32:I[196793,["/_next/static/chunks/3dvwwyprubxmr.js?dpl=nogit-1790104674","/_next/static/chunks/34cibj3f2_x9y.js?dpl=nogit-1790104674","/_next/static/chunks/2epfhfe5im7r6.js?dpl=nogit-1790104674","/_next/static/chunks/0l3u-dr70axls.js?dpl=nogit-1790104674","/_next/static/chunks/0p4rexedanx97.js?dpl=nogit-1790104674","/_next/static/chunks/0u008gt6051u7.js?dpl=nogit-1790104674","/_next/static/chunks/1odwrcl12kfnl.js?dpl=nogit-1790104674","/_next/static/chunks/0zkcxwtbsqliz.js?dpl=nogit-1790104674","/_next/static/chunks/2juje0t3dlhbm.js?dpl=nogit-1790104674","/_next/static/chunks/1bbv7o2-m-0ni.js?dpl=nogit-1790104674","/_next/static/chunks/2rpovis80gmv7.js?dpl=nogit-1790104674","/_next/static/chunks/3r5hh4t0jf4es.js?dpl=nogit-1790104674","/_next/static/chunks/3ml3vooxhiupb.js?dpl=nogit-1790104674","/_next/static/chunks/1h4wccj42vygd.js?dpl=nogit-1790104674","/_next/static/chunks/12xoy6h_w_le6.js?dpl=nogit-1790104674","/_next/static/chunks/2os7nxouq91eq.js?dpl=nogit-1790104674","/_next/static/chunks/3ht89vb0p09bm.js?dpl=nogit-1790104674","/_next/static/chunks/3ocoqwe4aht_u.js?dpl=nogit-1790104674","/_next/static/chunks/32qmkt01ta8b2.js?dpl=nogit-1790104674","/_next/static/chunks/3jpl-42mbad5n.js?dpl=nogit-1790104674","/_next/static/chunks/0jfmg0zlq-m5d.js?dpl=nogit-1790104674","/_next/static/chunks/0qfm0wv_qgrsj.js?dpl=nogit-1790104674","/_next/static/chunks/2ksfr-nhqev3t.js?dpl=nogit-1790104674","/_next/static/chunks/3hkl04r--3y18.js?dpl=nogit-1790104674","/_next/static/chunks/0v4byuex1x38h.js?dpl=nogit-1790104674","/_next/static/chunks/307r27ue-gdnh.js?dpl=nogit-1790104674","/_next/static/chunks/41pxzlwuf6_y8.js?dpl=nogit-1790104674","/_next/static/chunks/1a0omahfzhvwr.js?dpl=nogit-1790104674","/_next/static/chunks/0gvj8_2lj8s8m.js?dpl=nogit-1790104674","/_next/static/chunks/04zr-wqafvwoa.js?dpl=nogit-1790104674","/_next/static/chunks/0u7ns_d4a5d-z.js?dpl=nogit-1790104674","/_next/static/chunks/1bky2hxolndn7.js?dpl=nogit-1790104674","/_next/static/chunks/0llqhg6-bxn_b.js?dpl=nogit-1790104674","/_next/static/chunks/0k-y_4mcfub-p.js?dpl=nogit-1790104674","/_next/static/chunks/2_zyy4shki--m.js?dpl=nogit-1790104674","/_next/static/chunks/0ogd5t2qbcz-f.js?dpl=nogit-1790104674","/_next/static/chunks/2dx-vzwyw9a3g.js?dpl=nogit-1790104674","/_next/static/chunks/3xfowmrqhk48t.js?dpl=nogit-1790104674","/_next/static/chunks/1yvv60m3gpobg.js?dpl=nogit-1790104674","/_next/static/chunks/2vg15qyptj-oc.js?dpl=nogit-1790104674","/_next/static/chunks/0odk_0my0_b5-.js?dpl=nogit-1790104674","/_next/static/chunks/0dbk553rgd90s.js?dpl=nogit-1790104674","/_next/static/chunks/1bt82o91jhwht.js?dpl=nogit-1790104674","/_next/static/chunks/2srfni4gkx9g6.js?dpl=nogit-1790104674","/_next/static/chunks/3k8iy5tn80za8.js?dpl=nogit-1790104674","/_next/static/chunks/2hccrcvndngge.js?dpl=nogit-1790104674","/_next/static/chunks/1nnw6yom6-qhh.js?dpl=nogit-1790104674","/_next/static/chunks/1y5xmyjgu8grb.js?dpl=nogit-1790104674","/_next/static/chunks/1wshhog6fnwyj.js?dpl=nogit-1790104674","/_next/static/chunks/03ql4_ajt89dj.js?dpl=nogit-1790104674","/_next/static/chunks/2djzw1ygcjqrt.js?dpl=nogit-1790104674","/_next/static/chunks/0ep4vrgb00zlb.js?dpl=nogit-1790104674","/_next/static/chunks/2dr--mw_fu802.js?dpl=nogit-1790104674","/_next/static/chunks/3731c967vkh_m.js?dpl=nogit-1790104674","/_next/static/chunks/1ksyn9m68446d.js?dpl=nogit-1790104674","/_next/static/chunks/3h4suq-9gmzwh.js?dpl=nogit-1790104674","/_next/static/chunks/1lsxkfxy262n-.js?dpl=nogit-1790104674","/_next/static/chunks/027eqkp2eu7jr.js?dpl=nogit-1790104674","/_next/static/chunks/0tbl3gz40b1e4.js?dpl=nogit-1790104674","/_next/static/chunks/2y341-r8ncizo.js?dpl=nogit-1790104674","/_next/static/chunks/3xeehfrxjsujj.js?dpl=nogit-1790104674","/_next/static/chunks/30dopbgd1dkf9.js?dpl=nogit-1790104674","/_next/static/chunks/43ajf4ofaeu5y.js?dpl=nogit-1790104674","/_next/static/chunks/13vlnin4hxm7l.js?dpl=nogit-1790104674","/_next/static/chunks/2_vtmw66zj1j7.js?dpl=nogit-1790104674","/_next/static/chunks/0zg1om_k0m5zv.js?dpl=nogit-1790104674","/_next/static/chunks/12mv6p8rwcl5o.js?dpl=nogit-1790104674"],"Gingerbread"] 34:I[647935,["/_next/static/chunks/3dvwwyprubxmr.js?dpl=nogit-1790104674","/_next/static/chunks/34cibj3f2_x9y.js?dpl=nogit-1790104674","/_next/static/chunks/2epfhfe5im7r6.js?dpl=nogit-1790104674","/_next/static/chunks/0l3u-dr70axls.js?dpl=nogit-1790104674","/_next/static/chunks/0p4rexedanx97.js?dpl=nogit-1790104674","/_next/static/chunks/0u008gt6051u7.js?dpl=nogit-1790104674","/_next/static/chunks/1odwrcl12kfnl.js?dpl=nogit-1790104674","/_next/static/chunks/0zkcxwtbsqliz.js?dpl=nogit-1790104674","/_next/static/chunks/2juje0t3dlhbm.js?dpl=nogit-1790104674","/_next/static/chunks/1bbv7o2-m-0ni.js?dpl=nogit-1790104674","/_next/static/chunks/2rpovis80gmv7.js?dpl=nogit-1790104674","/_next/static/chunks/3r5hh4t0jf4es.js?dpl=nogit-1790104674","/_next/static/chunks/3ml3vooxhiupb.js?dpl=nogit-1790104674","/_next/static/chunks/1h4wccj42vygd.js?dpl=nogit-1790104674","/_next/static/chunks/12xoy6h_w_le6.js?dpl=nogit-1790104674","/_next/static/chunks/2os7nxouq91eq.js?dpl=nogit-1790104674","/_next/static/chunks/3ht89vb0p09bm.js?dpl=nogit-1790104674","/_next/static/chunks/3ocoqwe4aht_u.js?dpl=nogit-1790104674","/_next/static/chunks/32qmkt01ta8b2.js?dpl=nogit-1790104674","/_next/static/chunks/3jpl-42mbad5n.js?dpl=nogit-1790104674","/_next/static/chunks/0jfmg0zlq-m5d.js?dpl=nogit-1790104674","/_next/static/chunks/0qfm0wv_qgrsj.js?dpl=nogit-1790104674","/_next/static/chunks/2ksfr-nhqev3t.js?dpl=nogit-1790104674","/_next/static/chunks/3hkl04r--3y18.js?dpl=nogit-1790104674","/_next/static/chunks/0v4byuex1x38h.js?dpl=nogit-1790104674","/_next/static/chunks/307r27ue-gdnh.js?dpl=nogit-1790104674","/_next/static/chunks/41pxzlwuf6_y8.js?dpl=nogit-1790104674","/_next/static/chunks/1a0omahfzhvwr.js?dpl=nogit-1790104674","/_next/static/chunks/0gvj8_2lj8s8m.js?dpl=nogit-1790104674","/_next/static/chunks/04zr-wqafvwoa.js?dpl=nogit-1790104674","/_next/static/chunks/0u7ns_d4a5d-z.js?dpl=nogit-1790104674","/_next/static/chunks/1bky2hxolndn7.js?dpl=nogit-1790104674","/_next/static/chunks/0llqhg6-bxn_b.js?dpl=nogit-1790104674","/_next/static/chunks/0k-y_4mcfub-p.js?dpl=nogit-1790104674","/_next/static/chunks/2_zyy4shki--m.js?dpl=nogit-1790104674","/_next/static/chunks/0ogd5t2qbcz-f.js?dpl=nogit-1790104674","/_next/static/chunks/2dx-vzwyw9a3g.js?dpl=nogit-1790104674","/_next/static/chunks/3xfowmrqhk48t.js?dpl=nogit-1790104674","/_next/static/chunks/1yvv60m3gpobg.js?dpl=nogit-1790104674","/_next/static/chunks/2vg15qyptj-oc.js?dpl=nogit-1790104674","/_next/static/chunks/0odk_0my0_b5-.js?dpl=nogit-1790104674","/_next/static/chunks/0dbk553rgd90s.js?dpl=nogit-1790104674","/_next/static/chunks/1bt82o91jhwht.js?dpl=nogit-1790104674","/_next/static/chunks/2srfni4gkx9g6.js?dpl=nogit-1790104674","/_next/static/chunks/3k8iy5tn80za8.js?dpl=nogit-1790104674","/_next/static/chunks/2hccrcvndngge.js?dpl=nogit-1790104674","/_next/static/chunks/1nnw6yom6-qhh.js?dpl=nogit-1790104674","/_next/static/chunks/1y5xmyjgu8grb.js?dpl=nogit-1790104674","/_next/static/chunks/1wshhog6fnwyj.js?dpl=nogit-1790104674","/_next/static/chunks/03ql4_ajt89dj.js?dpl=nogit-1790104674","/_next/static/chunks/2djzw1ygcjqrt.js?dpl=nogit-1790104674","/_next/static/chunks/0ep4vrgb00zlb.js?dpl=nogit-1790104674","/_next/static/chunks/2dr--mw_fu802.js?dpl=nogit-1790104674","/_next/static/chunks/3731c967vkh_m.js?dpl=nogit-1790104674","/_next/static/chunks/1ksyn9m68446d.js?dpl=nogit-1790104674","/_next/static/chunks/3h4suq-9gmzwh.js?dpl=nogit-1790104674","/_next/static/chunks/1lsxkfxy262n-.js?dpl=nogit-1790104674","/_next/static/chunks/027eqkp2eu7jr.js?dpl=nogit-1790104674","/_next/static/chunks/0tbl3gz40b1e4.js?dpl=nogit-1790104674","/_next/static/chunks/2y341-r8ncizo.js?dpl=nogit-1790104674","/_next/static/chunks/3xeehfrxjsujj.js?dpl=nogit-1790104674","/_next/static/chunks/30dopbgd1dkf9.js?dpl=nogit-1790104674","/_next/static/chunks/43ajf4ofaeu5y.js?dpl=nogit-1790104674","/_next/static/chunks/13vlnin4hxm7l.js?dpl=nogit-1790104674","/_next/static/chunks/2_vtmw66zj1j7.js?dpl=nogit-1790104674","/_next/static/chunks/0zg1om_k0m5zv.js?dpl=nogit-1790104674","/_next/static/chunks/12mv6p8rwcl5o.js?dpl=nogit-1790104674"],"RecordResourceResume"] 35:I[830476,["/_next/static/chunks/3dvwwyprubxmr.js?dpl=nogit-1790104674","/_next/static/chunks/34cibj3f2_x9y.js?dpl=nogit-1790104674","/_next/static/chunks/2epfhfe5im7r6.js?dpl=nogit-1790104674","/_next/static/chunks/0l3u-dr70axls.js?dpl=nogit-1790104674","/_next/static/chunks/0p4rexedanx97.js?dpl=nogit-1790104674","/_next/static/chunks/0u008gt6051u7.js?dpl=nogit-1790104674","/_next/static/chunks/1odwrcl12kfnl.js?dpl=nogit-1790104674","/_next/static/chunks/0zkcxwtbsqliz.js?dpl=nogit-1790104674","/_next/static/chunks/2juje0t3dlhbm.js?dpl=nogit-1790104674","/_next/static/chunks/1bbv7o2-m-0ni.js?dpl=nogit-1790104674","/_next/static/chunks/2rpovis80gmv7.js?dpl=nogit-1790104674","/_next/static/chunks/3r5hh4t0jf4es.js?dpl=nogit-1790104674","/_next/static/chunks/3ml3vooxhiupb.js?dpl=nogit-1790104674","/_next/static/chunks/1h4wccj42vygd.js?dpl=nogit-1790104674","/_next/static/chunks/12xoy6h_w_le6.js?dpl=nogit-1790104674","/_next/static/chunks/2os7nxouq91eq.js?dpl=nogit-1790104674","/_next/static/chunks/3ht89vb0p09bm.js?dpl=nogit-1790104674","/_next/static/chunks/3ocoqwe4aht_u.js?dpl=nogit-1790104674","/_next/static/chunks/32qmkt01ta8b2.js?dpl=nogit-1790104674","/_next/static/chunks/3jpl-42mbad5n.js?dpl=nogit-1790104674","/_next/static/chunks/0jfmg0zlq-m5d.js?dpl=nogit-1790104674","/_next/static/chunks/0qfm0wv_qgrsj.js?dpl=nogit-1790104674","/_next/static/chunks/2ksfr-nhqev3t.js?dpl=nogit-1790104674","/_next/static/chunks/3hkl04r--3y18.js?dpl=nogit-1790104674","/_next/static/chunks/0v4byuex1x38h.js?dpl=nogit-1790104674","/_next/static/chunks/307r27ue-gdnh.js?dpl=nogit-1790104674","/_next/static/chunks/41pxzlwuf6_y8.js?dpl=nogit-1790104674","/_next/static/chunks/1a0omahfzhvwr.js?dpl=nogit-1790104674","/_next/static/chunks/0gvj8_2lj8s8m.js?dpl=nogit-1790104674","/_next/static/chunks/04zr-wqafvwoa.js?dpl=nogit-1790104674","/_next/static/chunks/0u7ns_d4a5d-z.js?dpl=nogit-1790104674","/_next/static/chunks/1bky2hxolndn7.js?dpl=nogit-1790104674","/_next/static/chunks/0llqhg6-bxn_b.js?dpl=nogit-1790104674","/_next/static/chunks/0k-y_4mcfub-p.js?dpl=nogit-1790104674","/_next/static/chunks/2_zyy4shki--m.js?dpl=nogit-1790104674","/_next/static/chunks/0ogd5t2qbcz-f.js?dpl=nogit-1790104674","/_next/static/chunks/2dx-vzwyw9a3g.js?dpl=nogit-1790104674","/_next/static/chunks/3xfowmrqhk48t.js?dpl=nogit-1790104674","/_next/static/chunks/1yvv60m3gpobg.js?dpl=nogit-1790104674","/_next/static/chunks/2vg15qyptj-oc.js?dpl=nogit-1790104674","/_next/static/chunks/0odk_0my0_b5-.js?dpl=nogit-1790104674","/_next/static/chunks/0dbk553rgd90s.js?dpl=nogit-1790104674","/_next/static/chunks/1bt82o91jhwht.js?dpl=nogit-1790104674","/_next/static/chunks/2srfni4gkx9g6.js?dpl=nogit-1790104674","/_next/static/chunks/3k8iy5tn80za8.js?dpl=nogit-1790104674","/_next/static/chunks/2hccrcvndngge.js?dpl=nogit-1790104674","/_next/static/chunks/1nnw6yom6-qhh.js?dpl=nogit-1790104674","/_next/static/chunks/1y5xmyjgu8grb.js?dpl=nogit-1790104674","/_next/static/chunks/1wshhog6fnwyj.js?dpl=nogit-1790104674","/_next/static/chunks/03ql4_ajt89dj.js?dpl=nogit-1790104674","/_next/static/chunks/2djzw1ygcjqrt.js?dpl=nogit-1790104674","/_next/static/chunks/0ep4vrgb00zlb.js?dpl=nogit-1790104674","/_next/static/chunks/2dr--mw_fu802.js?dpl=nogit-1790104674","/_next/static/chunks/3731c967vkh_m.js?dpl=nogit-1790104674","/_next/static/chunks/1ksyn9m68446d.js?dpl=nogit-1790104674","/_next/static/chunks/3h4suq-9gmzwh.js?dpl=nogit-1790104674","/_next/static/chunks/1lsxkfxy262n-.js?dpl=nogit-1790104674","/_next/static/chunks/027eqkp2eu7jr.js?dpl=nogit-1790104674","/_next/static/chunks/0tbl3gz40b1e4.js?dpl=nogit-1790104674","/_next/static/chunks/2y341-r8ncizo.js?dpl=nogit-1790104674","/_next/static/chunks/3xeehfrxjsujj.js?dpl=nogit-1790104674","/_next/static/chunks/30dopbgd1dkf9.js?dpl=nogit-1790104674","/_next/static/chunks/43ajf4ofaeu5y.js?dpl=nogit-1790104674","/_next/static/chunks/13vlnin4hxm7l.js?dpl=nogit-1790104674","/_next/static/chunks/2_vtmw66zj1j7.js?dpl=nogit-1790104674","/_next/static/chunks/0zg1om_k0m5zv.js?dpl=nogit-1790104674","/_next/static/chunks/12mv6p8rwcl5o.js?dpl=nogit-1790104674"],"FlashcardAccessBranch"] 