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detail","correct":false,"explanation":"A minor, isolated detail does not recur or convey the text’s broader meaning. The correct term is “central, recurring idea” because a theme runs through the work."},{"text":"chronological sequence of events","correct":false,"explanation":"A chronological series of events describes plot rather than theme. The correct term is “central, recurring idea”, which identifies a text’s broader conceptual concern."},{"text":"character’s physical description","correct":false,"explanation":"A character’s physical description contributes to characterisation, not the text’s overarching message. A theme is a “central, recurring idea” explored across the work."}]},{"id":"f61ebd64-9ae6-4654-8cb5-dbcc99bf23ed","cardType":"basic","points":1,"front":"Which central conflict drives Jane’s moral development?","back":"Passion vs. reason.","mcqOptions":[{"text":"Passion vs. reason.","correct":true,"explanation":"Jane must repeatedly reconcile powerful emotion with rational moral judgement. Her development depends on neither suppressing passion entirely nor allowing it to override her principles."},{"text":"Wealth vs. poverty.","correct":false,"explanation":"Although Jane confronts social inequality, wealth and poverty do not principally drive her moral development. Her central internal conflict is between passion and reason."},{"text":"Belief vs. doubt.","correct":false,"explanation":"Jane’s encounters with religion matter, but belief and doubt are not her defining moral conflict. She chiefly struggles to balance passion with reason and principle."},{"text":"Freedom vs. imprisonment.","correct":false,"explanation":"Freedom and imprisonment appear symbolically in the novel, but this pairing does not define Jane’s central moral struggle. That development is driven by passion versus reason."}]},{"id":"5c8b2be1-ddb7-4e17-b1f4-a61dacb8978d","cardType":"cloze","points":null,"front":"In Brontë’s fire/ice motif, [ ] represents passion, while [ ] represents emotional coldness and suppression.","back":"In Brontë’s fire/ice motif, fire represents passion, while ice represents emotional coldness and suppression.","mcqOptions":[{"text":"In Brontë’s fire/ice motif, fire represents passion, while ice represents emotional coldness and suppression.","correct":true,"explanation":"Brontë associates fire with intense emotion, sexuality and destructive passion, while ice signifies emotional restraint, coldness and the suppression of human feeling."},{"text":"In Brontë’s fire/ice motif, ice represents passion, while fire represents emotional coldness and suppression.","correct":false,"explanation":"This reverses Brontë’s symbolism. Fire represents passion and potentially destructive emotion, whereas ice conveys emotional coldness, rigid restraint and suppression."},{"text":"In Brontë’s fire/ice motif, water represents passion, while ice represents emotional coldness and suppression.","correct":false,"explanation":"Water is not the motif’s symbol for passion. Brontë uses fire for powerful emotion, while ice symbolises emotional coldness and suppression."},{"text":"In Brontë’s fire/ice motif, fire represents passion, while smoke represents emotional coldness and suppression.","correct":false,"explanation":"Although fire can destroy, it does not represent emotional suppression in this contrast. Fire signifies passion, while ice represents coldness and restrained feeling."}]},{"id":"6ec16bce-b576-4fb6-9e14-1bb18b6c41e2","cardType":"basic","points":1,"front":"What happens when passion is left unregulated in Jane Eyre?","back":"Madness, chaos and self-destruction.","mcqOptions":[{"text":"Madness, chaos and self-destruction.","correct":true,"explanation":"Through Bertha and the recurring imagery of destructive fire, Brontë shows that passion without moral or rational restraint can produce madness, disorder and self-destruction."},{"text":"Wisdom, order and self-control.","correct":false,"explanation":"The novel does not present uncontrolled passion as a route to wisdom or stability. Bertha’s fate shows that it leads instead to madness, chaos and self-destruction."},{"text":"Harmony, peace and reconciliation.","correct":false,"explanation":"Reconciliation and emotional balance arise only when passion is moderated by reason. Passion left unregulated produces madness, chaos and self-destruction rather than harmony."},{"text":"Respectability, security and success.","correct":false,"explanation":"Social respectability does not result from uncontrolled passion in the novel. Brontë instead connects unregulated passion with madness, chaos and eventual self-destruction."