32:I[196793,["/_next/static/chunks/0m4oww1i704vh.js?dpl=nogit-1789557297","/_next/static/chunks/2juje0t3dlhbm.js?dpl=nogit-1789557297","/_next/static/chunks/19ijf68pshdcn.js?dpl=nogit-1789557297","/_next/static/chunks/04u0lp5-90-_i.js?dpl=nogit-1789557297","/_next/static/chunks/0i-8vweyyd2z1.js?dpl=nogit-1789557297","/_next/static/chunks/14b49sowq3167.js?dpl=nogit-1789557297","/_next/static/chunks/0u008gt6051u7.js?dpl=nogit-1789557297","/_next/static/chunks/0zkcxwtbsqliz.js?dpl=nogit-1789557297","/_next/static/chunks/1wq0tmwxm0o03.js?dpl=nogit-1789557297","/_next/static/chunks/1bbv7o2-m-0ni.js?dpl=nogit-1789557297","/_next/static/chunks/3n6wyk-4-ou-2.js?dpl=nogit-1789557297","/_next/static/chunks/1h4wccj42vygd.js?dpl=nogit-1789557297","/_next/static/chunks/3jpl-42mbad5n.js?dpl=nogit-1789557297","/_next/static/chunks/1w_cokuayn2xb.js?dpl=nogit-1789557297","/_next/static/chunks/442oofikvq4ao.js?dpl=nogit-1789557297","/_next/static/chunks/2os7nxouq91eq.js?dpl=nogit-1789557297","/_next/static/chunks/3hxsq15e9l6ex.js?dpl=nogit-1789557297","/_next/static/chunks/3ht89vb0p09bm.js?dpl=nogit-1789557297","/_next/static/chunks/2qlkd_50jnb67.js?dpl=nogit-1789557297","/_next/static/chunks/3ml3vooxhiupb.js?dpl=nogit-1789557297","/_next/static/chunks/0ry5u_b6y0dbk.js?dpl=nogit-1789557297","/_next/static/chunks/0qfm0wv_qgrsj.js?dpl=nogit-1789557297","/_next/static/chunks/40aiezets7u4u.js?dpl=nogit-1789557297","/_next/static/chunks/2ksfr-nhqev3t.js?dpl=nogit-1789557297","/_next/static/chunks/1yts3efoejfo0.js?dpl=nogit-1789557297","/_next/static/chunks/307r27ue-gdnh.js?dpl=nogit-1789557297","/_next/static/chunks/0llqhg6-bxn_b.js?dpl=nogit-1789557297","/_next/static/chunks/2id2jbelkqob6.js?dpl=nogit-1789557297","/_next/static/chunks/18kibg6v3ribz.js?dpl=nogit-1789557297","/_next/static/chunks/0k-y_4mcfub-p.js?dpl=nogit-1789557297","/_next/static/chunks/0hnrfr5_9vz2n.js?dpl=nogit-1789557297","/_next/static/chunks/3dva8kwo2jtnh.js?dpl=nogit-1789557297","/_next/static/chunks/2dx-vzwyw9a3g.js?dpl=nogit-1789557297","/_next/static/chunks/1gubmarhp61bc.js?dpl=nogit-1789557297","/_next/static/chunks/2_zyy4shki--m.js?dpl=nogit-1789557297","/_next/static/chunks/0bzux42kotfq-.js?dpl=nogit-1789557297","/_next/static/chunks/1j0xatrm1j9ei.js?dpl=nogit-1789557297","/_next/static/chunks/04zr-wqafvwoa.js?dpl=nogit-1789557297","/_next/static/chunks/0r9vj4wrpcsmk.js?dpl=nogit-1789557297","/_next/static/chunks/23dzzhwlmv97g.js?dpl=nogit-1789557297","/_next/static/chunks/0odk_0my0_b5-.js?dpl=nogit-1789557297","/_next/static/chunks/3z29s947f2moe.js?dpl=nogit-1789557297","/_next/static/chunks/2muh31f8m33t4.js?dpl=nogit-1789557297","/_next/static/chunks/03ql4_ajt89dj.js?dpl=nogit-1789557297","/_next/static/chunks/2cu8u4002xlhk.js?dpl=nogit-1789557297","/_next/static/chunks/26oi9tz5i972_.js?dpl=nogit-1789557297","/_next/static/chunks/2z-4r9u4cp_ts.js?dpl=nogit-1789557297","/_next/static/chunks/3v9ybc6cyn2el.js?dpl=nogit-1789557297","/_next/static/chunks/0epkvyva8shyj.js?dpl=nogit-1789557297","/_next/static/chunks/1ewppg55gz8ao.js?dpl=nogit-1789557297","/_next/static/chunks/3zzkpug-bge13.js?dpl=nogit-1789557297","/_next/static/chunks/2eg5oh5lh1bys.js?dpl=nogit-1789557297","/_next/static/chunks/0qpw1hxp1he5_.js?dpl=nogit-1789557297","/_next/static/chunks/1ksyn9m68446d.js?dpl=nogit-1789557297","/_next/static/chunks/30dopbgd1dkf9.js?dpl=nogit-1789557297","/_next/static/chunks/0zg1om_k0m5zv.js?dpl=nogit-1789557297","/_next/static/chunks/1tw7dwog40-j_.js?dpl=nogit-1789557297","/_next/static/chunks/2dr--mw_fu802.js?dpl=nogit-1789557297","/_next/static/chunks/28z7oiyzc2ir9.js?dpl=nogit-1789557297","/_next/static/chunks/0fx374hbtcqun.js?dpl=nogit-1789557297","/_next/static/chunks/0y156vqks_8je.js?dpl=nogit-1789557297","/_next/static/chunks/3cykunva_xoy3.js?dpl=nogit-1789557297","/_next/static/chunks/0tapm_eeixiw6.js?dpl=nogit-1789557297","/_next/static/chunks/2y341-r8ncizo.js?dpl=nogit-1789557297","/_next/static/chunks/2sghpash7yifv.js?dpl=nogit-1789557297","/_next/static/chunks/43ajf4ofaeu5y.js?dpl=nogit-1789557297","/_next/static/chunks/0ekvp3cu-7xuw.js?dpl=nogit-1789557297","/_next/static/chunks/139ut7awapdtx.js?dpl=nogit-1789557297"],"Gingerbread"] 