36:I[315438,["/_next/static/chunks/3dvwwyprubxmr.js?dpl=nogit-1790104674","/_next/static/chunks/34cibj3f2_x9y.js?dpl=nogit-1790104674","/_next/static/chunks/2epfhfe5im7r6.js?dpl=nogit-1790104674","/_next/static/chunks/0l3u-dr70axls.js?dpl=nogit-1790104674","/_next/static/chunks/0p4rexedanx97.js?dpl=nogit-1790104674","/_next/static/chunks/0u008gt6051u7.js?dpl=nogit-1790104674","/_next/static/chunks/1odwrcl12kfnl.js?dpl=nogit-1790104674","/_next/static/chunks/0zkcxwtbsqliz.js?dpl=nogit-1790104674","/_next/static/chunks/2juje0t3dlhbm.js?dpl=nogit-1790104674","/_next/static/chunks/1bbv7o2-m-0ni.js?dpl=nogit-1790104674","/_next/static/chunks/2rpovis80gmv7.js?dpl=nogit-1790104674","/_next/static/chunks/3r5hh4t0jf4es.js?dpl=nogit-1790104674","/_next/static/chunks/3ml3vooxhiupb.js?dpl=nogit-1790104674","/_next/static/chunks/1h4wccj42vygd.js?dpl=nogit-1790104674","/_next/static/chunks/12xoy6h_w_le6.js?dpl=nogit-1790104674","/_next/static/chunks/2os7nxouq91eq.js?dpl=nogit-1790104674","/_next/static/chunks/3ht89vb0p09bm.js?dpl=nogit-1790104674","/_next/static/chunks/3ocoqwe4aht_u.js?dpl=nogit-1790104674","/_next/static/chunks/32qmkt01ta8b2.js?dpl=nogit-1790104674","/_next/static/chunks/3jpl-42mbad5n.js?dpl=nogit-1790104674","/_next/static/chunks/0jfmg0zlq-m5d.js?dpl=nogit-1790104674","/_next/static/chunks/0qfm0wv_qgrsj.js?dpl=nogit-1790104674","/_next/static/chunks/2ksfr-nhqev3t.js?dpl=nogit-1790104674","/_next/static/chunks/3hkl04r--3y18.js?dpl=nogit-1790104674","/_next/static/chunks/0v4byuex1x38h.js?dpl=nogit-1790104674","/_next/static/chunks/307r27ue-gdnh.js?dpl=nogit-1790104674","/_next/static/chunks/41pxzlwuf6_y8.js?dpl=nogit-1790104674","/_next/static/chunks/1a0omahfzhvwr.js?dpl=nogit-1790104674","/_next/static/chunks/0gvj8_2lj8s8m.js?dpl=nogit-1790104674","/_next/static/chunks/04zr-wqafvwoa.js?dpl=nogit-1790104674","/_next/static/chunks/0u7ns_d4a5d-z.js?dpl=nogit-1790104674","/_next/static/chunks/1bky2hxolndn7.js?dpl=nogit-1790104674","/_next/static/chunks/0llqhg6-bxn_b.js?dpl=nogit-1790104674","/_next/static/chunks/0k-y_4mcfub-p.js?dpl=nogit-1790104674","/_next/static/chunks/2_zyy4shki--m.js?dpl=nogit-1790104674","/_next/static/chunks/0ogd5t2qbcz-f.js?dpl=nogit-1790104674","/_next/static/chunks/2dx-vzwyw9a3g.js?dpl=nogit-1790104674","/_next/static/chunks/3xfowmrqhk48t.js?dpl=nogit-1790104674","/_next/static/chunks/1yvv60m3gpobg.js?dpl=nogit-1790104674","/_next/static/chunks/2vg15qyptj-oc.js?dpl=nogit-1790104674","/_next/static/chunks/0odk_0my0_b5-.js?dpl=nogit-1790104674","/_next/static/chunks/0dbk553rgd90s.js?dpl=nogit-1790104674","/_next/static/chunks/1bt82o91jhwht.js?dpl=nogit-1790104674","/_next/static/chunks/2srfni4gkx9g6.js?dpl=nogit-1790104674","/_next/static/chunks/3k8iy5tn80za8.js?dpl=nogit-1790104674","/_next/static/chunks/2hccrcvndngge.js?dpl=nogit-1790104674","/_next/static/chunks/1nnw6yom6-qhh.js?dpl=nogit-1790104674","/_next/static/chunks/1y5xmyjgu8grb.js?dpl=nogit-1790104674","/_next/static/chunks/1wshhog6fnwyj.js?dpl=nogit-1790104674","/_next/static/chunks/03ql4_ajt89dj.js?dpl=nogit-1790104674","/_next/static/chunks/2djzw1ygcjqrt.js?dpl=nogit-1790104674","/_next/static/chunks/0ep4vrgb00zlb.js?dpl=nogit-1790104674","/_next/static/chunks/2dr--mw_fu802.js?dpl=nogit-1790104674","/_next/static/chunks/3731c967vkh_m.js?dpl=nogit-1790104674","/_next/static/chunks/1ksyn9m68446d.js?dpl=nogit-1790104674","/_next/static/chunks/3h4suq-9gmzwh.js?dpl=nogit-1790104674","/_next/static/chunks/1lsxkfxy262n-.js?dpl=nogit-1790104674","/_next/static/chunks/027eqkp2eu7jr.js?dpl=nogit-1790104674","/_next/static/chunks/0tbl3gz40b1e4.js?dpl=nogit-1790104674","/_next/static/chunks/2y341-r8ncizo.js?dpl=nogit-1790104674","/_next/static/chunks/3xeehfrxjsujj.js?dpl=nogit-1790104674","/_next/static/chunks/30dopbgd1dkf9.js?dpl=nogit-1790104674","/_next/static/chunks/43ajf4ofaeu5y.js?dpl=nogit-1790104674","/_next/static/chunks/13vlnin4hxm7l.js?dpl=nogit-1790104674","/_next/static/chunks/2_vtmw66zj1j7.js?dpl=nogit-1790104674","/_next/static/chunks/0zg1om_k0m5zv.js?dpl=nogit-1790104674","/_next/static/chunks/12mv6p8rwcl5o.js?dpl=nogit-1790104674"],"TopicFlashcardRunner"] 23:[["$","$L32",null,{"feature":"flashcards"}],"$L33",["$","$L34",null,{"href":"/gcse/english-literature/aqa/gothic-romance-methods/flashcards","label":"Gothic/Romance Methods","subjectCode":"gcse_english_literature__aqa","surface":"flashcards"}],["$","$L35",null,{"runner":["$","div",null,{"className":"min-h-0 flex-1 overflow-hidden bg-background","children":["$","$L36",null,{"decks":[{"id":"05dcd16a-88ab-40be-9774-2f29d3674728","title":"Gothic/Romance Methods Flashcards","topicId":"0579fb61-c58b-5076-8afc-1e5392d59bdd","topicSlug":"gothic-romance-methods","cards":[{"id":"549c28f5-407e-4e50-aaa7-6f005b30d306","cardType":"cloze","points":null,"front":"Brontë published Jane Eyre under the pen name [ ] in [ ].","back":"Brontë published Jane Eyre under the pen name Currer Bell in 1847.","mcqOptions":[{"text":"Brontë published Jane Eyre under the pen name Currer Bell in 1847.","correct":true,"explanation":"Charlotte Brontë adopted the gender-ambiguous pseudonym Currer Bell, and Jane Eyre first appeared in 1847, helping conceal her sex from a prejudiced literary market."},{"text":"Brontë published Jane Eyre under the pen name Ellis Bell in 1847.","correct":false,"explanation":"Ellis Bell was Emily Brontë’s pseudonym, not Charlotte’s. Charlotte published Jane Eyre as Currer Bell in 1847."},{"text":"Brontë published Jane Eyre under the pen name Currer Bell in 1848.","correct":false,"explanation":"The 1848 edition can cause confusion, but the novel was first published in 1847. Charlotte Brontë used the pseudonym Currer Bell."},{"text":"Brontë published Jane Eyre under the pen name Acton Bell in 1846.","correct":false,"explanation":"Acton Bell was Anne Brontë’s pseudonym, and 1846 predates the novel’s publication. Jane Eyre appeared as a work by Currer Bell in 1847."