex.js?dpl=nogit-1789871738","/_next/static/chunks/1aqrb5reeg4jz.js?dpl=nogit-1789871738","/_next/static/chunks/0zkcxwtbsqliz.js?dpl=nogit-1789871738","/_next/static/chunks/1bbv7o2-m-0ni.js?dpl=nogit-1789871738","/_next/static/chunks/1h4wccj42vygd.js?dpl=nogit-1789871738","/_next/static/chunks/3ml3vooxhiupb.js?dpl=nogit-1789871738","/_next/static/chunks/3r5hh4t0jf4es.js?dpl=nogit-1789871738","/_next/static/chunks/2dnqaa04bem_z.js?dpl=nogit-1789871738","/_next/static/chunks/3jpl-42mbad5n.js?dpl=nogit-1789871738","/_next/static/chunks/0zkr_ldmw_b-5.js?dpl=nogit-1789871738","/_next/static/chunks/3ht89vb0p09bm.js?dpl=nogit-1789871738","/_next/static/chunks/2qlkd_50jnb67.js?dpl=nogit-1789871738","/_next/static/chunks/2os7nxouq91eq.js?dpl=nogit-1789871738","/_next/static/chunks/0jfmg0zlq-m5d.js?dpl=nogit-1789871738","/_next/static/chunks/0qfm0wv_qgrsj.js?dpl=nogit-1789871738","/_next/static/chunks/2ksfr-nhqev3t.js?dpl=nogit-1789871738","/_next/static/chunks/2m6e6q-u1dwrv.js?dpl=nogit-1789871738","/_next/static/chunks/1yts3efoejfo0.js?dpl=nogit-1789871738","/_next/static/chunks/307r27ue-gdnh.js?dpl=nogit-1789871738","/_next/static/chunks/1etpegfqjrr5x.js?dpl=nogit-1789871738","/_next/static/chunks/286mv7-4tz6nc.js?dpl=nogit-1789871738","/_next/static/chunks/0gvj8_2lj8s8m.js?dpl=nogit-1789871738","/_next/static/chunks/2dx-vzwyw9a3g.js?dpl=nogit-1789871738","/_next/static/chunks/2_zyy4shki--m.js?dpl=nogit-1789871738","/_next/static/chunks/3dva8kwo2jtnh.js?dpl=nogit-1789871738","/_next/static/chunks/04zr-wqafvwoa.js?dpl=nogit-1789871738","/_next/static/chunks/0k-y_4mcfub-p.js?dpl=nogit-1789871738","/_next/static/chunks/0llqhg6-bxn_b.js?dpl=nogit-1789871738","/_next/static/chunks/1lmsakk_pbrkh.js?dpl=nogit-1789871738","/_next/static/chunks/38_tm7ez4-lmd.js?dpl=nogit-1789871738","/_next/static/chunks/3ph9sdgb29nmu.js?dpl=nogit-1789871738","/_next/static/chunks/0pbd73h215s8y.js?dpl=nogit-1789871738","/_next/static/chunks/1nm-1_tydvrnk.js?dpl=nogit-1789871738","/_next/static/chunks/12mv6p8rwcl5o.js?dpl=nogit-1789871738","/_next/static/chunks/05wg15o8_eo26.js?dpl=nogit-1789871738","/_next/static/chunks/14mwd0e-zm9ml.js?dpl=nogit-1789871738","/_next/static/chunks/0odk_0my0_b5-.js?dpl=nogit-1789871738","/_next/static/chunks/30vfxko_p2uug.js?dpl=nogit-1789871738","/_next/static/chunks/42rqpc4dvilwa.js?dpl=nogit-1789871738","/_next/static/chunks/2ida7sx9siun2.js?dpl=nogit-1789871738","/_next/static/chunks/0v7rexa-bizn8.js?dpl=nogit-1789871738","/_next/static/chunks/1nnw6yom6-qhh.js?dpl=nogit-1789871738","/_next/static/chunks/012ketbchr0jk.js?dpl=nogit-1789871738","/_next/static/chunks/2iga4gk4sqdi5.js?dpl=nogit-1789871738","/_next/static/chunks/1ketmojakm35n.js?dpl=nogit-1789871738","/_next/static/chunks/30dopbgd1dkf9.js?dpl=nogit-1789871738","/_next/static/chunks/2dr--mw_fu802.js?dpl=nogit-1789871738","/_next/static/chunks/43ajf4ofaeu5y.js?dpl=nogit-1789871738","/_next/static/chunks/0vr6ogrqn-7mw.js?dpl=nogit-1789871738","/_next/static/chunks/139ut7awapdtx.js?dpl=nogit-1789871738","/_next/static/chunks/0th4dobt3w2du.js?dpl=nogit-1789871738","/_next/static/chunks/1ksyn9m68446d.js?dpl=nogit-1789871738","/_next/static/chunks/32ng8bzdqftb9.js?dpl=nogit-1789871738","/_next/static/chunks/0zg1om_k0m5zv.js?dpl=nogit-1789871738","/_next/static/chunks/2868mdxx8uu2o.js?dpl=nogit-1789871738","/_next/static/chunks/2eg5oh5lh1bys.js?dpl=nogit-1789871738","/_next/static/chunks/03ql4_ajt89dj.js?dpl=nogit-1789871738","/_next/static/chunks/2y341-r8ncizo.js?dpl=nogit-1789871738","/_next/static/chunks/1iaa-7_lornqf.js?dpl=nogit-1789871738","/_next/static/chunks/319q2g4xo4rxr.js?dpl=nogit-1789871738"],"TopicFlashcardRunner"] 23:[["$","$L32",null,{"feature":"flashcards"}],"$L33",["$","$L34",null,{"href":"/gcse/english-literature/aqa/princess-the-hustler-overview/flashcards","label":"Overview","subjectCode":"gcse_english_literature__aqa","surface":"flashcards"}],["$","$L35",null,{"runner":["$","div",null,{"className":"min-h-0 flex-1 overflow-hidden bg-background","children":["$","$L36",null,{"decks":[{"id":"0a28c2da-3b1d-46ae-a626-a6a561ab6732","title":"Overview Flashcards","topicId":"0a7927d0-1077-59f6-a8df-a8d3d4b84980","topicSlug":"princess-the-hustler-overview","cards":[{"id":"3f97c79c-cbbf-4428-bd52-5d0dc9e719eb","cardType":"basic","points":1,"front":"What is the play’s crucial historical setting?","back":"Bristol in 1963.","mcqOptions":[{"text":"Bristol in 1963.","correct":true,"explanation":"Bristol in 1963 places the play within the period of the Bristol Bus Boycott, when campaigners challenged the city’s discriminatory colour bar."