34:I[647935,["/_next/static/chunks/0m4oww1i704vh.js?dpl=nogit-1789557297","/_next/static/chunks/2juje0t3dlhbm.js?dpl=nogit-1789557297","/_next/static/chunks/19ijf68pshdcn.js?dpl=nogit-1789557297","/_next/static/chunks/04u0lp5-90-_i.js?dpl=nogit-1789557297","/_next/static/chunks/0i-8vweyyd2z1.js?dpl=nogit-1789557297","/_next/static/chunks/14b49sowq3167.js?dpl=nogit-1789557297","/_next/static/chunks/0u008gt6051u7.js?dpl=nogit-1789557297","/_next/static/chunks/0zkcxwtbsqliz.js?dpl=nogit-1789557297","/_next/static/chunks/1wq0tmwxm0o03.js?dpl=nogit-1789557297","/_next/static/chunks/1bbv7o2-m-0ni.js?dpl=nogit-1789557297","/_next/static/chunks/3n6wyk-4-ou-2.js?dpl=nogit-1789557297","/_next/static/chunks/1h4wccj42vygd.js?dpl=nogit-1789557297","/_next/static/chunks/3jpl-42mbad5n.js?dpl=nogit-1789557297","/_next/static/chunks/1w_cokuayn2xb.js?dpl=nogit-1789557297","/_next/static/chunks/442oofikvq4ao.js?dpl=nogit-1789557297","/_next/static/chunks/2os7nxouq91eq.js?dpl=nogit-1789557297","/_next/static/chunks/3hxsq15e9l6ex.js?dpl=nogit-1789557297","/_next/static/chunks/3ht89vb0p09bm.js?dpl=nogit-1789557297","/_next/static/chunks/2qlkd_50jnb67.js?dpl=nogit-1789557297","/_next/static/chunks/3ml3vooxhiupb.js?dpl=nogit-1789557297","/_next/static/chunks/0ry5u_b6y0dbk.js?dpl=nogit-1789557297","/_next/static/chunks/0qfm0wv_qgrsj.js?dpl=nogit-1789557297","/_next/static/chunks/40aiezets7u4u.js?dpl=nogit-1789557297","/_next/static/chunks/2ksfr-nhqev3t.js?dpl=nogit-1789557297","/_next/static/chunks/1yts3efoejfo0.js?dpl=nogit-1789557297","/_next/static/chunks/307r27ue-gdnh.js?dpl=nogit-1789557297","/_next/static/chunks/0llqhg6-bxn_b.js?dpl=nogit-1789557297","/_next/static/chunks/2id2jbelkqob6.js?dpl=nogit-1789557297","/_next/static/chunks/18kibg6v3ribz.js?dpl=nogit-1789557297","/_next/static/chunks/0k-y_4mcfub-p.js?dpl=nogit-1789557297","/_next/static/chunks/0hnrfr5_9vz2n.js?dpl=nogit-1789557297","/_next/static/chunks/3dva8kwo2jtnh.js?dpl=nogit-1789557297","/_next/static/chunks/2dx-vzwyw9a3g.js?dpl=nogit-1789557297","/_next/static/chunks/1gubmarhp61bc.js?dpl=nogit-1789557297","/_next/static/chunks/2_zyy4shki--m.js?dpl=nogit-1789557297","/_next/static/chunks/0bzux42kotfq-.js?dpl=nogit-1789557297","/_next/static/chunks/1j0xatrm1j9ei.js?dpl=nogit-1789557297","/_next/static/chunks/04zr-wqafvwoa.js?dpl=nogit-1789557297","/_next/static/chunks/0r9vj4wrpcsmk.js?dpl=nogit-1789557297","/_next/static/chunks/23dzzhwlmv97g.js?dpl=nogit-1789557297","/_next/static/chunks/0odk_0my0_b5-.js?dpl=nogit-1789557297","/_next/static/chunks/3z29s947f2moe.js?dpl=nogit-1789557297","/_next/static/chunks/2muh31f8m33t4.js?dpl=nogit-1789557297","/_next/static/chunks/03ql4_ajt89dj.js?dpl=nogit-1789557297","/_next/static/chunks/2cu8u4002xlhk.js?dpl=nogit-1789557297","/_next/static/chunks/26oi9tz5i972_.js?dpl=nogit-1789557297","/_next/static/chunks/2z-4r9u4cp_ts.js?dpl=nogit-1789557297","/_next/static/chunks/3v9ybc6cyn2el.js?dpl=nogit-1789557297","/_next/static/chunks/0epkvyva8shyj.js?dpl=nogit-1789557297","/_next/static/chunks/1ewppg55gz8ao.js?dpl=nogit-1789557297","/_next/static/chunks/3zzkpug-bge13.js?dpl=nogit-1789557297","/_next/static/chunks/2eg5oh5lh1bys.js?dpl=nogit-1789557297","/_next/static/chunks/0qpw1hxp1he5_.js?dpl=nogit-1789557297","/_next/static/chunks/1ksyn9m68446d.js?dpl=nogit-1789557297","/_next/static/chunks/30dopbgd1dkf9.js?dpl=nogit-1789557297","/_next/static/chunks/0zg1om_k0m5zv.js?dpl=nogit-1789557297","/_next/static/chunks/1tw7dwog40-j_.js?dpl=nogit-1789557297","/_next/static/chunks/2dr--mw_fu802.js?dpl=nogit-1789557297","/_next/static/chunks/28z7oiyzc2ir9.js?dpl=nogit-1789557297","/_next/static/chunks/0fx374hbtcqun.js?dpl=nogit-1789557297","/_next/static/chunks/0y156vqks_8je.js?dpl=nogit-1789557297","/_next/static/chunks/3cykunva_xoy3.js?dpl=nogit-1789557297","/_next/static/chunks/0tapm_eeixiw6.js?dpl=nogit-1789557297","/_next/static/chunks/2y341-r8ncizo.js?dpl=nogit-1789557297","/_next/static/chunks/2sghpash7yifv.js?dpl=nogit-1789557297","/_next/static/chunks/43ajf4ofaeu5y.js?dpl=nogit-1789557297","/_next/static/chunks/0ekvp3cu-7xuw.js?dpl=nogit-1789557297","/_next/static/chunks/139ut7awapdtx.js?dpl=nogit-1789557297"],"RecordResourceResume"] 