}]},{"id":"89f3ae54-b2fb-48b9-97c6-20c6ab3710ae","cardType":"basic","points":2,"front":"What is the main effect of Brontë fusing Gothic and Romance in Jane Eyre?","back":"It exposes Jane’s trauma, inequality, and struggle for independence.","mcqOptions":[{"text":"It exposes Jane’s trauma, inequality, and struggle for independence.","correct":true,"explanation":"Combining romantic desire with Gothic fear reveals how Jane’s unequal relationships revive psychological wounds while testing whether she can achieve love without surrendering her autonomy."},{"text":"It presents Jane’s childhood as secure, equal, and carefree.","correct":false,"explanation":"Jane’s childhood is defined by abuse, exclusion, and insecurity rather than comfort. The fused genres expose her trauma, inequality, and struggle to become independent."},{"text":"It presents Rochester as a flawless hero without moral conflict.","correct":false,"explanation":"Rochester is morally compromised and holds greater social and economic power than Jane. Gothic unease exposes Jane’s trauma, their inequality, and her struggle for independence."},{"text":"It portrays marriage as an escape requiring no personal sacrifice.","correct":false,"explanation":"Jane refuses relationships that would compromise her principles or autonomy, so marriage is not an effortless escape. The genre fusion highlights trauma, inequality, and threatened independence."}]},{"id":"32fb8f9e-98e0-4efb-a727-c15278321067","cardType":"cloze","points":null,"front":"Gothic literature often features darkness, suspense, terror, madness, and the [ ] or its threat.","back":"Gothic literature often features darkness, suspense, terror, madness, and the supernatural or its threat.","mcqOptions":[{"text":"supernatural","correct":true,"explanation":"Gothic writing characteristically disrupts ordinary reality through ghosts, unexplained events, prophecies, or uncertainty about whether apparently supernatural forces are real."},{"text":"pastoral","correct":false,"explanation":"Pastoral writing idealises rural life and harmonious nature, whereas Gothic writing creates terror through darkness, madness, suspense, and the supernatural or its apparent threat."},{"text":"comedic","correct":false,"explanation":"Comic elements aim to amuse or relieve tension, rather than define Gothic terror. The missing term is supernatural, whose presence or suspected presence destabilises reality."},{"text":"documentary","correct":false,"explanation":"Documentary writing emphasises factual recording and evidence, unlike the uncertainty characteristic of Gothic fiction. The intended feature is the supernatural or its threat."}]},{"id":"115dc166-253d-4182-a2fd-fa10baedaf75","cardType":"cloze","points":null,"front":"Romance literature focuses on relationship growth, passionate love, moral development, and [ ].","back":"Romance literature focuses on relationship growth, passionate love, moral development, and personal fulfilment.","mcqOptions":[{"text":"personal fulfilment","correct":true,"explanation":"Romance traces how emotional relationships and moral choices help characters attain a satisfying identity and life, making personal fulfilment a central concern of the genre."},{"text":"social conformity","correct":false,"explanation":"Romance may include social pressures, but it does not characteristically treat conformity as its goal. Relationship growth and moral development instead lead towards personal fulfilment."},{"text":"military conquest","correct":false,"explanation":"Military conquest belongs more naturally to war narratives, epics, or adventure fiction. Romance focuses on emotional relationships, moral growth, passionate love, and personal fulfilment."},{"text":"scientific discovery","correct":false,"explanation":"Scientific discovery is central to scientific or speculative narratives rather than a defining aim of Romance. The genre typically connects love and moral development with personal fulfilment."}]},{"id":"e9ca4c67-6b24-41c3-9f8c-dac3576e7d0e","cardType":"basic","points":1,"front":"In Jane Eyre, what does the Gothic often represent psychologically?","back":"Jane’s entrapment, isolation, and terror.","mcqOptions":[{"text":"Jane’s entrapment, isolation, and terror.","correct":true,"explanation":"Gothic settings and events externalise Jane’s inner suffering, making her experiences of confinement, loneliness, and fear appear as threatening spaces, figures, and occurrences."},{"text":"Jane’s security, belonging, and contentment.","correct":false,"explanation":"This reverses the Gothic’s psychological function: its threatening settings do not represent emotional safety. They externalise Jane’s entrapment, isolation, and terror."},{"text":"Jane’s vanity, frivolity, and greed.","correct":false,"explanation":"Jane is characterised by moral seriousness and self-control, not greed or frivolity. Gothic imagery instead gives outward form to her entrapment, isolation, and terror."},{"text":"Jane’s comic relief, leisure, and amusement.","correct":false,"explanation":"Gothic episodes intensify anxiety rather than provide relaxed entertainment. Psychologically, they represent Jane’s feelings of entrapment, isolation, and terror within oppressive circumstances."}]},{"id":"ba5e3524-8bd6-48ba-bcbb-61a415ee07b9","cardType":"basic","points":1,"front":"Why is Jane’s romance with Rochester frightening, not purely joyful?","back":"It threatens her independence.","mcqOptions":[{"text":"It threatens her independence.","correct":true,"explanation":"Rochester’s greater age, wealth, experience, and secrecy create a dangerous imbalance. Jane fears that loving him could make her dependent and cost her autonomy."},{"text":"It threatens her financial inheritance.","correct":false,"explanation":"Jane has no financial inheritance when the relationship first develops, so that is not what makes it frightening. Rochester’s power and wealth threaten her independence."},{"text":"It threatens her position at Lowood.","correct":false,"explanation":"Jane’s Lowood employment has already ended before she meets Rochester at Thornfield. The romance is frightening because its unequal power dynamic threatens her independence."