},{"text":"Cardiff in 1963.","correct":false,"explanation":"Cardiff experienced its own history of racial tension, but it is not the play’s crucial setting. The relevant setting is Bristol in 1963, during the Bristol Bus Boycott."},{"text":"Bristol in 1955.","correct":false,"explanation":"This date is borrowed from the Montgomery Bus Boycott in the United States. The play’s crucial setting is Bristol in 1963, when the Bristol Bus Boycott began."},{"text":"London in 1965.","correct":false,"explanation":"London was central to many post-war social changes, but the play focuses on Bristol in 1963 and the campaign against the local bus company’s colour bar."}]},{"id":"c6208da1-6344-4d14-863d-0a20436786eb","cardType":"cloze","points":null,"front":"In 1963, Britain lacked comprehensive laws against [ ] in [ ].","back":"In 1963, Britain lacked comprehensive laws against racial discrimination in housing or employment.","mcqOptions":[{"text":"In 1963, Britain lacked comprehensive laws against racial discrimination in housing or employment.","correct":true,"explanation":"No comprehensive legislation then prohibited racial discrimination across housing or employment, leaving Black Britons vulnerable to openly discriminatory treatment in both important areas of life."},{"text":"In 1963, Britain lacked comprehensive laws against age discrimination in housing or employment.","correct":false,"explanation":"The central historical issue was racial discrimination, not age discrimination. In 1963, Britain lacked comprehensive laws protecting people from racial discrimination in housing or employment."},{"text":"In 1963, Britain lacked comprehensive laws against racial discrimination in schools or hospitals.","correct":false,"explanation":"Public transport was central to the boycott, but the broader legal gap concerned housing or employment. Britain lacked comprehensive laws against racial discrimination in those areas in 1963."},{"text":"In 1963, Britain lacked comprehensive laws against gender discrimination in schools or hospitals.","correct":false,"explanation":"This substitutes both the wrong type of discrimination and the wrong settings. The historical legal gap concerned racial discrimination in housing or employment."}]},{"id":"9b8e9e24-515b-4408-80a9-0652c5bac36e","cardType":"basic","points":1,"front":"What discriminatory policy caused the Bristol Bus Boycott?","back":"The colour bar.","mcqOptions":[{"text":"The colour bar.","correct":true,"explanation":"The colour bar excluded Black and Asian workers from employment as bus crews, and opposition to this discriminatory policy prompted the Bristol Bus Boycott."},{"text":"The seating segregation.","correct":false,"explanation":"Bus segregation evokes the Montgomery protest, but Bristol’s buses did not impose separate passenger seating. The boycott challenged a colour bar preventing non-white people from joining bus crews."},{"text":"The fare increase.","correct":false,"explanation":"A fare increase could provoke a consumer boycott, but it did not cause this campaign. The Bristol boycott opposed the colour bar used in recruitment."},{"text":"The service reduction.","correct":false,"explanation":"A reduced service would concern transport provision rather than racial exclusion. The protest was caused by the colour bar barring Black and Asian applicants from bus-crew jobs."}]},{"id":"be029b38-b2bb-4348-860d-f09ba12d2285","cardType":"basic","points":1,"front":"Who ran the Bristol Omnibus Company?","back":"The local authority.","mcqOptions":[{"text":"The local authority.","correct":true,"explanation":"The Bristol Omnibus Company was run by the local authority, making its discriminatory employment policy especially troubling because a public body was permitting racial exclusion."},{"text":"The private shareholders.","correct":false,"explanation":"Private shareholders are a tempting assumption because it was called a company, but it was run by the local authority rather than independent commercial investors."},{"text":"The bus workers’ union.","correct":false,"explanation":"The union supported the colour bar among bus crews, but it did not run the company. The Bristol Omnibus Company was run by the local authority."