35:I[830476,["/_next/static/chunks/0m4oww1i704vh.js?dpl=nogit-1789557297","/_next/static/chunks/2juje0t3dlhbm.js?dpl=nogit-1789557297","/_next/static/chunks/19ijf68pshdcn.js?dpl=nogit-1789557297","/_next/static/chunks/04u0lp5-90-_i.js?dpl=nogit-1789557297","/_next/static/chunks/0i-8vweyyd2z1.js?dpl=nogit-1789557297","/_next/static/chunks/14b49sowq3167.js?dpl=nogit-1789557297","/_next/static/chunks/0u008gt6051u7.js?dpl=nogit-1789557297","/_next/static/chunks/0zkcxwtbsqliz.js?dpl=nogit-1789557297","/_next/static/chunks/1wq0tmwxm0o03.js?dpl=nogit-1789557297","/_next/static/chunks/1bbv7o2-m-0ni.js?dpl=nogit-1789557297","/_next/static/chunks/3n6wyk-4-ou-2.js?dpl=nogit-1789557297","/_next/static/chunks/1h4wccj42vygd.js?dpl=nogit-1789557297","/_next/static/chunks/3jpl-42mbad5n.js?dpl=nogit-1789557297","/_next/static/chunks/1w_cokuayn2xb.js?dpl=nogit-1789557297","/_next/static/chunks/442oofikvq4ao.js?dpl=nogit-1789557297","/_next/static/chunks/2os7nxouq91eq.js?dpl=nogit-1789557297","/_next/static/chunks/3hxsq15e9l6ex.js?dpl=nogit-1789557297","/_next/static/chunks/3ht89vb0p09bm.js?dpl=nogit-1789557297","/_next/static/chunks/2qlkd_50jnb67.js?dpl=nogit-1789557297","/_next/static/chunks/3ml3vooxhiupb.js?dpl=nogit-1789557297","/_next/static/chunks/0ry5u_b6y0dbk.js?dpl=nogit-1789557297","/_next/static/chunks/0qfm0wv_qgrsj.js?dpl=nogit-1789557297","/_next/static/chunks/40aiezets7u4u.js?dpl=nogit-1789557297","/_next/static/chunks/2ksfr-nhqev3t.js?dpl=nogit-1789557297","/_next/static/chunks/1yts3efoejfo0.js?dpl=nogit-1789557297","/_next/static/chunks/307r27ue-gdnh.js?dpl=nogit-1789557297","/_next/static/chunks/0llqhg6-bxn_b.js?dpl=nogit-1789557297","/_next/static/chunks/2id2jbelkqob6.js?dpl=nogit-1789557297","/_next/static/chunks/18kibg6v3ribz.js?dpl=nogit-1789557297","/_next/static/chunks/0k-y_4mcfub-p.js?dpl=nogit-1789557297","/_next/static/chunks/0hnrfr5_9vz2n.js?dpl=nogit-1789557297","/_next/static/chunks/3dva8kwo2jtnh.js?dpl=nogit-1789557297","/_next/static/chunks/2dx-vzwyw9a3g.js?dpl=nogit-1789557297","/_next/static/chunks/1gubmarhp61bc.js?dpl=nogit-1789557297","/_next/static/chunks/2_zyy4shki--m.js?dpl=nogit-1789557297","/_next/static/chunks/0bzux42kotfq-.js?dpl=nogit-1789557297","/_next/static/chunks/1j0xatrm1j9ei.js?dpl=nogit-1789557297","/_next/static/chunks/04zr-wqafvwoa.js?dpl=nogit-1789557297","/_next/static/chunks/0r9vj4wrpcsmk.js?dpl=nogit-1789557297","/_next/static/chunks/23dzzhwlmv97g.js?dpl=nogit-1789557297","/_next/static/chunks/0odk_0my0_b5-.js?dpl=nogit-1789557297","/_next/static/chunks/3z29s947f2moe.js?dpl=nogit-1789557297","/_next/static/chunks/2muh31f8m33t4.js?dpl=nogit-1789557297","/_next/static/chunks/03ql4_ajt89dj.js?dpl=nogit-1789557297","/_next/static/chunks/2cu8u4002xlhk.js?dpl=nogit-1789557297","/_next/static/chunks/26oi9tz5i972_.js?dpl=nogit-1789557297","/_next/static/chunks/2z-4r9u4cp_ts.js?dpl=nogit-1789557297","/_next/static/chunks/3v9ybc6cyn2el.js?dpl=nogit-1789557297","/_next/static/chunks/0epkvyva8shyj.js?dpl=nogit-1789557297","/_next/static/chunks/1ewppg55gz8ao.js?dpl=nogit-1789557297","/_next/static/chunks/3zzkpug-bge13.js?dpl=nogit-1789557297","/_next/static/chunks/2eg5oh5lh1bys.js?dpl=nogit-1789557297","/_next/static/chunks/0qpw1hxp1he5_.js?dpl=nogit-1789557297","/_next/static/chunks/1ksyn9m68446d.js?dpl=nogit-1789557297","/_next/static/chunks/30dopbgd1dkf9.js?dpl=nogit-1789557297","/_next/static/chunks/0zg1om_k0m5zv.js?dpl=nogit-1789557297","/_next/static/chunks/1tw7dwog40-j_.js?dpl=nogit-1789557297","/_next/static/chunks/2dr--mw_fu802.js?dpl=nogit-1789557297","/_next/static/chunks/28z7oiyzc2ir9.js?dpl=nogit-1789557297","/_next/static/chunks/0fx374hbtcqun.js?dpl=nogit-1789557297","/_next/static/chunks/0y156vqks_8je.js?dpl=nogit-1789557297","/_next/static/chunks/3cykunva_xoy3.js?dpl=nogit-1789557297","/_next/static/chunks/0tapm_eeixiw6.js?dpl=nogit-1789557297","/_next/static/chunks/2y341-r8ncizo.js?dpl=nogit-1789557297","/_next/static/chunks/2sghpash7yifv.js?dpl=nogit-1789557297","/_next/static/chunks/43ajf4ofaeu5y.js?dpl=nogit-1789557297","/_next/static/chunks/0ekvp3cu-7xuw.js?dpl=nogit-1789557297","/_next/static/chunks/139ut7awapdtx.js?dpl=nogit-1789557297"],"FlashcardAccessBranch"] 36:I[315438,["/_next/static/chunks/0m4oww1i704vh.js?dpl=nogit-1789557297","/_next/static/chunks/2juje0t3dlhbm.js?dpl=nogit-1789557297","/_next/static/chunks/19ijf68pshdcn.js?dpl=nogit-1789557297","/_next/static/chunks/04u0lp5-90-_i.js?dpl=nogit-1789557297","/_next/static/chunks/0i-8vweyyd2z1.js?dpl=nogit-1789557297","/_next/static/chunks/14b49sowq3167.js?dpl=nogit-1789557297","/_next/static/chunks/0u008gt6051u7.js?dpl=nogit-1789557297","/_next/static/chunks/0zkcxwtbsqliz.js?dpl=nogit-1789557297","/_next/static/chunks/1wq0tmwxm0o03.js?dpl=nogit-1789557297","/_next/static/chunks/1bbv7o2-m-0ni.js?dpl=nogit-1789557297","/_next/static/chunks/3n6wyk-4-ou-2.js?dpl=nogit-1789557297","/_next/static/chunks/1h4wccj42vygd.js?dpl=nogit-1789557297","/_next/static/chunks/3jpl-42mbad5n.js?dpl=nogit-1789557297","/_next/static/chunks/1w_cokuayn2xb.js?dpl=nogit-1789557297","/_next/static/chunks/442oofikvq4ao.js?dpl=nogit