},{"text":"It threatens her status as an heiress.","correct":false,"explanation":"Jane does not become an heiress until later, after leaving Rochester, so this status cannot explain her initial fear. The relationship threatens her independence."}]},{"id":"70160c3b-2914-4f8c-81bf-69213ecf7933","cardType":"basic","points":1,"front":"What do Gothic elements often act as in Jane’s romantic pursuits?","back":"Physical warnings of psychological danger.","mcqOptions":[{"text":"Physical warnings of psychological danger.","correct":true,"explanation":"Disturbing events and settings make emotional risks tangible, warning Jane when desire, secrecy, or unequal power threatens her identity and psychological safety."},{"text":"Romantic rewards for obedient behaviour.","correct":false,"explanation":"Gothic disturbances complicate Jane’s desires rather than reward obedience. They act as physical warnings that expose the psychological dangers within her romantic relationships."},{"text":"Comic interruptions to narrative tension.","correct":false,"explanation":"These elements increase tension instead of interrupting it for humour. Their physical threats warn Jane and the reader about underlying emotional and psychological danger."},{"text":"Decorative backdrops for emotional scenes.","correct":false,"explanation":"The Gothic details are symbolically connected to Jane’s emotional situation, not merely decorative scenery. They provide physical warnings of psychological danger in her romantic pursuits."}]},{"id":"e2500aa8-7e9c-4cbc-abcc-dcc17ca051e8","cardType":"basic","points":1,"front":"Which literary method makes nature or weather reflect human emotion?","back":"Pathetic fallacy.","mcqOptions":[{"text":"Pathetic fallacy.","correct":true,"explanation":"Pathetic fallacy attributes human feelings to nature, allowing storms, darkness, sunshine, or other natural conditions to reflect a character’s mood or emotional situation."},{"text":"Personification.","correct":false,"explanation":"Personification gives human qualities to anything non-human, but weather specifically reflecting human emotion is called pathetic fallacy, a more precise literary method."},{"text":"Symbolism.","correct":false,"explanation":"Symbolism gives an object, image, or event a wider meaning, but the specific correspondence between weather and human feeling is known as pathetic fallacy."},{"text":"Foreshadowing.","correct":false,"explanation":"Foreshadowing hints at events that will happen later, whereas nature or weather mirroring a character’s present emotions is specifically an example of pathetic fallacy."}]},{"id":"af1b92bd-b31f-453f-a4fb-34041a9f997f","cardType":"basic","points":1,"front":"What does the colour red symbolise in the Red-Room?","back":"Blood, anger, and passion.","mcqOptions":[{"text":"Blood, anger, and passion.","correct":true,"explanation":"Red carries associations of blood, violence, anger, and intense passion, reinforcing the Red-Room’s threatening atmosphere and reflecting Jane’s powerful emotional distress."},{"text":"Purity, innocence, and peace.","correct":false,"explanation":"Purity, innocence, and peace are conventionally associated with white, not red. In the Red-Room, red symbolises blood, anger, and passion, intensifying Jane’s fear."},{"text":"Decay, sickness, and envy.","correct":false,"explanation":"Decay, sickness, and envy are more commonly linked with green or yellow imagery. The room’s red furnishings suggest blood, anger, and passion."},{"text":"Reason, restraint, and calm.","correct":false,"explanation":"This reverses the emotional effect of the colour: red suggests intensity rather than calm restraint. It symbolises blood, anger, and passion within the room."}]},{"id":"ee54e645-25fe-4526-b98c-b06c38d085db","cardType":"basic","points":1,"front":"What do the Red-Room’s coldness and darkness suggest about Jane?","back":"Her social isolation.","mcqOptions":[{"text":"Her social isolation.","correct":true,"explanation":"The room’s coldness and darkness reflect Jane’s exclusion from the Reed family, making the physical setting an outward expression of her social isolation."},{"text":"Her emotional security.","correct":false,"explanation":"Coldness and darkness create vulnerability rather than emotional security. They externalise Jane’s social isolation as an unwanted, excluded child in the Reed household."},{"text":"Her family authority.","correct":false,"explanation":"Jane has almost no authority within the Reed family, so the imagery cannot represent her power. The hostile room instead suggests her social isolation."},{"text":"Her social privilege.","correct":false,"explanation":"Although Jane lives in a wealthy household, she does not share its status or privileges. The cold, dark room symbolises her social isolation from the family."}]},{"id":"58af1edb-67db-4eb0-9352-fc44b5e677bc","cardType":"basic","points":2,"front":"What does Jane’s fear of Uncle Reed’s ghost physically represent?","back":"Her mental trauma and helplessness.","mcqOptions":[{"text":"Her mental trauma and helplessness.","correct":true,"explanation":"Jane’s terror turns her psychological suffering into a seemingly physical supernatural threat, representing the mental trauma and helplessness caused by abuse and isolation."},{"text":"Her moral guilt and corruption.","correct":false,"explanation":"Jane has not committed a corrupt act for which the ghost would punish her. Her fear instead embodies the mental trauma and helplessness created by mistreatment."},{"text":"Her physical illness and exhaustion.","correct":false,"explanation":"Jane does become physically overwhelmed, but illness is an effect rather than the deeper meaning. The ghost chiefly represents her mental trauma and helplessness."},{"text":"Her supernatural power and revenge.","correct":false,"explanation":"Jane imagines supernatural danger but does not possess supernatural power or seek ghostly revenge. Her fear physically represents her mental trauma and helplessness."