},{"text":"The West Indian Council.","correct":false,"explanation":"The West Indian Development Council helped organise resistance to the colour bar; it did not operate the buses. The company was run by the local authority."}]},{"id":"921ff673-a1c5-4474-aa16-9fb6253d0d9a","cardType":"basic","points":2,"front":"Why was the colour bar especially contradictory in workforce terms?","back":"There was a severe labour shortage.","mcqOptions":[{"text":"There was a severe labour shortage.","correct":true,"explanation":"The company urgently needed workers because of a severe labour shortage, so refusing qualified applicants on racial grounds directly contradicted its own staffing needs."},{"text":"There was a severe labour surplus.","correct":false,"explanation":"A labour surplus might make selective hiring appear economically convenient, but Bristol’s bus company actually faced a severe labour shortage while excluding potential workers through the colour bar."},{"text":"There was a strong staff retention.","correct":false,"explanation":"High staff retention would reduce pressure to recruit and therefore misses the contradiction. The company maintained the colour bar despite experiencing a severe labour shortage."},{"text":"There was a sharp passenger decline.","correct":false,"explanation":"Falling passenger demand could justify employing fewer workers, but the contradiction concerned staffing: the company excluded non-white applicants even though there was a severe labour shortage."}]},{"id":"e1adc5d3-63bf-495c-8dfb-1b9c306ec48d","cardType":"basic","points":1,"front":"Which US protest inspired the Bristol Bus Boycott?","back":"The Montgomery Bus Boycott.","mcqOptions":[{"text":"The Montgomery Bus Boycott.","correct":true,"explanation":"The Montgomery Bus Boycott provided a prominent model of organised, sustained protest against racial discrimination in public transport and inspired Bristol’s campaigners."},{"text":"The American Freedom Rides.","correct":false,"explanation":"The Freedom Rides also challenged transport segregation, making them a plausible confusion, but the specific inspiration for the Bristol campaign was the Montgomery Bus Boycott."},{"text":"The Greensboro lunch sit-ins.","correct":false,"explanation":"The Greensboro sit-ins challenged segregated lunch counters rather than establishing the boycott model used in Bristol. Campaigners were inspired by the Montgomery Bus Boycott."},{"text":"The Washington freedom march.","correct":false,"explanation":"The March on Washington was a major civil rights demonstration in 1963, but the Bristol campaign specifically took inspiration from the earlier Montgomery Bus Boycott."}]},{"id":"ecd35f6f-7258-44b4-a123-98be842c65a6","cardType":"basic","points":1,"front":"Name one local West Indian activist who organised the boycott.","back":"Paul Stephenson or Roy Hackett.","mcqOptions":[{"text":"Paul Stephenson or Roy Hackett.","correct":true,"explanation":"Paul Stephenson and Roy Hackett were local activists involved in organising and publicising the Bristol Bus Boycott against the bus company’s discriminatory colour bar."},{"text":"Rosa Parks or Martin Luther King Jr..","correct":false,"explanation":"Rosa Parks and Martin Luther King Jr. were leading figures in the American Montgomery campaign, not local organisers in Bristol. Paul Stephenson or Roy Hackett is the required answer."},{"text":"Enoch Powell or Oswald Mosley.","correct":false,"explanation":"Enoch Powell and Oswald Mosley were British politicians associated with divisive or racist politics, not West Indian boycott organisers. Paul Stephenson or Roy Hackett helped organise the campaign."},{"text":"Malcolm X or Stokely Carmichael.","correct":false,"explanation":"Malcolm X and Stokely Carmichael were American Black activists rather than local Bristol organisers. The boycott was organised by campaigners including Paul Stephenson and Roy Hackett."}]},{"id":"e0780b93-7a22-4f0f-b3ee-e4b40b7ebf8f","cardType":"cloze","points":null,"front":"The Bristol Bus Boycott began in [ ] and lasted [ ].","back":"The Bristol Bus Boycott began in April 1963 and lasted four months.","mcqOptions":[{"text":"The Bristol Bus Boycott began in April 1963 and lasted four months.","correct":true,"explanation":"The boycott began in April 1963 and continued for four months, ending after the company announced that its discriminatory colour bar would be removed."