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while secretly preparing betrayal and violence."},{"text":"\"Come, you spirits that tend on mortal thoughts, unsex me here\".","correct":false,"explanation":"This command asks supernatural forces to remove Lady Macbeth’s femininity, rather than using flower and serpent imagery. The correct quotation is \"Look like the innocent flower, but be the serpent under't\"."},{"text":"\"What’s done cannot be undone: to bed, to bed, to bed\".","correct":false,"explanation":"This quotation concerns Lady Macbeth’s determination and lack of remorse, not deceptive appearances. The flower and serpent imagery appears in \"Look like the innocent flower, but be the serpent under't\"."},{"text":"\"Bear welcome in your eye, your hand, your tongue\".","correct":false,"explanation":"This line advises Macbeth to appear welcoming, but it does not contain the requested flower and serpent imagery. The correct quotation begins \"Look like the innocent flower\"."}]},{"id":"3588bef4-5fd0-4cce-bdd6-8ebdd8b6733a","cardType":"cloze","points":null,"front":"Macbeth asks, \"[ ]; let not light see my [ ]\".","back":"Macbeth asks, \"Stars, hide your fires; let not light see my black and deep desires\".","mcqOptions":[{"text":"Macbeth asks, \"Stars, hide your fires; let not light see my black and deep desires\".","correct":true,"explanation":"Macbeth calls upon the stars to conceal their light so that heaven and moral goodness cannot witness his secret ambition to become king."},{"text":"Macbeth asks, \"Moon, conceal your beams; let not light see my bloody and cruel thoughts\".","correct":false,"explanation":"Substituting the moon and bloody thoughts confuses this quotation with other recurring images in the play. Macbeth says, \"Stars, hide your fires\" and conceals his \"black and deep desires\"."},{"text":"Macbeth asks, \"Stars, hide your fires; let not light see my great and noble desires\".","correct":false,"explanation":"The first phrase is accurate, but Macbeth describes his desires as \"black and deep\", linking them to evil and secrecy rather than calling them \"great and noble\"."},{"text":"Macbeth asks, \"Stars, show your fires; let not light see my black and deep desires\".","correct":false,"explanation":"Macbeth does not invite the stars to shine because he wants his ambition concealed. The correct opening is \"Stars, hide your fires\", followed by \"black and deep desires\"."}]},{"id":"3d8ebd67-3b9b-4abc-9074-a22e95ed0278","cardType":"basic","points":1,"front":"In \"Stars, hide your fires\", what does \"light\" symbolise?","back":"God, heaven and moral goodness.","mcqOptions":[{"text":"God, heaven and moral goodness.","correct":true,"explanation":"Light conventionally represents divine authority, heaven and goodness, so Macbeth’s wish to hide from it shows that he recognises the immorality of his ambition."},{"text":"Kingship, power and political authority.","correct":false,"explanation":"Kingship is associated with divine order elsewhere, but \"light\" here represents God, heaven and moral goodness witnessing Macbeth’s intentions, not the crown he wishes to obtain."},{"text":"Witchcraft, darkness and supernatural evil.","correct":false,"explanation":"The Witches are linked more strongly to darkness, disorder and evil. In this quotation, \"light\" symbolises God, heaven and moral goodness, from which Macbeth wants to hide."},{"text":"Courage, warfare and heroic honour.","correct":false,"explanation":"Macbeth’s courage and military honour are established earlier, but they are not symbolised by \"light\" here. The image represents God, heaven and moral goodness."}]},{"id":"c3135714-9f42-43e0-891e-69aad89a03e4","cardType":"basic","points":1,"front":"In \"black and deep desires\", what are Macbeth's desires?","back":"Sinful ambition.","mcqOptions":[{"text":"Sinful ambition.","correct":true,"explanation":"Macbeth secretly desires the crown and is already contemplating immoral action to obtain it, so the phrase refers to his sinful ambition."},{"text":"Patriotic loyalty.","correct":false,"explanation":"Macbeth has recently been honoured for loyal service, so loyalty is not the desire he calls \"black\". He is referring to his sinful ambition for the crown."},{"text":"Guilty repentance.","correct":false,"explanation":"Although Macbeth later experiences guilt, this phrase concerns what he wants before Duncan’s murder. His hidden desire is sinful ambition, not sincere repentance."