}]},{"id":"bfc219b1-aa7c-43e9-b58f-dd1b6f350085","cardType":"basic","points":1,"front":"What does Thornfield Hall represent psychologically?","back":"Rochester’s dark, burdened mind.","mcqOptions":[{"text":"Rochester’s dark, burdened mind.","correct":true,"explanation":"Thornfield’s secrecy, gloom, and hidden rooms externalise Rochester’s psychology, especially the guilt and oppressive secret that make his mind dark and burdened."},{"text":"Jane’s liberated, hopeful future.","correct":false,"explanation":"Thornfield initially contains secrecy, restriction, and danger rather than uncomplicated liberation. Psychologically, it represents Rochester’s dark, burdened mind and concealed guilt."},{"text":"St John’s cold, disciplined faith.","correct":false,"explanation":"St John is associated with Moor House and his austere religious ambitions, not Thornfield. Thornfield psychologically represents Rochester’s dark, burdened mind."},{"text":"Mrs Fairfax’s orderly, domestic life.","correct":false,"explanation":"Mrs Fairfax manages Thornfield’s household, but its Gothic mysteries extend beyond her domestic order. The building represents Rochester’s dark, burdened mind and hidden secret."}]},{"id":"893cf9bb-9045-4055-ac1a-91729529d8ce","cardType":"basic","points":1,"front":"What secret makes Thornfield a Gothic setting?","back":"Bertha is hidden on the third floor.","mcqOptions":[{"text":"Bertha is hidden on the third floor.","correct":true,"explanation":"Bertha’s concealment on Thornfield’s third floor creates mystery, forbidden space, and supernatural-seeming disturbances, making the house a characteristically Gothic setting."},{"text":"Bertha is hidden in the underground cellars.","correct":false,"explanation":"Gothic fiction often uses underground cells, making this tempting, but Bertha is concealed on Thornfield’s third floor, above the main household."},{"text":"Bertha is hidden on the second floor.","correct":false,"explanation":"This is an off-by-one floor error. Bertha is kept on the third floor, where her hidden presence produces Thornfield’s mysterious laughter and disturbances."},{"text":"Bertha is hidden in the east wing.","correct":false,"explanation":"A forbidden wing is a common Gothic convention, but the novel specifically locates Bertha on Thornfield’s third floor rather than naming an east wing."}]},{"id":"e4ebff59-b9ff-437c-be17-e8b6e3faa73f","cardType":"basic","points":2,"front":"What does Bertha’s confinement mirror?","back":"Rochester’s secret mental confinement.","mcqOptions":[{"text":"Rochester’s secret mental confinement.","correct":true,"explanation":"Bertha’s physical imprisonment reflects Rochester’s psychological entrapment by his concealed marriage, guilt, and fear of exposure, creating a secret mental confinement."},{"text":"Rochester’s physical imprisonment.","correct":false,"explanation":"Rochester can travel and act freely, so he is not physically imprisoned. Bertha’s literal confinement mirrors his secret mental confinement within guilt and deception."},{"text":"Rochester’s financial dependence.","correct":false,"explanation":"Rochester is independently wealthy and owns Thornfield, so financial dependence does not trap him. Bertha’s confinement mirrors his secret mental confinement."},{"text":"Rochester’s public disgrace.","correct":false,"explanation":"Rochester conceals Bertha precisely to prevent his situation becoming public. Her confinement mirrors his secret mental confinement, not an already established public disgrace."}]},{"id":"a366401e-8bf7-4a7d-bc29-96f6e0a1fbb2","cardType":"cloze","points":null,"front":"A [ ] is a shadow-self representing repressed desires, hidden fears, or darker impulses.","back":"A Doppelgänger is a shadow-self representing repressed desires, hidden fears, or darker impulses.","mcqOptions":[{"text":"Doppelgänger","correct":true,"explanation":"A doppelgänger is a character’s shadow-self or double, often embodying desires, fears, or impulses that the character represses or cannot openly express."},{"text":"Byronic hero","correct":false,"explanation":"A Byronic hero is a brooding, rebellious, morally complex protagonist, not a shadow-self. The term for a double representing repressed impulses is doppelgänger."},{"text":"Gothic villain","correct":false,"explanation":"A Gothic villain threatens or persecutes other characters but need not mirror their hidden psychology. A shadow-self representing repressed impulses is a doppelgänger."},{"text":"Romantic hero","correct":false,"explanation":"A Romantic hero is typically individualistic and emotionally intense, not necessarily another character’s shadow-self. The required term for such a double is doppelgänger."}]},{"id":"f8eafda8-5b22-4b91-a567-c908f6ac2198","cardType":"basic","points":1,"front":"How is Bertha Mason more than an obstacle to Jane’s marriage?","back":"She is Jane’s Gothic double.","mcqOptions":[{"text":"She is Jane’s Gothic double.","correct":true,"explanation":"Bertha embodies the rage, passion, and rebellion that Jane must restrain, so she functions as Jane’s Gothic double rather than merely blocking the marriage."},{"text":"She is Jane’s romantic rival.","correct":false,"explanation":"Bertha’s role is not simply that of a competing love interest, since Rochester rejects her. She symbolically acts as Jane’s Gothic double, expressing repressed impulses."},{"text":"She is Jane’s comic foil.","correct":false,"explanation":"Bertha’s violent and tragic portrayal creates terror rather than comedy. She is Jane’s Gothic double, embodying emotions and rebellious impulses Jane suppresses."},{"text":"She is Jane’s moral guardian.","correct":false,"explanation":"Bertha does not guide Jane’s behaviour or offer moral instruction. Her symbolic function is to act as Jane’s Gothic double, externalising repressed anger and passion."}]},{"id":"5d7e368e-80dd-495c-ab01-17a05f764b0d","cardType":"basic","points":1,"front":"What does Bertha represent compared with Jane’s self-control?","back":"Passion unchecked by reason.","mcqOptions":[{"text":"Passion unchecked by reason.","correct":true,"explanation":"Bertha acts as Jane’s uncontrolled double, embodying powerful emotion without the reason and moral discipline that Jane continually exercises over her own desires."