},{"text":"The Bristol Bus Boycott began in August 1963 and lasted four months.","correct":false,"explanation":"August 1963 marks the boycott’s successful conclusion rather than its beginning. It started in April 1963 and continued for four months."},{"text":"The Bristol Bus Boycott began in April 1963 and lasted four weeks.","correct":false,"explanation":"This shortens the campaign by confusing months with weeks. The boycott began in April 1963 and sustained pressure on the company for four months."},{"text":"The Bristol Bus Boycott began in April 1962 and lasted four months.","correct":false,"explanation":"The year is one too early. The Bristol Bus Boycott began in April 1963, not April 1962, and lasted for four months."}]},{"id":"2c8ccae0-fde1-4129-bc79-8f622d2143d5","cardType":"basic","points":1,"front":"What happened on 28th August 1963 in the Bristol Bus Boycott?","back":"The company ended the colour bar.","mcqOptions":[{"text":"The company ended the colour bar.","correct":true,"explanation":"The boycott successfully pressured the Bristol Omnibus Company to end its discriminatory colour bar, allowing Black and Asian people to be employed as bus crews."},{"text":"The company extended the colour bar.","correct":false,"explanation":"The colour bar had prevented non-white people from working as bus crews; it was not extended on this date. The company instead ended the discriminatory policy after sustained pressure."},{"text":"The company launched the bus boycott.","correct":false,"explanation":"The boycott had already begun in April 1963, so this was not its starting point. On 28th August, the company announced that the colour bar would end."},{"text":"The company reduced the bus fares.","correct":false,"explanation":"The dispute concerned racial discrimination in employment, not passenger fares. The significant development was the company’s decision to end the colour bar for bus crews."}]},{"id":"e5970943-870b-4e37-ad2b-a2b40cb4f812","cardType":"cloze","points":null,"front":"The colour bar ended on the same day Martin Luther King Jr delivered [ ] in [ ].","back":"The colour bar ended on the same day Martin Luther King Jr delivered “I Have a Dream” in Washington.","mcqOptions":[{"text":"The colour bar ended on the same day Martin Luther King Jr delivered “I Have a Dream” in Washington.","correct":true,"explanation":"Both events occurred on 28th August 1963: Bristol’s colour bar ended while Martin Luther King Jr delivered “I Have a Dream” in Washington during the March on Washington."},{"text":"The colour bar ended on the same day Martin Luther King Jr delivered “I’ve Been to the Mountaintop” in Washington.","correct":false,"explanation":"“I’ve Been to the Mountaintop” was delivered in Memphis in 1968, shortly before King’s assassination. The simultaneous 1963 event was his “I Have a Dream” speech in Washington."},{"text":"The colour bar ended on the same day Martin Luther King Jr delivered “I Have a Dream” in Montgomery.","correct":false,"explanation":"The famous 1963 speech was delivered at the March on Washington, not in Montgomery. The correct pairing is “I Have a Dream” in Washington."},{"text":"The colour bar ended on the same day Martin Luther King Jr delivered “Our God Is Marching On!” in Selma.","correct":false,"explanation":"“Our God Is Marching On!” was associated with Selma in 1965, not the events of August 1963. King delivered “I Have a Dream” in Washington that day."}]},{"id":"3d28d34e-a71c-470a-b09e-a9549e8738d4","cardType":"basic","points":2,"front":"What does Odimba use the Bristol Bus Boycott to show about families?","back":"Political action can divide and unite families.","mcqOptions":[{"text":"Political action can divide and unite families.","correct":true,"explanation":"Odimba presents activism as a source of conflict within families while also showing that shared struggle can create solidarity, reconciliation and a stronger sense of collective purpose."},{"text":"Political action can leave families completely unchanged.","correct":false,"explanation":"The boycott does not show political action as harmless to family relationships; it creates serious tensions. Odimba presents activism as capable of both dividing and uniting families."