},{"text":"Royal protection.","correct":false,"explanation":"Macbeth’s desire threatens Duncan rather than protecting him. The phrase describes sinful ambition because Macbeth wants advancement despite recognising its evil implications."}]},{"id":"214f696e-bc12-4e7c-8d32-b5b411bb609d","cardType":"basic","points":2,"front":"How does \"black and deep desires\" show Macbeth still has a conscience?","back":"He knows his desires are evil and wants them hidden.","mcqOptions":[{"text":"He knows his desires are evil and wants them hidden.","correct":true,"explanation":"Describing his desires as \"black\" shows Macbeth can distinguish evil from good, while wishing to hide them reveals shame and awareness of moral judgement."},{"text":"He believes his desires are noble and wants them praised.","correct":false,"explanation":"Open pride would suggest little moral conflict, whereas Macbeth asks for darkness to conceal his thoughts. He knows his desires are evil and wants them hidden."},{"text":"He cannot recognise his desires as evil and wants them fulfilled.","correct":false,"explanation":"Macbeth does understand the moral significance of his ambition, shown by the negative adjective \"black\". He knows his desires are evil and therefore wants them hidden."},{"text":"He admits his desires to Duncan and wants them forgiven.","correct":false,"explanation":"Confessing to Duncan would demonstrate honesty, but Macbeth instead seeks secrecy from both human and divine observation. He knows his desires are evil and wants them hidden."}]},{"id":"f66ecaec-5ec5-4c1e-9959-63c6db95df00","cardType":"basic","points":2,"front":"How does the rhyme \"fires\" / \"desires\" link Macbeth to the Witches?","back":"It mirrors the Witches' rhythm, suggesting they infect his mind.","mcqOptions":[{"text":"It mirrors the Witches' rhythm, suggesting they infect his mind.","correct":true,"explanation":"The conspicuous rhyme resembles the Witches’ chant-like speech, implying that their supernatural influence is entering Macbeth’s language and corrupting his thoughts."},{"text":"It rejects the Witches' rhythm, suggesting he resists their influence.","correct":false,"explanation":"The rhyme aligns Macbeth with the Witches rather than separating him from them. It mirrors the Witches’ rhythm, suggesting their influence is infecting his mind."},{"text":"It copies King Duncan's rhythm, suggesting he shares his virtue.","correct":false,"explanation":"Duncan’s speech is not characterised by this chant-like rhyming style. The rhyme mirrors the Witches’ rhythm and suggests that their corrupting influence has entered Macbeth’s mind."},{"text":"It creates realistic conversational rhythm, suggesting his mind remains rational.","correct":false,"explanation":"The rhyme creates a deliberate supernatural echo rather than naturalistic conversation. It mirrors the Witches’ rhythm, suggesting that they are infecting Macbeth’s thoughts."}]},{"id":"c8210541-43ea-4209-a7ff-24faca4fca81","cardType":"cloze","points":null,"front":"Lady Macbeth commands, \"Come, you [ ] / that tend on mortal thoughts, [ ]\".","back":"Lady Macbeth commands, \"Come, you spirits / that tend on mortal thoughts, unsex me here\".","mcqOptions":[{"text":"Lady Macbeth commands, \"Come, you spirits / that tend on mortal thoughts, unsex me here\".","correct":true,"explanation":"Lady Macbeth summons supernatural \"spirits\" and commands them to \"unsex\" her, asking to be stripped of qualities her society associates with femininity."},{"text":"Lady Macbeth commands, \"Come, you murderers / that tend on mortal thoughts, make me cruel\".","correct":false,"explanation":"Lady Macbeth addresses supernatural \"spirits\", not murderers, and commands them to \"unsex me here\". The original wording emphasises supernatural power and rejection of conventional femininity."},{"text":"Lady Macbeth commands, \"Come, you spirits / that tend on mortal thoughts, crown me here\".","correct":false,"explanation":"The addressee is correct, but Lady Macbeth does not ask to be crowned. She commands the spirits to \"unsex me here\", seeking transformation rather than royal status."},{"text":"Lady Macbeth commands, \"Come, you Witches / that tend on mortal thoughts, strengthen me here\".","correct":false,"explanation":"Lady Macbeth summons \"spirits\" rather than Witches directly. Her command is \"unsex me here\", expressing a desire to remove socially feminine qualities that might impede violence."