-1789557297","/_next/static/chunks/2os7nxouq91eq.js?dpl=nogit-1789557297","/_next/static/chunks/3hxsq15e9l6ex.js?dpl=nogit-1789557297","/_next/static/chunks/3ht89vb0p09bm.js?dpl=nogit-1789557297","/_next/static/chunks/2qlkd_50jnb67.js?dpl=nogit-1789557297","/_next/static/chunks/3ml3vooxhiupb.js?dpl=nogit-1789557297","/_next/static/chunks/0ry5u_b6y0dbk.js?dpl=nogit-1789557297","/_next/static/chunks/0qfm0wv_qgrsj.js?dpl=nogit-1789557297","/_next/static/chunks/40aiezets7u4u.js?dpl=nogit-1789557297","/_next/static/chunks/2ksfr-nhqev3t.js?dpl=nogit-1789557297","/_next/static/chunks/1yts3efoejfo0.js?dpl=nogit-1789557297","/_next/static/chunks/307r27ue-gdnh.js?dpl=nogit-1789557297","/_next/static/chunks/0llqhg6-bxn_b.js?dpl=nogit-1789557297","/_next/static/chunks/2id2jbelkqob6.js?dpl=nogit-1789557297","/_next/static/chunks/18kibg6v3ribz.js?dpl=nogit-1789557297","/_next/static/chunks/0k-y_4mcfub-p.js?dpl=nogit-1789557297","/_next/static/chunks/0hnrfr5_9vz2n.js?dpl=nogit-1789557297","/_next/static/chunks/3dva8kwo2jtnh.js?dpl=nogit-1789557297","/_next/static/chunks/2dx-vzwyw9a3g.js?dpl=nogit-1789557297","/_next/static/chunks/1gubmarhp61bc.js?dpl=nogit-1789557297","/_next/static/chunks/2_zyy4shki--m.js?dpl=nogit-1789557297","/_next/static/chunks/0bzux42kotfq-.js?dpl=nogit-1789557297","/_next/static/chunks/1j0xatrm1j9ei.js?dpl=nogit-1789557297","/_next/static/chunks/04zr-wqafvwoa.js?dpl=nogit-1789557297","/_next/static/chunks/0r9vj4wrpcsmk.js?dpl=nogit-1789557297","/_next/static/chunks/23dzzhwlmv97g.js?dpl=nogit-1789557297","/_next/static/chunks/0odk_0my0_b5-.js?dpl=nogit-1789557297","/_next/static/chunks/3z29s947f2moe.js?dpl=nogit-1789557297","/_next/static/chunks/2muh31f8m33t4.js?dpl=nogit-1789557297","/_next/static/chunks/03ql4_ajt89dj.js?dpl=nogit-1789557297","/_next/static/chunks/2cu8u4002xlhk.js?dpl=nogit-1789557297","/_next/static/chunks/26oi9tz5i972_.js?dpl=nogit-1789557297","/_next/static/chunks/2z-4r9u4cp_ts.js?dpl=nogit-1789557297","/_next/static/chunks/3v9ybc6cyn2el.js?dpl=nogit-1789557297","/_next/static/chunks/0epkvyva8shyj.js?dpl=nogit-1789557297","/_next/static/chunks/1ewppg55gz8ao.js?dpl=nogit-1789557297","/_next/static/chunks/3zzkpug-bge13.js?dpl=nogit-1789557297","/_next/static/chunks/2eg5oh5lh1bys.js?dpl=nogit-1789557297","/_next/static/chunks/0qpw1hxp1he5_.js?dpl=nogit-1789557297","/_next/static/chunks/1ksyn9m68446d.js?dpl=nogit-1789557297","/_next/static/chunks/30dopbgd1dkf9.js?dpl=nogit-1789557297","/_next/static/chunks/0zg1om_k0m5zv.js?dpl=nogit-1789557297","/_next/static/chunks/1tw7dwog40-j_.js?dpl=nogit-1789557297","/_next/static/chunks/2dr--mw_fu802.js?dpl=nogit-1789557297","/_next/static/chunks/28z7oiyzc2ir9.js?dpl=nogit-1789557297","/_next/static/chunks/0fx374hbtcqun.js?dpl=nogit-1789557297","/_next/static/chunks/0y156vqks_8je.js?dpl=nogit-1789557297","/_next/static/chunks/3cykunva_xoy3.js?dpl=nogit-1789557297","/_next/static/chunks/0tapm_eeixiw6.js?dpl=nogit-1789557297","/_next/static/chunks/2y341-r8ncizo.js?dpl=nogit-1789557297","/_next/static/chunks/2sghpash7yifv.js?dpl=nogit-1789557297","/_next/static/chunks/43ajf4ofaeu5y.js?dpl=nogit-1789557297","/_next/static/chunks/0ekvp3cu-7xuw.js?dpl=nogit-1789557297","/_next/static/chunks/139ut7awapdtx.js?dpl=nogit-1789557297"],"TopicFlashcardRunner"] 23:[["$","$L32",null,{"feature":"flashcards"}],"$L33",["$","$L34",null,{"href":"/gcse/english-literature/aqa/an-inspector-calls-overview/flashcards","label":"Overview","subjectCode":"gcse_english_literature__aqa","surface":"flashcards"}],["$","$L35",null,{"runner":["$","div",null,{"className":"min-h-0 flex-1 overflow-hidden bg-background","children":["$","$L36",null,{"decks":[{"id":"e006e559-e485-478d-9b9c-13edd34b74ac","title":"Overview Flashcards","topicId":"97200d50-7ed8-52de-abdb-1556f6ace44d","topicSlug":"an-inspector-calls-overview","cards":[{"id":"75db6b18-2a61-4817-9620-a9ba222d25d8","cardType":"basic","points":1,"front":"Who wrote An Inspector Calls?","back":"J. B. Priestley.","mcqOptions":[{"text":"J. B. Priestley.","correct":true,"explanation":"J. B. Priestley wrote An Inspector Calls in 1945, using the Birling family’s interrogation to explore social responsibility, inequality and generational conflict."},{"text":"Arthur Miller.","correct":false,"explanation":"Arthur Miller wrote plays including Death of a Salesman, not An Inspector Calls. The correct playwright is J. B. Priestley, who used the play to promote social responsibility."