},{"text":"Political action can make all families immediately agree.","correct":false,"explanation":"Family members do not respond identically to the boycott, as their priorities and attitudes conflict. Odimba uses these disagreements to show that political action can divide and unite families."},{"text":"Political action can remain separate from family life.","correct":false,"explanation":"The boycott affects domestic relationships as well as public life, so the two spheres are not kept separate. Odimba shows political action both dividing and uniting families."}]},{"id":"9f2a8777-6d49-44e8-9c3f-10fd2ec34641","cardType":"basic","points":2,"front":"How does Leon initially view the boycott?","back":"As a distraction from financial survival.","mcqOptions":[{"text":"As a distraction from financial survival.","correct":true,"explanation":"Leon prioritises earning money and meeting immediate material needs, so he initially regards the boycott as diverting attention from the family’s urgent financial survival."},{"text":"As a solution to financial hardship.","correct":false,"explanation":"Leon does not initially treat the boycott as the family’s best economic opportunity. His concern about immediate material needs makes him see it as a distraction from financial survival."},{"text":"As a source of political celebration.","correct":false,"explanation":"Leon’s initial response is practical and economically anxious rather than celebratory. He views the campaign as distracting the family from the more immediate problem of financial survival."},{"text":"As a duty above personal survival.","correct":false,"explanation":"Leon does not initially see participation as an unavoidable moral duty. His focus on earning and providing leads him to regard the boycott as a distraction from financial survival."}]},{"id":"a5fbb4cc-6c47-44ac-882e-67395665172d","cardType":"basic","points":1,"front":"Which motif runs throughout Princess’s storyline?","back":"The pageant motif.","mcqOptions":[{"text":"The pageant motif.","correct":true,"explanation":"The recurring pageant motif connects Princess’s ambitions with ideas about beauty, status and belonging, allowing Odimba to examine how racist standards shape her self-image."},{"text":"The bus journey motif.","correct":false,"explanation":"Bus journeys belong to the wider boycott setting, but they are not the recurring motif organising Princess’s personal storyline. Her experiences are structured through the pageant motif."},{"text":"The money motif.","correct":false,"explanation":"Financial survival is especially associated with Leon’s concerns, rather than the imagery recurring through Princess’s storyline. Princess’s hopes and insecurities are developed through the pageant motif."},{"text":"The speech motif.","correct":false,"explanation":"Political speeches provide historical context, but they do not form the central recurring pattern in Princess’s storyline. Odimba instead uses the pageant motif to explore identity and acceptance."}]},{"id":"c0ff74cf-5489-4589-941b-6c2f97bf64be","cardType":"basic","points":1,"front":"What does the Weston-super-Mare pageant symbolise?","back":"Eurocentric beauty standards.","mcqOptions":[{"text":"Eurocentric beauty standards.","correct":true,"explanation":"The pageant promotes a narrow ideal shaped by European and white cultural norms. It therefore symbolises Eurocentric beauty standards that marginalise Princess and affect her self-worth."},{"text":"Inclusive multicultural beauty standards.","correct":false,"explanation":"The pageant does not symbolise racial equality because its narrow ideals exclude and marginalise Princess. It represents Eurocentric beauty standards centred on white cultural expectations."},{"text":"Equal economic opportunities.","correct":false,"explanation":"Although the pageant may appear to offer opportunity, its main symbolic role is not economic advancement. It exposes Eurocentric beauty standards and their damaging effect on Princess’s identity."},{"text":"Anti-racist political resistance.","correct":false,"explanation":"The pageant does not primarily symbolise resistance to racism; Princess’s wish to succeed within it shows the influence of dominant ideals. It represents Eurocentric beauty standards."