}]},{"id":"f6d43c0d-1608-4044-8360-f8566b739f4f","cardType":"basic","points":2,"front":"How does Bertha Mason develop the theme of passion?","back":"She embodies untamed physical passion and rage.","mcqOptions":[{"text":"She embodies untamed physical passion and rage.","correct":true,"explanation":"Bertha functions as an extreme embodiment of desire and anger without rational control, illustrating the destructive consequences of passion that is entirely untamed."},{"text":"She embodies calm rational restraint and duty.","correct":false,"explanation":"Calm rational restraint is more closely associated with St. John than Bertha. Bertha embodies untamed physical passion and rage, making uncontrolled emotion visible and destructive."},{"text":"She embodies disciplined spiritual devotion and faith.","correct":false,"explanation":"Bertha’s violent actions do not represent disciplined spiritual devotion. She embodies untamed physical passion and rage, revealing the destructive extreme of unregulated feeling."},{"text":"She embodies controlled social ambition and power.","correct":false,"explanation":"Bertha is confined and silenced rather than empowered by social influence. Thematically, she embodies untamed physical passion and rage in their most destructive form."}]},{"id":"70a09405-a8f3-4ec9-a446-c1028ff8b679","cardType":"basic","points":2,"front":"What does St. John Rivers show uncompromising reason can become?","back":"Cold duty that crushes the human spirit.","mcqOptions":[{"text":"Cold duty that crushes the human spirit.","correct":true,"explanation":"St. John suppresses emotion and demands self-sacrifice in pursuit of religious obligation. Through him, Brontë shows that reason without compassion can become cold, spiritually crushing duty."},{"text":"Warm compassion that nourishes the human spirit.","correct":false,"explanation":"St. John’s uncompromising rationality lacks warmth and does not create compassionate service. It becomes cold duty that denies personal feeling and crushes the human spirit."},{"text":"Joyful freedom that releases the human spirit.","correct":false,"explanation":"His self-denial and rigid missionary ambition do not represent joyful freedom. St. John shows that uncompromising reason can become cold duty that crushes the human spirit."},{"text":"Romantic love that fulfils the human spirit.","correct":false,"explanation":"St. John does not offer emotional fulfilment because he suppresses love beneath obligation. He demonstrates how uncompromising reason becomes cold duty that crushes the human spirit."}]},{"id":"03126140-f885-4782-b328-750ab3053001","cardType":"basic","points":2,"front":"Why does Jane leave Rochester after the failed wedding?","back":"Reason and self-respect override her passion.","mcqOptions":[{"text":"Reason and self-respect override her passion.","correct":true,"explanation":"Jane still loves Rochester, but remaining would violate her moral principles and independence. She therefore allows reason and self-respect to overrule immediate passion."},{"text":"Boredom and indifference override her passion.","correct":false,"explanation":"Jane’s departure is not caused by indifference, because she remains deeply in love with Rochester. Reason and self-respect override that passion and compel her to leave."},{"text":"Ambition and greed override her passion.","correct":false,"explanation":"Jane does not leave to satisfy social ambition or acquire wealth. She departs because reason and self-respect prevent her from accepting an immoral, unequal relationship."},{"text":"Jealousy and fear override her passion.","correct":false,"explanation":"Fear of Bertha is not Jane’s decisive motive for leaving Thornfield. Her reason and self-respect override her love because staying would compromise her principles."}]},{"id":"9a808e4a-eef4-406a-bdb3-df3f4c2bd09f","cardType":"cloze","points":null,"front":"Jane’s self-respect is captured in: "[ ]."","back":"Jane’s self-respect is captured in: "I care for myself."","mcqOptions":[{"text":"I care for myself","correct":true,"explanation":"Jane’s declaration affirms that she values her own moral integrity and dignity. This self-respect enables her to leave Rochester despite the intensity of her love."},{"text":"I care for Rochester","correct":false,"explanation":"Jane does love Rochester, but this wording would prioritise him over her own integrity. The quotation is “I care for myself”, expressing her determination to preserve self-respect."},{"text":"I care for wealth","correct":false,"explanation":"Jane’s decision is not grounded in concern for wealth or property. She says “I care for myself”, asserting personal dignity and moral independence."},{"text":"I care for society","correct":false,"explanation":"Jane does not define her self-worth through society’s approval. Her declaration is “I care for myself”, showing that her moral authority comes from within."}]},{"id":"91d87497-4767-4be6-94e4-ea35d4b4901f","cardType":"basic","points":3,"front":"Why can Jane return to Rochester on equal terms at the end?","back":"