}]},{"id":"eed7b23a-1b8d-4c78-a082-3fa97b9e366b","cardType":"basic","points":1,"front":"What method is created by Lady Macbeth's verbs \"Come\" and \"unsex\"?","back":"Imperative verbs.","mcqOptions":[{"text":"Imperative verbs.","correct":true,"explanation":"Both \"Come\" and \"unsex\" issue direct commands, so they are imperative verbs that present Lady Macbeth as forceful, commanding and determined."},{"text":"Modal verbs.","correct":false,"explanation":"Modal verbs express possibility, permission or obligation through words such as \"might\" and \"must\". \"Come\" and \"unsex\" instead function as direct commands, making them imperative verbs."},{"text":"Auxiliary verbs.","correct":false,"explanation":"Auxiliary verbs support a main verb, as \"have\" or \"be\" often does. \"Come\" and \"unsex\" independently issue commands, so they are imperative verbs."},{"text":"Stative verbs.","correct":false,"explanation":"Stative verbs describe states, thoughts or possession rather than deliberate commands. \"Come\" and \"unsex\" direct the spirits to act, so they are imperative verbs."}]},{"id":"478dd482-56d5-49c5-b9b3-e592ef87e144","cardType":"basic","points":1,"front":"In \"unsex me here\", what does Lady Macbeth associate femininity with?","back":"Maternal care and compassion.","mcqOptions":[{"text":"Maternal care and compassion.","correct":true,"explanation":"Lady Macbeth associates femininity with nurturing, tenderness and remorse. She asks to be “unsexed” because she believes these conventionally feminine qualities could prevent her from committing murder."},{"text":"Physical beauty and charm.","correct":false,"explanation":"Beauty and attractiveness are not the qualities Lady Macbeth wants the spirits to remove. The correct answer is maternal care and compassion, which she sees as obstacles to cruelty."},{"text":"Sexual weakness and obedience.","correct":false,"explanation":"Lady Macbeth does challenge expectations of female submission, but “unsex me here” specifically rejects maternal care and compassion so that she can pursue Duncan’s murder without remorse."},{"text":"Political ambition and cruelty.","correct":false,"explanation":"Ambition and cruelty are qualities Lady Macbeth wants to gain rather than qualities she associates with femininity. She associates femininity with maternal care and compassion."}]},{"id":"c2b94d1f-132c-4fa2-9eb9-2eaf3ba911a8","cardType":"basic","points":2,"front":"Why would \"Come, you spirits\" shock a Jacobean audience?","back":"It aligns Lady Macbeth with demonic witchcraft.","mcqOptions":[{"text":"It aligns Lady Macbeth with demonic witchcraft.","correct":true,"explanation":"Her command to supernatural “spirits” resembles the invocation of demons. A Jacobean audience, strongly influenced by Christian beliefs about witchcraft, would therefore view her as dangerously evil."},{"text":"It aligns Lady Macbeth with Christian prayer.","correct":false,"explanation":"Lady Macbeth commands sinister spirits rather than praying humbly to God. The line therefore aligns her with demonic witchcraft, which would deeply disturb a Christian Jacobean audience."},{"text":"It aligns Lady Macbeth with divine kingship.","correct":false,"explanation":"Divine kingship presents monarchs as appointed by God, but Lady Macbeth is preparing to overthrow God’s chosen king. Her invocation instead aligns her with demonic witchcraft."},{"text":"It aligns Lady Macbeth with maternal devotion.","correct":false,"explanation":"The invocation rejects nurturing femininity rather than expressing maternal devotion. By summoning supernatural spirits to make her cruel, Lady Macbeth aligns herself with demonic witchcraft."}]},{"id":"176dd262-bac0-49d1-91d6-72ba31e13aa2","cardType":"cloze","points":null,"front":"King James I's witchcraft book was [ ], published in [ ].","back":"King James I's witchcraft book was Daemonologie, published in 1597.","mcqOptions":[{"text":"King James I's witchcraft book was Daemonologie, published in 1597.","correct":true,"explanation":"James VI of Scotland, later James I of England, published Daemonologie in 1597. The work supported belief in witchcraft and the prosecution of alleged witches."},{"text":"King James I's witchcraft book was Malleus Maleficarum, published in 1597.","correct":false,"explanation":"Malleus Maleficarum was a fifteenth-century witch-hunting treatise written by Heinrich Kramer, not King James. James’s book was Daemonologie, published in 1597."