}]},{"id":"7b5214c1-6c5c-45f5-a979-76adb4bb3480","cardType":"cloze","points":null,"front":"Princess wants to be a [ ], suggesting a desire for [ ].","back":"Princess wants to be a “real princess”, suggesting a desire for social acceptance and validation.","mcqOptions":[{"text":"Princess wants to be a “real princess”, suggesting a desire for social acceptance and validation.","correct":true,"explanation":"The phrase “real princess” reveals that Princess measures herself against socially dominant images of beauty and royalty, linking her ambition to a need for acceptance and validation."},{"text":"Princess wants to be a “fairy-tale character”, suggesting a desire for social acceptance and validation.","correct":false,"explanation":"Princess does not simply want to perform a fictional role; “real princess” shows that she wants her identity and worth to be recognised through social acceptance and validation."},{"text":"Princess wants to be a “real princess”, suggesting a desire for political authority and control.","correct":false,"explanation":"Her ambition is not presented as a wish for political authority. The desire to become a “real princess” instead reflects her longing for social acceptance and validation."},{"text":"Princess wants to be a “pageant contestant”, suggesting a desire for financial independence and security.","correct":false,"explanation":"Neither phrase captures Princess’s internalised ideal: she wants to be a “real princess,” not merely a contestant, because she seeks social acceptance and validation."}]},{"id":"f5c209eb-387c-44f6-be95-54df55dd9b5a","cardType":"basic","points":2,"front":"What contextual fact makes Princess’s “real princess” desire painful?","back":"Beauty and royalty were represented by white figures.","mcqOptions":[{"text":"Beauty and royalty were represented by white figures.","correct":true,"explanation":"Dominant images of beauty and royalty centred white people, leaving Princess without figures who resembled her. This makes her longing to become a “real princess” especially painful."},{"text":"Beauty and royalty were represented by all racial groups.","correct":false,"explanation":"The pain comes from exclusion rather than balanced representation. Beauty and royalty were predominantly represented by white figures, so Princess could not readily see herself reflected in those ideals."},{"text":"Beauty and royalty were represented by Black figures.","correct":false,"explanation":"Black figures were not the dominant cultural image of beauty and royalty available to Princess. Those ideals were represented by white figures, intensifying her sense of exclusion."},{"text":"Beauty and royalty were represented by imaginary creatures.","correct":false,"explanation":"The issue is not that such ideals lacked human representation, but that their representation was racially narrow. Beauty and royalty were associated primarily with white figures."}]},{"id":"8418b60b-df1d-439f-b066-7389a02b422e","cardType":"basic","points":2,"front":"Why is Princess’s pageant dream not trivial?","back":"It shows racism entering children’s minds and dreams.","mcqOptions":[{"text":"It shows racism entering children’s minds and dreams.","correct":true,"explanation":"Princess’s apparently innocent ambition reveals that racist beauty standards already shape how Black children imagine themselves, making her dream evidence of racism’s deep psychological influence."},{"text":"It shows ambition dividing children’s families and communities.","correct":false,"explanation":"The dream is not primarily about ambition creating social conflict. Its significance lies in showing how racism enters children’s minds and dreams, influencing their aspirations from an early age."},{"text":"It shows poverty limiting children’s choices and opportunities.","correct":false,"explanation":"Material disadvantage may affect the characters, but Princess’s pageant dream specifically exposes internalised racial attitudes. It shows racism entering children’s minds and dreams rather than poverty restricting opportunities."},{"text":"It shows adults controlling children’s hobbies and interests.","correct":false,"explanation":"This interpretation mistakes the dream for a conflict between children and adults. The dream matters because racist values have entered children’s minds and begun shaping their private hopes."