Jane has financial independence.
Jane has familial belonging.
Rochester’s pride is humbled.

","mcqOptions":[{"text":"

Jane has financial independence.
Jane has familial belonging.
Rochester’s pride is humbled.

","correct":true,"explanation":"Jane’s inheritance removes her financial dependence, the Rivers siblings give her a family, and Rochester’s suffering humbles his former dominance. Their relationship can therefore become more balanced."},{"text":"

Jane gains aristocratic status.
Jane abandons familial connections.
Rochester’s authority is restored.

","correct":false,"explanation":"Jane does not return because she has become socially aristocratic or because Rochester has regained power. Her independence, new family and Rochester’s humbled pride enable greater equality."},{"text":"

Jane loses financial security.
Jane accepts St. John’s protection.
Rochester’s power is strengthened.

","correct":false,"explanation":"Jane neither loses her inheritance nor becomes dependent on St. John, while Rochester’s injuries weaken rather than strengthen his dominance. Financial independence, familial belonging and humbled pride create equality."},{"text":"

Jane receives Rochester’s fortune.
Jane rejects familial belonging.
Rochester’s pride is rewarded.

","correct":false,"explanation":"Bertha’s death removes the legal barrier to marriage but does not alone establish equality. Jane’s inheritance and family secure her autonomy, while Rochester’s pride has been humbled."}]},{"id":"2ab482f9-857a-47e5-863a-a4061b41ee7e","cardType":"basic","points":3,"front":"What made a 19th-century governess socially liminal?","back":"

Educated middle-class woman forced to work.
Above servants but below aristocratic employers.

","mcqOptions":[{"text":"

Educated middle-class woman forced to work.
Above servants but below aristocratic employers.

","correct":true,"explanation":"A governess possessed the education and manners associated with the middle class but worked for wages inside an upper-class household, placing her between servants and employers."},{"text":"

Uneducated working-class woman employed to clean.
Below servants and aristocratic employers.

","correct":false,"explanation":"A governess was not an uneducated working-class servant, although her paid employment could make employers treat her similarly. Her education placed her above servants but below the family."},{"text":"

Wealthy upper-class woman choosing to work.
Equal to employers and above household servants.

","correct":false,"explanation":"A governess did not share her employers’ wealth or social power. She was an educated middle-class woman whose need to work positioned her above servants but below aristocrats."},{"text":"

Skilled working-class woman trained for service.
Equal to servants but below aristocratic employers.