},{"text":"Reason unchecked by passion.","correct":false,"explanation":"This reverses the contrast between the women: Jane represents rational self-command, whereas Bertha represents passion unchecked by reason."},{"text":"Self-control strengthened by morality.","correct":false,"explanation":"Moral restraint belongs more closely to Jane’s character. Bertha instead functions as Jane’s Gothic double, representing passion unchecked by reason."},{"text":"Independence guided by conscience.","correct":false,"explanation":"Independence and conscience are central to Jane’s development, not Bertha’s symbolic role. Bertha represents passion unchecked by reason."}]},{"id":"b3841bb0-8d51-4278-b3c8-794da5d019a3","cardType":"basic","points":2,"front":"What does Bertha tearing Jane’s bridal veil physically manifest?","back":"Jane’s dread of becoming Rochester’s unequal, caged wife.","mcqOptions":[{"text":"Jane’s dread of becoming Rochester’s unequal, caged wife.","correct":true,"explanation":"The destroyed veil gives physical form to Jane’s subconscious fear that marriage to Rochester could imprison her and erase the equality and independence she values."},{"text":"Jane’s hope of entering an equal, liberating marriage.","correct":false,"explanation":"The destruction is threatening rather than hopeful. It manifests Jane’s dread of becoming Rochester’s unequal, caged wife, warning that the proposed marriage may restrict her freedom."},{"text":"Jane’s fear of losing Rochester to Blanche Ingram.","correct":false,"explanation":"Blanche is no longer the central obstacle at this point. The torn veil embodies Jane’s dread of becoming Rochester’s unequal, caged wife."},{"text":"Jane’s guilt about abandoning the conventions of marriage.","correct":false,"explanation":"Jane’s anxiety concerns the unequal power within her proposed marriage, not rejecting marriage conventions. The act manifests her dread of becoming Rochester’s unequal, caged wife."}]},{"id":"1e31235b-f311-4722-a9a0-667e59acbcb4","cardType":"cloze","points":null,"front":"A [ ] is dark, brooding, passionate, intelligent, emotionally sensitive, and burdened by guilt.","back":"A Byronic hero is dark, brooding, passionate, intelligent, emotionally sensitive, and burdened by guilt.","mcqOptions":[{"text":"Byronic hero","correct":true,"explanation":"A Byronic hero is an attractive but troubled literary figure characterised by intelligence, passion, isolation, emotional sensitivity and a dark or guilty past."},{"text":"Gothic villain","correct":false,"explanation":"A Gothic villain primarily threatens or persecutes others and need not possess the described sensitivity or remorse. The specific brooding, passionate and guilt-burdened figure is a Byronic hero."},{"text":"chivalric hero","correct":false,"explanation":"A chivalric hero is conventionally honourable, courteous and devoted to an idealised code. The dark, emotionally troubled archetype described here is a Byronic hero."},{"text":"epic hero","correct":false,"explanation":"An epic hero is usually celebrated for exceptional courage and public achievements, often on a grand journey. The brooding and guilt-ridden archetype is a Byronic hero."}]},{"id":"7ab21bf3-88de-4d6e-abd9-04ff84a4f551","cardType":"basic","points":1,"front":"Why is Rochester not a traditional fairytale romantic hero?","back":"He is ugly, harsh, and emotionally volatile.","mcqOptions":[{"text":"He is ugly, harsh, and emotionally volatile.","correct":true,"explanation":"Unlike an idealised fairytale prince, Rochester is physically unattractive and psychologically difficult. His harshness and emotional instability make the romance darker and more complex."},{"text":"He is handsome, courteous, and emotionally restrained.","correct":false,"explanation":"These are conventional qualities of an idealised romantic prince, so they would make Rochester more traditional. Instead, he is ugly, harsh, and emotionally volatile."},{"text":"He is young, innocent, and socially powerless.","correct":false,"explanation":"Rochester is an experienced, wealthy landowner with substantial social power, not an innocent victim. He defies the fairytale ideal because he is ugly, harsh, and emotionally volatile."},{"text":"He is noble, flawless, and morally transparent.","correct":false,"explanation":"Rochester is morally compromised and secretive rather than flawless or transparent. His ugly, harsh, and emotionally volatile character challenges the traditional romantic-hero ideal."}]},{"id":"e4d1eacf-bc1c-4d9c-97cc-29c4bdc52229","cardType":"basic","points":1,"front":"What does Rochester’s dark characterization help link him to?","back":"The Gothic setting of Thornfield.","mcqOptions":[{"text":"The Gothic setting of Thornfield.","correct":true,"explanation":"Rochester’s darkness mirrors Thornfield’s secrecy, danger and oppressive atmosphere, connecting his troubled character directly to the novel’s Gothic environment."},{"text":"The domestic realism of Lowood.","correct":false,"explanation":"Lowood’s harshness belongs mainly to the novel’s social and religious criticism, not Rochester’s characterisation. His darkness links him to the Gothic setting of Thornfield."},{"text":"The fairytale romance of Ferndean.","correct":false,"explanation":"Rochester’s darkness undermines a simple fairytale interpretation rather than supporting one. It links him to the secrecy and danger of the Gothic setting of Thornfield."},{"text":"The religious austerity of Moor House.","correct":false,"explanation":"Moor House is associated chiefly with St John’s cold religious discipline. Rochester’s dark character instead connects him to the mysterious Gothic setting of Thornfield."}]},{"id":"38988d41-7809-409c-bb53-7c9baa9f1b0a","cardType":"basic","points":1,"front":"What does the lightning-struck chestnut tree symbolise?","back":"Jane and Rochester’s fractured union.","mcqOptions":[{"text":"Jane and Rochester’s fractured union.","correct":true,"explanation":"The tree is divided by lightning soon after the proposal, symbolically reflecting how Jane and Rochester’s intended union will be violently broken apart."