}]},{"id":"98f7e3d1-32c8-4364-8e55-2affb860cbf1","cardType":"cloze","points":null,"front":"Dramatic irony comes from the audience knowing the boycott’s [ ] and [ ].","back":"Dramatic irony comes from the audience knowing the boycott’s historical significance and successful outcome.","mcqOptions":[{"text":"Dramatic irony comes from the audience knowing the boycott’s historical significance and successful outcome.","correct":true,"explanation":"The audience knows that the boycott will become historically important and ultimately succeed, while the characters experience events without certainty, creating dramatic irony."},{"text":"Dramatic irony comes from the audience knowing the boycott’s immediate failure and violent outcome.","correct":false,"explanation":"This reverses the boycott’s history: it did not end in immediate failure or a violent outcome. The audience knows its historical significance and successful outcome."},{"text":"Dramatic irony comes from the audience knowing the boycott’s historical significance and unsuccessful outcome.","correct":false,"explanation":"The historical significance is accurate, but describing the outcome as unsuccessful contradicts what the audience knows. The boycott’s eventual success creates irony beside the characters’ uncertainty."},{"text":"Dramatic irony comes from the audience knowing the boycott’s limited significance and successful outcome.","correct":false,"explanation":"The successful outcome is accurate, but the boycott had major historical significance rather than limited importance. The audience’s knowledge of both facts contrasts with the characters’ doubts."}]},{"id":"b6e366e6-c376-4c59-a3c9-ee2b9ca44a1d","cardType":"basic","points":1,"front":"What emotions do characters feel while living through the boycott?","back":"Fear, uncertainty and doubt.","mcqOptions":[{"text":"Fear, uncertainty and doubt.","correct":true,"explanation":"The characters do not know whether the boycott will succeed or what consequences they may face, so they experience fear, uncertainty and doubt while events unfold."},{"text":"Confidence, certainty and pride.","correct":false,"explanation":"This assumes the characters share the audience’s hindsight about the boycott’s success. While living through it, they instead experience fear, uncertainty and doubt about its outcome."},{"text":"Anger, jealousy and resentment.","correct":false,"explanation":"Although anger may appear in the wider conflict, jealousy and resentment do not capture the central emotional experience. The characters mainly feel fear, uncertainty and doubt."},{"text":"Relief, security and hope.","correct":false,"explanation":"These emotions suggest that the boycott’s dangers have already passed. During the struggle, its result remains unknown, producing fear, uncertainty and doubt rather than relief and security."}]},{"id":"4f2551e8-2a49-4eb8-832f-ccc294a044a3","cardType":"cloze","points":null,"front":"The play’s pacing oscillates between [ ] and the [ ].","back":"The play’s pacing oscillates between public political street protest and the private Coel household.","mcqOptions":[{"text":"The play’s pacing oscillates between public political street protest and the private Coel household.","correct":true,"explanation":"Alternating between public protest and the private Coel household connects the boycott’s large-scale political struggle with its personal effects on individuals and family life."},{"text":"The play’s pacing oscillates between private political discussion and the public courtroom.","correct":false,"explanation":"This substitutes settings that do not define the play’s main structural contrast. Its pacing moves between public political street protest and the private Coel household."},{"text":"The play’s pacing oscillates between public political street protest and the public council chamber.","correct":false,"explanation":"Keeping both settings public removes the crucial contrast in scale and perspective. The play alternates between public street protest and the private life of the Coel household."},{"text":"The play’s pacing oscillates between private family celebration and the private Coel household.","correct":false,"explanation":"This makes both parts private and loses the play’s movement between political action and domestic experience. The first setting is public political street protest."}]}]}],"examCountdown":{"examDate":"2027-05-12","paperLabel":"Paper 1"},"heading":"Overview","title":"Overview Flashcards","topbar":{"backHref":"/gcse/english-literature/aqa/flashcards"},"topicSidebar":"$L37"}]}],"topicId":"0a7927d0-1077-59f6-a8df-a8d3d4b84980","walled":"$L38"}],"$L39","$L3a"]