","correct":false,"explanation":"Confusing a governess with a domestic servant overlooks her education and ambiguous rank. She taught the family’s children and occupied a position above servants but beneath her employers."}]},{"id":"710edf2e-73e3-49f3-891b-a7b8173cf23b","cardType":"basic","points":2,"front":"How do Blanche Ingram and Rochester’s guests expose Jane’s liminal status?","back":"They insult governesses in Jane’s presence.","mcqOptions":[{"text":"They insult governesses in Jane’s presence.","correct":true,"explanation":"The guests discuss governesses contemptuously while Jane can hear them, treating her as socially invisible. Their insults emphasise her uncomfortable position between the servants and aristocratic company."},{"text":"They praise governesses in Jane’s presence.","correct":false,"explanation":"They do not welcome Jane into their social circle; their contempt deliberately excludes her. By insulting governesses within her hearing, they expose her inferior and socially awkward position."},{"text":"They mistake Jane for Rochester’s equal.","correct":false,"explanation":"The guests do not mistake Jane for an aristocrat. They insult her profession while she is present, revealing that she occupies the room without being accepted as their social equal."},{"text":"They dismiss Jane from Rochester’s presence.","correct":false,"explanation":"Jane’s liminality is not exposed by her exclusion from the room, since she witnesses the conversation directly. The guests insult governesses as though her feelings do not matter."}]},{"id":"094f3a49-bae8-45f1-8eb5-dee992b2d122","cardType":"cloze","points":null,"front":"Jane rejects being possessed with: "I am no [ ]; and no [ ] ensnares me."","back":"Jane rejects being possessed with: "I am no bird; and no net ensnares me."","mcqOptions":[{"text":"Jane rejects being possessed with: "I am no bird; and no net ensnares me."","correct":true,"explanation":"The bird represents Jane as a free individual, while the net represents Rochester’s attempt to possess or constrain her. She insists that love cannot remove her autonomy."},{"text":"Jane rejects being possessed with: "I am no dove; and no cage ensnares me."","correct":false,"explanation":"The image is not of a vulnerable creature trapped by a cage. Jane calls herself no bird and rejects Rochester’s net, stressing her natural freedom and resistance to possession."},{"text":"Jane rejects being possessed with: "I am no prey; and no snare ensnares me."","correct":false,"explanation":"Replacing the bird and net with prey and a snare changes Brontë’s specific metaphor. Jane identifies the imagined captive as a bird caught by a net."},{"text":"Jane rejects being possessed with: "I am no servant; and no chain ensnares me."","correct":false,"explanation":"The quotation does not present Jane as a servant bound by chains. Its natural imagery is a bird and net, expressing emotional possession as the trapping of freedom."}]},{"id":"e37a83fa-5f72-4209-a443-0b11ef9c1747","cardType":"basic","points":2,"front":"What does the caged bird analogy show about Jane’s view of romance?","back":"Love must not cost personal liberty.","mcqOptions":[{"text":"Love must not cost personal liberty.","correct":true,"explanation":"The trapped bird symbolises a person whose freedom has been sacrificed to possession. Jane believes genuine love must preserve her independence rather than make her Rochester’s dependent."},{"text":"Love requires complete female obedience.","correct":false,"explanation":"Jane does not believe affection justifies obedience to a dominant partner. The caged bird analogy shows that love becomes unacceptable when it removes personal freedom and equality."},{"text":"Love must be rejected for liberty.","correct":false,"explanation":"The analogy does not reject romance altogether; Jane continues to love Rochester. It rejects possessive romance specifically, insisting that love must coexist with personal liberty."},{"text":"Love is secured through personal dependence.","correct":false,"explanation":"Jane does not present dependence as proof of devotion. The cage symbolises the loss of autonomy she resists, so genuine love must allow each person personal liberty."}]},{"id":"20ad6448-5ac8-4204-a3dc-4d5841594c70","cardType":"basic","points":2,"front":"What does Jane’s claim that women “feel just as men feel” challenge?","back":"The domestic confinement of Victorian women.","mcqOptions":[{"text":"The domestic confinement of Victorian women.","correct":true,"explanation":"Jane argues that women possess the same emotional and intellectual needs as men, challenging the Victorian expectation that they remain restricted to passive roles within the home."},{"text":"The formal education of Victorian women.","correct":false,"explanation":"The statement is not primarily an attack on women receiving education. Jane argues against restricting women’s activity and ambition to the domestic sphere because they share men’s capacities."},{"text":"The public employment of Victorian men.","correct":false,"explanation":"Jane’s claim challenges women’s social restrictions rather than defending men’s public responsibilities. She insists that women’s equal feelings make their confinement to domestic life unjust."},{"text":"The financial independence of Victorian women.","correct":false,"explanation":"The passage does not oppose women’s financial independence; greater independence aligns with Jane’s values. It challenges the ideology that confines women’s talents and desires to domestic roles."}]},{"id":"937d5e63-1ef6-474c-953e-7d11eef5332d","cardType":"basic","points":2,"front":"What does Brontë argue through Jane rejecting Rochester and St. John’s demands?","back":"Women have equal soul and intellect to men.","mcqOptions":[{"text":"Women have equal soul and intellect to men.","correct":true,"explanation":"Jane refuses Rochester’s attempted possession and St. John’s loveless authority because both disregard her inner equality. Brontë presents women as sharing men’s spiritual and intellectual worth."},{"text":"Women deserve greater power and authority than men.","correct":false,"explanation":"Brontë does not argue that women should gain authority over men. Jane rejects domination in either direction and asserts women’s equal spiritual and intellectual status."},{"text":"Women need male reason and guidance to thrive.","correct":false,"explanation":"Jane’s refusals do not suggest that women lack reason or require male guidance. They demonstrate her independent judgement and support equality of soul and intellect between genders."},{"text":"Women possess superior feeling and morality to men.","correct":false,"explanation":"Jane rejects both men because submission would violate her autonomy, not because emotion makes women superior. Brontë’s argument concerns equal spiritual and intellectual capacities."