},{"text":"Jane and Rochester’s complete emotional separation.","correct":false,"explanation":"Although Jane and Rochester separate, their bond is not completely destroyed, as the tree’s roots remain joined. The split trunk symbolises their fractured union."},{"text":"Jane and Rochester’s peaceful domestic future.","correct":false,"explanation":"The violent lightning strike signals disruption rather than peaceful stability. The damaged tree symbolises Jane and Rochester’s fractured union."},{"text":"Bertha and Rochester’s renewed marital bond.","correct":false,"explanation":"Bertha and Rochester’s marriage is already broken and imprisoning, not renewed by the proposal scene. The tree represents Jane and Rochester’s fractured union."}]},{"id":"75253169-aeca-454a-844e-50cd146f4dfe","cardType":"basic","points":2,"front":"What does the split chestnut tree foreshadow?","back":"The rupture of Jane and Rochester’s engagement.","mcqOptions":[{"text":"The rupture of Jane and Rochester’s engagement.","correct":true,"explanation":"The lightning divides the tree immediately after Rochester’s proposal, anticipating the revelation of Bertha and the resulting break in Jane and Rochester’s engagement."},{"text":"The immediate death of Jane and Rochester.","correct":false,"explanation":"The violent image predicts a break in the relationship, not either character’s immediate death. It foreshadows the rupture of Jane and Rochester’s engagement."},{"text":"The permanent destruction of their spiritual bond.","correct":false,"explanation":"The roots remain connected, showing that their deeper bond survives despite separation. The split itself foreshadows the rupture of Jane and Rochester’s engagement."},{"text":"The successful completion of Jane and Rochester’s wedding.","correct":false,"explanation":"A divided tree is an ominous sign rather than an image of successful completion. It foreshadows the rupture of Jane and Rochester’s engagement."}]},{"id":"3a082b35-cfdb-4c65-b0d5-9dd84635a75e","cardType":"basic","points":2,"front":"What do the chestnut tree’s connected roots suggest?","back":"Their spiritual bond survives.","mcqOptions":[{"text":"Their spiritual bond survives.","correct":true,"explanation":"Although the lightning splits the tree above ground, its roots remain joined. This suggests that separation and suffering cannot entirely destroy Jane and Rochester’s deeper connection."},{"text":"Their legal marriage already exists.","correct":false,"explanation":"Jane cannot legally marry Rochester while Bertha remains alive, so the roots do not represent an existing marriage. They suggest that their spiritual bond survives."},{"text":"Their social inequality can never change.","correct":false,"explanation":"Their social inequality is a genuine obstacle, but the joined roots symbolise emotional continuity rather than permanent hierarchy. They suggest that their spiritual bond survives."},{"text":"Their relationship has completely ended.","correct":false,"explanation":"The connected roots contradict the idea of total finality. Although the split trunk represents separation, the roots suggest that their spiritual bond survives."}]},{"id":"625b98ac-a979-4915-9787-8f6a512d9e3c","cardType":"cloze","points":null,"front":"Jane hears Rochester’s telepathic call when [ ] pressures her to marry him.","back":"Jane hears Rochester’s telepathic call when St John Rivers pressures her to marry him.","mcqOptions":[{"text":"St John Rivers","correct":true,"explanation":"St John Rivers pressures Jane to accept a loveless, duty-based marriage. At that decisive moment, Jane hears Rochester’s supernatural call and recognises where she truly belongs."},{"text":"Edward Rochester","correct":false,"explanation":"Rochester previously proposed to Jane, but he is not pressuring her during this scene. St John Rivers is proposing when Rochester’s supernatural call interrupts Jane’s decision."},{"text":"Mr Brocklehurst","correct":false,"explanation":"Mr Brocklehurst imposes harsh religious discipline at Lowood but never proposes to Jane. St John Rivers is the clergyman pressuring her to marry him when she hears the call."},{"text":"Richard Mason","correct":false,"explanation":"Richard Mason exposes Rochester’s existing marriage but does not seek to marry Jane. St John Rivers is applying pressure for a missionary marriage when Rochester calls to her."}]},{"id":"5c23ecb5-b88e-44d1-9e3b-406f09b0a241","cardType":"basic","points":2,"front":"What Romance purpose does Rochester’s telepathic call serve?","back":"It redirects Jane toward her true, equal partner.","mcqOptions":[{"text":"It redirects Jane toward her true, equal partner.","correct":true,"explanation":"The supernatural call draws Jane away from St John’s loveless proposal and back towards Rochester, with whom she can eventually form a loving relationship based on equality."},{"text":"It redirects Jane toward her religious, dutiful husband.","correct":false,"explanation":"St John offers duty without romantic love, so the call leads Jane away from his proposal. It redirects her towards Rochester as her true, equal partner."},{"text":"It redirects Jane toward her solitary, independent future.","correct":false,"explanation":"The call reunites Jane with Rochester rather than confirming her independence from love. Its Romance purpose is to guide her towards the partner she can now meet as an equal."},{"text":"It redirects Jane toward her wealthy, dominant master.","correct":false,"explanation":"The call does not restore Rochester’s former power over Jane. It guides her back only after she has gained independence, allowing their relationship to become equal."}]}]}],"examCountdown":{"examDate":"2027-05-12","paperLabel":"Paper 1"},"heading":"Gothic/Romance Methods","title":"Gothic/Romance Methods Flashcards","topbar":{"backHref":"/gcse/english-literature/aqa/flashcards"},"topicSidebar":"$L37"}]}],"topicId":"0579fb61-c58b-5076-8afc-1e5392d59bdd","walled":"$L38"}],"$L39","$L3a"]