},{"text":"King James I's witchcraft book was Daemonologie, published in 1603.","correct":false,"explanation":"The year 1603 marks James’s accession to the English throne, which makes it a tempting confusion. Daemonologie was published earlier, in 1597."},{"text":"King James I's witchcraft book was The Discoverie of Witchcraft, published in 1584.","correct":false,"explanation":"The Discoverie of Witchcraft was written by Reginald Scot and challenged many witchcraft claims. King James’s own witchcraft book was Daemonologie, published in 1597."}]},{"id":"6807521a-00c4-4f1c-bbfd-64ff800c287a","cardType":"basic","points":1,"front":"Which 1605 event is referenced by \"the serpent under't\"?","back":"The Gunpowder Plot.","mcqOptions":[{"text":"The Gunpowder Plot.","correct":true,"explanation":"The Gunpowder Plot of 1605 involved conspirators concealing their murderous intentions behind respectable appearances. The hidden serpent therefore evokes treachery disguised by apparent innocence."},{"text":"The Spanish Armada.","correct":false,"explanation":"The Spanish Armada threatened England in 1588 through open invasion, not a concealed 1605 conspiracy. The serpent image is linked to the Gunpowder Plot."},{"text":"The Babington Plot.","correct":false,"explanation":"The Babington Plot was a 1586 conspiracy associated with Mary, Queen of Scots. The specified 1605 event echoed by hidden treachery is the Gunpowder Plot."},{"text":"The Great Fire of London.","correct":false,"explanation":"The Great Fire occurred in 1666, decades after Macbeth was written. The 1605 event connected with concealed betrayal is the Gunpowder Plot."}]},{"id":"371327bd-9746-45ba-8f89-b4b496977009","cardType":"basic","points":1,"front":"What theme does \"innocent flower\" versus \"serpent\" express?","back":"Appearance versus Reality through deception.","mcqOptions":[{"text":"Appearance versus Reality through deception.","correct":true,"explanation":"The harmless-looking flower conceals the dangerous serpent beneath it. Shakespeare uses this contrast to show how deceptive appearances can hide violent intentions and moral corruption."},{"text":"Good versus Evil through conflict.","correct":false,"explanation":"Although good and evil are important in the play, this contrast specifically concerns a harmless outward appearance concealing danger. It therefore expresses Appearance versus Reality through deception."},{"text":"Fate versus Free Will through prophecy.","correct":false,"explanation":"No prophecy or debate about personal choice appears in the flower and serpent imagery. The contrast instead develops Appearance versus Reality by presenting deliberate deception."},{"text":"Order versus Chaos through violence.","correct":false,"explanation":"The quotation prepares for violence, but its central contrast is between an innocent exterior and a dangerous hidden identity. It therefore presents Appearance versus Reality through deception."}]},{"id":"e7bacdd2-f3e1-45ef-8c5b-c41fb35e1d52","cardType":"basic","points":1,"front":"Which Macbeth quote uses Neptune to present overwhelming guilt?","back":"\"Will all great Neptune's ocean wash this blood clean from my hand?\"","mcqOptions":[{"text":"\"Will all great Neptune's ocean wash this blood clean from my hand?\"","correct":true,"explanation":"Macbeth imagines the entire ocean ruled by Neptune failing to remove Duncan’s blood. This vast hyperbole presents his guilt as permanent, overwhelming and impossible to cleanse."},{"text":"\"Here's the smell of the blood still: all the perfumes of Arabia will not sweeten this little hand.\"","correct":false,"explanation":"Lady Macbeth speaks this during her sleepwalking scene, using perfume rather than Neptune’s ocean to express guilt. Macbeth’s Neptune quote asks whether the ocean can wash his hand clean."},{"text":"\"No, this my hand will rather the multitudinous seas incarnadine, making the green one red.\"","correct":false,"explanation":"This follows the Neptune question and extends its sea imagery, but it does not name Neptune. The required quote begins, “Will all great Neptune’s ocean...”"},{"text":"\"What hands are here? Ha! they pluck out mine eyes.\"","correct":false,"explanation":"This line conveys Macbeth’s horror after the murder but contains no reference to Neptune. The Neptune quotation asks whether the god’s entire ocean can cleanse Duncan’s blood."