},{"text":"George Bernard Shaw.","correct":false,"explanation":"George Bernard Shaw was another socially engaged British playwright, making him a plausible confusion. However, An Inspector Calls was written by J. B. Priestley."},{"text":"William Shakespeare.","correct":false,"explanation":"William Shakespeare wrote during the Elizabethan and Jacobean periods, centuries before this play. An Inspector Calls was written by the twentieth-century playwright J. B. Priestley."}]},{"id":"9f13ba6b-8830-49d0-9e6e-e775208aa7b8","cardType":"basic","points":1,"front":"What form does An Inspector Calls take?","back":"A three-act play.","mcqOptions":[{"text":"A three-act play.","correct":true,"explanation":"An Inspector Calls is structured as a three-act play. Its dramatic form allows Priestley to reveal information gradually through dialogue, entrances, exits and stage directions."},{"text":"A three-part novel.","correct":false,"explanation":"The work may be studied as a literary text, but it is not a novel. An Inspector Calls is a three-act play written to be performed on stage."},{"text":"A five-act tragedy.","correct":false,"explanation":"Five-act structure is associated with many Shakespearean plays, which may cause this confusion. An Inspector Calls is instead organised as a three-act play."},{"text":"A one-act monologue.","correct":false,"explanation":"The play contains exchanges between several characters rather than one speaker’s extended monologue. Its correct form is a three-act play, with the investigation unfolding across all three acts."}]},{"id":"b4d828bf-2473-4b25-8133-2200382e5ae3","cardType":"cloze","points":null,"front":"An Inspector Calls is set in [ ] in the fictional industrial town of [ ].","back":"An Inspector Calls is set in 1912 in the fictional industrial town of Brumley.","mcqOptions":[{"text":"An Inspector Calls is set in 1912 in the fictional industrial town of Brumley.","correct":true,"explanation":"The action takes place in Brumley in 1912, before both world wars. Priestley uses this earlier setting to expose Mr Birling’s confidence and dramatic irony."},{"text":"An Inspector Calls is set in 1945 in the fictional industrial town of Brumley.","correct":false,"explanation":"1945 is associated with the play’s first performance, not its setting. The action is set in 1912 in Brumley, allowing Priestley to create dramatic irony for later audiences."},{"text":"An Inspector Calls is set in 1912 in the fictional industrial town of London.","correct":false,"explanation":"London is a real city and is mentioned in connection with Gerald, but it is not the play’s location. The action is set in the fictional town of Brumley in 1912."},{"text":"An Inspector Calls is set in 1945 in the fictional industrial town of Bradford.","correct":false,"explanation":"This confuses the production period with the dramatic setting and substitutes a real industrial city. The play is set in 1912 in Priestley’s fictional town of Brumley."}]},{"id":"4935cced-0f95-4ddc-b210-6e24d683c983","cardType":"basic","points":1,"front":"What family event opens the play?","back":"Sheila Birling’s engagement to Gerald Croft.","mcqOptions":[{"text":"Sheila Birling’s engagement to Gerald Croft.","correct":true,"explanation":"The Birling family is celebrating Sheila Birling’s engagement to Gerald Croft when the play begins. The Inspector’s arrival interrupts this comfortable, self-satisfied family occasion."},{"text":"Sheila Birling’s wedding to Gerald Croft.","correct":false,"explanation":"Sheila and Gerald are celebrating their engagement, not their wedding. The distinction matters because Gerald’s actions place their future marriage in doubt during the Inspector’s investigation."},{"text":"Sybil Birling’s anniversary to Arthur Birling.","correct":false,"explanation":"Mr and Mrs Birling attend the dinner, but their anniversary is not being celebrated. The opening event is Sheila Birling’s engagement to Gerald Croft."},{"text":"Eric Birling’s promotion at Birling and Co.","correct":false,"explanation":"Eric works for his father, but no promotion prompts the opening celebration. The family dinner marks Sheila Birling’s engagement to Gerald Croft."}]},{"id":"56231762-7ee2-4363-9456-25a3e533d7d9","cardType":"basic","points":1,"front":"Whose death does Inspector Goole investigate?","back":"Eva Smith’s.","mcqOptions":[{"text":"Eva Smith’s.","correct":true,"explanation":"Inspector Goole investigates Eva Smith’s death after she drinks disinfectant. His questioning reveals how each member of the Birling household contributed to her suffering."