}]},{"id":"3a79df7d-bbc0-473d-b6c8-8a5ad70ec87b","cardType":"cloze","points":null,"front":"Jane is a [ ], not a [ ]: she wants institutions to respect autonomy and equality.","back":"Jane is a reformer, not a revolutionary: she wants institutions to respect autonomy and equality.","mcqOptions":[{"text":"Jane is a reformer, not a revolutionary: she wants institutions to respect autonomy and equality.","correct":true,"explanation":"Jane does not seek to abolish marriage, religion or social structures. She seeks to reform relationships within them so that her moral agency, autonomy and equality are respected."},{"text":"Jane is a revolutionary, not a reformer: she wants institutions to respect autonomy and equality.","correct":false,"explanation":"This reverses Jane’s position: she works within institutions rather than seeking their destruction. Her demand is for reformed marriage and religion that respect individual autonomy and equality."},{"text":"Jane is a conformist, not a reformer: she wants institutions to respect autonomy and equality.","correct":false,"explanation":"Jane’s resistance is principled rather than passive, and her goal is not mere acceptance. She acts as a reformer by demanding that established institutions recognise autonomy and equality."},{"text":"Jane is an outsider, not a participant: she wants institutions to respect autonomy and equality.","correct":false,"explanation":"Jane’s final choices show that she does not reject society’s institutions entirely. She is a reformer who seeks equitable relationships within marriage, family and religion rather than isolation from them."}]},{"id":"67b31a1d-2c0d-4159-a3dc-0d6a8155020f","cardType":"basic","points":1,"front":"Under Victorian coverture, what happened to a married woman’s legal rights?","back":"They were subsumed by her husband’s rights.","mcqOptions":[{"text":"They were subsumed by her husband’s rights.","correct":true,"explanation":"Coverture treated husband and wife as one legal person, represented by the husband. A married woman therefore lost independent control over many legal, financial and property rights."},{"text":"They were retained independently from her husband’s rights.","correct":false,"explanation":"This confuses Victorian marriage with modern legal independence. Under coverture, a married woman’s legal identity and many of her rights were subsumed by her husband’s rights."},{"text":"They were transferred to her father’s legal authority.","correct":false,"explanation":"A father could exercise authority over an unmarried daughter, but coverture placed a married woman under her husband’s legal identity, subsuming her rights into his."},{"text":"They were protected equally alongside her husband’s rights.","correct":false,"explanation":"This wrongly assumes legal equality within Victorian marriage. Coverture did not protect spouses’ rights equally; it subsumed a married woman’s legal rights under those of her husband."}]},{"id":"538f9754-e812-445f-8910-e92421ec5a7f","cardType":"basic","points":2,"front":"What does the Red Room symbolise besides physical imprisonment?","back":"Social confinement and restrictions on Victorian women.","mcqOptions":[{"text":"Social confinement and restrictions on Victorian women.","correct":true,"explanation":"Jane’s confinement reflects the wider limitations imposed on Victorian women. The Red Room therefore represents not only physical imprisonment but also patriarchal control and restricted female freedom."},{"text":"Social mobility and expanding opportunities for Victorian women.","correct":false,"explanation":"This reverses the Red Room’s significance by presenting opportunity rather than restriction. It symbolises social confinement and the limitations imposed on Victorian women by patriarchal society."},{"text":"Domestic security and the protection offered to Victorian women.","correct":false,"explanation":"The room is frightening and punitive, not a place of domestic safety. It symbolises social confinement and the oppressive restrictions experienced by women such as Jane."},{"text":"Romantic fulfilment and women’s freedom to choose their husbands.","correct":false,"explanation":"This mistakes the room for a symbol of romantic choice and freedom. Jane’s imprisonment instead represents social confinement and the restrictions placed upon Victorian women."}]},{"id":"106ba694-85be-4165-92be-1469b6b9e7f2","cardType":"basic","points":2,"front":"What central contrast does Brontë make in the religion theme?","back":"Hypocritical institutional religion vs. compassionate Christian faith.","mcqOptions":[{"text":"Hypocritical institutional religion vs. compassionate Christian faith.","correct":true,"explanation":"Brontë condemns religious institutions and figures who use doctrine to justify cruelty, while valuing a sincere Christian faith expressed through compassion, forgiveness and personal moral integrity."},{"text":"Compassionate institutional religion vs. hypocritical personal faith.","correct":false,"explanation":"This reverses Brontë’s contrast. Institutional religion is often represented as hypocritical through Brocklehurst, whereas authentic personal Christian faith is associated with compassion and moral guidance."},{"text":"Scientific rationalism vs. pagan superstition.","correct":false,"explanation":"Although supernatural imagery appears in the novel, this is not the central religious contrast. Brontë contrasts hypocritical institutional religion with sincere, compassionate Christian faith."},{"text":"Religious obedience vs. complete atheism.","correct":false,"explanation":"Jane does not reject God or embrace atheism; she maintains a strong personal faith. Brontë’s central contrast is between hypocritical institutional religion and compassionate Christianity."}]},{"id":"10b869c1-6320-4baa-a6d8-844ebf935ed2","cardType":"basic","points":2,"front":"How does Mr Brocklehurst reveal religious hypocrisy?","back":"He preaches deprivation while his family lives in luxury.","mcqOptions":[{"text":"He preaches deprivation while his family lives in luxury.","correct":true,"explanation":"Brocklehurst demands hunger, plain clothing and discomfort for the Lowood pupils, yet his own family dresses extravagantly. This contradiction exposes his religion as self-serving hypocrisy."},{"text":"He preaches luxury while his family lives in deprivation.","correct":false,"explanation":"This reverses the contrast in the novel. Brocklehurst preaches deprivation for the Lowood girls while allowing his own family to enjoy luxury and elaborate clothing."},{"text":"He preaches religious tolerance while his family rejects Christianity.","correct":false,"explanation":"Neither religious tolerance nor his family’s rejection of Christianity creates the relevant contrast. His hypocrisy appears when he preaches deprivation while his family visibly lives in luxury."},{"text":"He preaches educational freedom while his family campaigns against schools.","correct":false,"explanation":"Brocklehurst does not advocate educational freedom, and his family does not campaign against schools. His hypocrisy is revealed by demanding deprivation from pupils while his family enjoys luxury."}]},{"id":"b533342f-9add-4fae-b1d0-6d997b34c550","cardType":"basic","points":3,"front":"How do Helen Burns and St. John Rivers differ as religious models?","back":"