}]},{"id":"f60c7f52-f8ac-473d-8350-62f046e7db5f","cardType":"basic","points":1,"front":"In Macbeth's Neptune quote, what does \"blood\" symbolise?","back":"Inescapable guilt.","mcqOptions":[{"text":"Inescapable guilt.","correct":true,"explanation":"The blood represents the psychological stain left by Duncan’s murder. Because even Neptune’s vast ocean cannot wash it away, Macbeth recognises that his guilt is inescapable."},{"text":"Physical injury.","correct":false,"explanation":"Although the blood is literally Duncan’s, Macbeth is not describing an injury to himself. It symbolises the inescapable guilt that cannot be removed by physical washing."},{"text":"Royal lineage.","correct":false,"explanation":"Blood can signify ancestry elsewhere, but Macbeth’s attempt to wash it from his hands concerns responsibility for murder. Here it symbolises his inescapable guilt."},{"text":"Military courage.","correct":false,"explanation":"Blood initially accompanies Macbeth’s bravery in battle, but its meaning changes after Duncan’s murder. In the Neptune quotation, it symbolises inescapable guilt rather than courage."}]},{"id":"e0698c62-e7b1-49f2-8e3b-57cdc85a8892","cardType":"basic","points":2,"front":"Why is \"Neptune\" significant in Macbeth's guilt quote?","back":"Even the god of the sea cannot cleanse Macbeth's guilt.","mcqOptions":[{"text":"Even the god of the sea cannot cleanse Macbeth's guilt.","correct":true,"explanation":"Neptune is the Roman god of the sea, so his ocean represents an immense quantity of cleansing water. Its failure to remove the blood emphasises Macbeth’s limitless guilt."},{"text":"Even the god of war cannot reward Macbeth's courage.","correct":false,"explanation":"Neptune is the Roman god of the sea, not war, and the quotation concerns guilt rather than military reward. Even the sea’s immense waters cannot cleanse Macbeth."},{"text":"Even the god of death cannot restore Duncan's life.","correct":false,"explanation":"The quotation focuses on Macbeth’s inability to cleanse himself, not on resurrecting Duncan. Neptune is the god of the sea, whose waters cannot remove Macbeth’s guilt."},{"text":"Even the god of prophecy cannot alter Macbeth's fate.","correct":false,"explanation":"Neptune is not associated with prophecy, and the line does not concern changing fate. As god of the sea, Neptune represents waters too vast even to cleanse Macbeth’s guilt."}]},{"id":"0da64ee5-4994-42a2-aaa1-c2effb51a565","cardType":"cloze","points":null,"front":"Macbeth's Neptune quote uses [ ] and oceanic [ ] to show guilt.","back":"Macbeth's Neptune quote uses classical imagery and oceanic hyperbole to show guilt.","mcqOptions":[{"text":"Macbeth's Neptune quote uses classical imagery and oceanic hyperbole to show guilt.","correct":true,"explanation":"Neptune is a god from classical mythology, while the suggestion that an entire ocean cannot remove Macbeth’s blood vastly exaggerates the scale and permanence of his guilt."},{"text":"Macbeth's Neptune quote uses religious imagery and oceanic simile to show guilt.","correct":false,"explanation":"Neptune belongs to classical mythology rather than Christian religion, and Macbeth makes no comparison using “like” or “as”. The techniques are classical imagery and oceanic hyperbole."},{"text":"Macbeth's Neptune quote uses natural imagery and oceanic personification to show guilt.","correct":false,"explanation":"Focusing only on the natural ocean overlooks the reference to the Roman god Neptune, and the ocean is not given human qualities. Shakespeare uses classical imagery and hyperbole."},{"text":"Macbeth's Neptune quote uses classical imagery and oceanic understatement to show guilt.","correct":false,"explanation":"Neptune does provide classical imagery, but the ocean’s immense scale exaggerates rather than downplays Macbeth’s guilt. The second technique is therefore oceanic hyperbole, not understatement."}]},{"id":"44989d82-df9e-45db-b870-2291e49f5975","cardType":"basic","points":1,"front":"Which Lady Macbeth quote is ironically contradicted by \"Out, damned spot!\"?","back":"\"A little water clears us of this deed\".","mcqOptions":[{"text":"\"A little water clears us of this deed\".","correct":true,"explanation":"Lady Macbeth initially claims that washing will easily remove their responsibility. Her later attempt to wash away the imagined spot ironically reveals that guilt cannot be cleansed physically."