},{"text":"Sheila Birling’s.","correct":false,"explanation":"Sheila is questioned about having a shop assistant dismissed, but she does not die. Inspector Goole investigates the death of Eva Smith, whose life connects the characters."},{"text":"Sybil Birling’s.","correct":false,"explanation":"Mrs Birling is alive and becomes one of the Inspector’s suspects rather than the victim. The death under investigation is Eva Smith’s."},{"text":"Edna’s.","correct":false,"explanation":"Edna is the Birlings’ maid and announces the Inspector’s arrival, but her death is not investigated. The Inspector’s inquiry concerns Eva Smith’s death."}]},{"id":"51fcaa62-b210-4213-98a6-2b886722f74f","cardType":"cloze","points":null,"front":"Drama is built from [ ] and [ ].","back":"Drama is built from dialogue and stage directions.","mcqOptions":[{"text":"Drama is built from dialogue and stage directions.","correct":true,"explanation":"Dialogue provides the characters’ spoken words, while stage directions guide actions, movement, setting and delivery. Together, these are the principal written components of a dramatic script."},{"text":"Drama is built from narration and stage directions.","correct":false,"explanation":"Narration is a central feature of prose fiction, whereas plays primarily present characters speaking directly. Drama is built from dialogue and stage directions."},{"text":"Drama is built from dialogue and chapter headings.","correct":false,"explanation":"Chapter headings organise many novels but are not a defining component of dramatic scripts. Drama is built from dialogue and stage directions, which guide performance."},{"text":"Drama is built from description and paragraphs.","correct":false,"explanation":"Description and paragraphs are associated mainly with prose writing rather than scripts. Drama is built from dialogue for speech and stage directions for performance details."}]},{"id":"c21faf42-0927-4174-aa7d-bc7c23936f01","cardType":"basic","points":1,"front":"Which attitude does Mr Birling represent?","back":"Individualism.","mcqOptions":[{"text":"Individualism.","correct":true,"explanation":"Mr Birling represents individualism because he believes people should pursue their own interests rather than accept responsibility for others. Priestley presents this attitude critically."},{"text":"Socialism.","correct":false,"explanation":"Socialism emphasises collective welfare and responsibility, ideas voiced more closely by the Inspector. Mr Birling instead represents individualism through his focus on personal advancement and profit."},{"text":"Collectivism.","correct":false,"explanation":"Collectivism stresses cooperation and shared responsibility, directly opposing Mr Birling’s outlook. He represents individualism, believing each person should look after themselves."},{"text":"Altruism.","correct":false,"explanation":"Altruism means acting selflessly for other people’s benefit, unlike Mr Birling’s profit-driven outlook. His attitude represents individualism and rejection of collective responsibility."}]},{"id":"8ece9731-d47a-484e-89b2-f6bc5457bccf","cardType":"basic","points":1,"front":"What attitude does “a man has to make his own way” reveal?","back":"Self-interest.","mcqOptions":[{"text":"Self-interest.","correct":true,"explanation":"The statement reveals self-interest because Mr Birling believes each person should pursue personal success independently. This attitude conflicts with the Inspector’s message of shared responsibility."},{"text":"Collective responsibility.","correct":false,"explanation":"Collective responsibility means recognising duties towards other people, which the quote rejects. “A man has to make his own way” instead reveals Mr Birling’s self-interest."},{"text":"Social equality.","correct":false,"explanation":"The statement does not advocate equal treatment or opportunities for different social groups. It reveals self-interest by presenting personal success as more important than responsibility for others."},{"text":"Compassion.","correct":false,"explanation":"Compassion involves concern for other people’s suffering, but Mr Birling’s statement focuses only on individual advancement. It therefore reveals self-interest rather than sympathy or care."}]},{"id":"880090df-e732-4ebc-b871-1356d309fcad","cardType":"basic","points":1,"front":"Which attitude does the Inspector represent?","back":"Social responsibility.","mcqOptions":[{"text":"Social responsibility.","correct":true,"explanation":"The Inspector argues that people are collectively responsible for one another, expressing Priestley’s socialist belief that society should protect all its members."