Helen shows selfless forgiveness and submission.
St. John shows cold duty and zealotry.

","mcqOptions":[{"text":"

Helen shows selfless forgiveness and submission.
St. John shows cold duty and zealotry.

","correct":true,"explanation":"Helen’s faith emphasises patience, forgiveness and acceptance, while St. John suppresses emotion in favour of rigid missionary duty. Brontë therefore presents sharply contrasting religious models."},{"text":"

Helen shows cold duty and zealotry.
St. John shows selfless forgiveness and submission.

","correct":false,"explanation":"This swaps the characters’ religious qualities. Helen embodies selfless forgiveness and submission, whereas St. John represents emotionally cold duty and an uncompromising, zealous approach to faith."},{"text":"

Helen shows open rebellion and resentment.
St. John shows romantic passion and spontaneity.

","correct":false,"explanation":"Helen accepts suffering without resentment, while St. John represses romantic emotion rather than acting spontaneously. Helen represents forgiving submission; St. John represents cold duty and zealotry."},{"text":"

Helen shows material ambition and pride.
St. John shows humble contentment and flexibility.

","correct":false,"explanation":"Helen is spiritually focused rather than materially ambitious, and St. John is rigid rather than flexible. She models selfless forgiveness, while he embodies cold religious duty and zealotry."}]},{"id":"ebdcc560-fa29-4949-80c8-88ee7e247146","cardType":"basic","points":1,"front":"What gives Jane strength to flee Thornfield when her integrity is threatened?","back":"Her personal relationship with God.","mcqOptions":[{"text":"Her personal relationship with God.","correct":true,"explanation":"Jane draws on an inward, sincere faith rather than external religious authority. Her personal relationship with God gives her the moral strength to leave Rochester and preserve her integrity."},{"text":"Her love for Mr Rochester.","correct":false,"explanation":"Jane’s love makes leaving Thornfield more painful rather than giving her the reason to flee. Her personal relationship with God strengthens her commitment to conscience and integrity."},{"text":"Her fear of public scandal.","correct":false,"explanation":"Jane’s decision is driven by private moral conviction, not concern about reputation. Her personal relationship with God enables her to resist temptation and protect her integrity."},{"text":"Her trust in Mrs Fairfax’s advice.","correct":false,"explanation":"Mrs Fairfax does not direct Jane’s decision after Rochester’s marriage is exposed. Jane finds the necessary strength in her personal relationship with God and her own conscience."}]}]}],"examCountdown":{"examDate":"2027-05-12","paperLabel":"Paper 1"},"heading":"Themes","title":"Themes Flashcards","topbar":{"backHref":"/gcse/english-literature/aqa/flashcards"},"topicSidebar":"$L36"}]}],"topicId":"4d6cc1ab-7f44-5914-87e7-eb2fa0040ad0","walled":"$L37"}],"$L38","$L39"]