},{"text":"\"Come, you spirits that tend on mortal thoughts\".","correct":false,"explanation":"This invocation shows Lady Macbeth calling on supernatural forces for cruelty, rather than claiming guilt can be washed away. The contradicted quotation is “A little water clears us of this deed”."},{"text":"\"Look like th' innocent flower, but be the serpent under't\".","correct":false,"explanation":"This advice concerns deception and concealing murderous intentions, not the supposed ease of cleansing guilt. “Out, damned spot!” contradicts “A little water clears us of this deed”."},{"text":"\"Screw your courage to the sticking-place\".","correct":false,"explanation":"This quotation challenges Macbeth to remain courageous and carry out the murder; it makes no claim about washing. The ironic contradiction is with “A little water clears us of this deed”."}]},{"id":"55b439bb-c789-42f0-91c1-db45272c13b1","cardType":"cloze","points":null,"front":"Lady Macbeth cries, \"Out, [ ]!\" - the spot represents [ ].","back":"Lady Macbeth cries, \"Out, damned spot!\" - the spot represents permanent guilt.","mcqOptions":[{"text":"Lady Macbeth cries, \"Out, damned spot!\" - the spot represents permanent guilt.","correct":true,"explanation":"“Damned” connects the imagined bloodstain with spiritual condemnation, while her compulsive washing shows that guilt has become psychologically permanent and cannot be removed like a physical mark."},{"text":"Lady Macbeth cries, \"Out, damned spot!\" - the spot represents physical blood.","correct":false,"explanation":"Treating the spot as literal blood overlooks that Lady Macbeth is sleepwalking and hallucinating. The imagined stain symbolises permanent guilt that cannot be physically washed away."},{"text":"Lady Macbeth cries, \"Out, bloody spot!\" - the spot represents permanent guilt.","correct":false,"explanation":"The symbolic interpretation is right, but the quotation uses “damned”, not “bloody”. That adjective links the spot’s permanent guilt to moral and spiritual condemnation."},{"text":"Lady Macbeth cries, \"Out, damned stain!\" - the spot represents temporary fear.","correct":false,"explanation":"The noun is “spot”, not “stain”, and her recurring hallucination shows lasting guilt rather than temporary fear. The complete reading is “damned spot” representing permanent guilt."}]},{"id":"440c9e79-77f7-47f5-956c-0a799963f4c4","cardType":"cloze","points":null,"front":"Noble characters usually speak in [ ], but Lady Macbeth later speaks in fragmented [ ].","back":"Noble characters usually speak in iambic pentameter, but Lady Macbeth later speaks in fragmented prose.","mcqOptions":[{"text":"Noble characters usually speak in iambic pentameter, but Lady Macbeth later speaks in fragmented prose.","correct":true,"explanation":"Shakespeare generally gives high-status characters controlled iambic pentameter. Lady Macbeth’s later fragmented prose breaks this pattern and reflects the collapse of her composure and mental stability."},{"text":"Noble characters usually speak in trochaic tetrameter, but Lady Macbeth later speaks in fragmented prose.","correct":false,"explanation":"Trochaic rhythms are chiefly associated with the witches’ unsettling chants, not the normal speech of noble characters. Nobles usually use iambic pentameter, while Lady Macbeth later shifts into prose."},{"text":"Noble characters usually speak in iambic pentameter, but Lady Macbeth later speaks in fragmented rhyming verse.","correct":false,"explanation":"Iambic pentameter correctly describes the usual noble register, but Lady Macbeth’s sleepwalking speech is fragmented prose, not rhyming verse, reflecting her disordered and deteriorating mind."},{"text":"Noble characters usually speak in rhyming couplets, but Lady Macbeth later speaks in fragmented verse.","correct":false,"explanation":"Rhyming couplets are not the usual form for Shakespeare’s nobles, and Lady Macbeth’s later speech abandons verse altogether. The contrast is between iambic pentameter and fragmented prose."}]}]}],"examCountdown":{"examDate":"2027-05-12","paperLabel":"Paper 1"},"heading":"Key Quotes","title":"Key Quotes Flashcards","topbar":{"backHref":"/gcse/english-literature/aqa/flashcards"},"topicSidebar":"$L37"}]}],"topicId":"17236627-453b-519c-831e-7676638a63b2","walled":"$L38"}],"$L39","$L3a"]