},{"text":"Capitalist self-interest.","correct":false,"explanation":"Capitalist self-interest is represented by Mr Birling, who prioritises profit and individual advancement. The Inspector instead represents social responsibility and collective care."},{"text":"Respect for social hierarchy.","correct":false,"explanation":"The Inspector challenges the authority and privilege of the upper classes rather than respecting social hierarchy. He represents social responsibility across class boundaries."},{"text":"Political and moral neutrality.","correct":false,"explanation":"The Inspector is not neutral because he explicitly condemns selfish behaviour and demands change. He represents social responsibility and collective moral duty."}]},{"id":"bd762fbf-a216-4b6e-9fd5-1326d9afd306","cardType":"cloze","points":null,"front":"The Inspector says, “We are members of [ ]. We are responsible for [ ].”","back":"The Inspector says, “We are members of one body. We are responsible for each other.”","mcqOptions":[{"text":"The Inspector says, “We are members of one body. We are responsible for each other.”","correct":true,"explanation":"The metaphor of “one body” presents society as interconnected, while “each other” expresses the Inspector’s central message that everyone shares responsibility for others."},{"text":"The Inspector says, “We are members of one family. We are responsible for ourselves.”","correct":false,"explanation":"This substitutes an individualist message for the Inspector’s collective one. He says “one body” and “each other” to emphasise social unity and mutual responsibility."},{"text":"The Inspector says, “We are members of one body. We are responsible for only ourselves.”","correct":false,"explanation":"“Only ourselves” reflects Birling’s individualism, not the Inspector’s message. The quotation ends with “each other”, showing that responsibility must extend beyond the individual."},{"text":"The Inspector says, “We are members of separate individuals. We are responsible for each other.”","correct":false,"explanation":"“Separate individuals” contradicts the Inspector’s image of an interconnected society. His exact metaphor is “one body”, which reinforces unity and shared consequences."}]},{"id":"14d32b97-e1cb-41a8-8ec5-5c671205f509","cardType":"basic","points":2,"front":"Why does Priestley show Eva’s death as a chain of actions?","back":"To show how the powerful damage the powerless.","mcqOptions":[{"text":"To show how the powerful damage the powerless.","correct":true,"explanation":"Each character uses social or economic power in a way that harms Eva, showing how the actions of privileged people can destroy vulnerable lives."},{"text":"To show how the powerless exploit the powerful.","correct":false,"explanation":"This reverses the play’s power relationship: Eva lacks the influence to exploit the Birlings. Priestley shows how the powerful damage those with less protection."},{"text":"To show how the characters’ actions remain unconnected.","correct":false,"explanation":"The chain structure deliberately connects the characters’ choices and their cumulative consequences. Priestley uses it to show how the powerful collectively damage the powerless."},{"text":"To show how the Inspector causes Eva’s death.","correct":false,"explanation":"The Inspector investigates the death but does not cause it. The chain reveals how the Birlings and Gerald use their power to contribute to Eva’s suffering."}]},{"id":"8f17c1cc-ab02-4149-9f35-a5c69e5d42c4","cardType":"cloze","points":null,"front":"Priestley sets the play in [ ] but wrote it for audiences in [ ].","back":"Priestley sets the play in 1912 but wrote it for audiences in 1945.","mcqOptions":[{"text":"Priestley sets the play in 1912 but wrote it for audiences in 1945.","correct":true,"explanation":"The 1912 setting precedes the world wars and the Titanic disaster, while 1945 audiences could recognise Birling’s mistaken confidence and reject his values."},{"text":"Priestley sets the play in 1914 but wrote it for audiences in 1946.","correct":false,"explanation":"These dates are near misses, but the play is set in 1912 and was written for 1945 audiences. That gap creates dramatic irony and historical hindsight."},{"text":"Priestley sets the play in 1939 but wrote it for audiences in 1945.","correct":false,"explanation":"The 1945 audience date is right, but the play is set in 1912, before the Titanic sank and before both world wars exposed Birling’s predictions."},{"text":"Priestley sets the play in 1912 but wrote it for audiences in 1918.","correct":false,"explanation":"The 1912 setting is correct, but Priestley wrote the play for audiences in 1945. Their experience of two world wars strengthens the dramatic irony."}]},{"id":"3c2ca736-edf0-40e2-96dd-7a7bc34ba4bb","cardType":"basic","points":1,"front":"What does 1945 hindsight make Mr Birling seem like?","back":"Foolish and morally unreliable.","mcqOptions":[{"text":"Foolish and morally unreliable.","correct":true,"explanation":"By 1945, audiences knew that Birling’s confident predictions were false. His historical ignorance therefore also encourages them to distrust his selfish moral and political views."},{"text":"Wise and politically perceptive.","correct":false,"explanation":"Birling’s predictions about war and the Titanic are demonstrably wrong, so hindsight undermines rather than confirms his judgement. He appears foolish and morally unreliable."},{"text":"Successful and morally admirable.","correct":false,"explanation":"Birling’s business success does not make his behaviour admirable, as he exploits workers and rejects collective duty. Hindsight makes him seem foolish and morally unreliable."},{"text":"Cautious and historically accurate.","correct":false,"explanation":"Birling speaks with certainty and makes inaccurate predictions about events the audience knows occurred. This dramatic irony makes him appear foolish and morally unreliable."}]},{"id":"8be5eb45-ce56-4e4b-81b7-b61404d887fb","cardType":"basic","points":2,"front":"How does the Titanic quote create dramatic irony?","back":"The audience knows the Titanic sank, unlike Birling.","mcqOptions":[{"text":"The audience knows the Titanic sank, unlike Birling.","correct":true,"explanation":"Birling confidently calls the Titanic unsinkable, but the audience knows it sank in 1912. This difference in knowledge creates dramatic irony and exposes his misplaced certainty."},{"text":"The audience expects the Titanic to arrive safely, like Birling.","correct":false,"explanation":"A 1945 audience already knew about the Titanic disaster, so it would not share Birling’s confidence. The irony comes from knowing the Titanic sank."},{"text":"Birling correctly predicts the Titanic’s successful voyage.","correct":false,"explanation":"The Titanic did not complete its voyage, so Birling’s prediction is historically false. The audience’s knowledge that it sank creates dramatic irony."},{"text":"The audience is unsure whether the Titanic will sink, like Birling.","correct":false,"explanation":"The audience is not uncertain because the sinking was a famous historical event. It knows the Titanic sank, while Birling confidently believes it is unsinkable."}]},{"id":"da57e795-9d7d-4df4-823c-b0666f0a2c9b","cardType":"basic","points":2,"front":"What wider effect does Birling’s wrong Titanic claim have?","back":"It makes audiences distrust his views.","mcqOptions":[{"text":"It makes audiences distrust his views.","correct":true,"explanation":"Birling’s certainty about the Titanic is proven foolish by historical fact. Priestley uses that error to undermine Birling’s credibility and make his other opinions seem unreliable."},{"text":"It makes audiences trust his views.","correct":false,"explanation":"A false prediction weakens rather than strengthens Birling’s credibility. Because he is wrong about the Titanic, audiences are encouraged to distrust his wider capitalist views."},{"text":"It makes audiences ignore his views.","correct":false,"explanation":"Priestley does not make Birling’s ideas irrelevant; he exposes them for the audience to judge. The failed prediction specifically makes audiences distrust his views."},{"text":"It makes audiences admire his confidence.","correct":false,"explanation":"Birling’s confidence is undercut because the audience knows his claim is false. Rather than inspiring admiration, the dramatic irony makes audiences distrust his views."}]},{"id":"39925175-fb0f-4c9d-9514-b9b58e58ed02","cardType":"cloze","points":null,"front":"The Inspector’s questioning makes the play a [ ], while its judgement of right and wrong makes it a [ ].","back":"The Inspector’s questioning makes the play a detective drama, while its judgement of right and wrong makes it a morality play.","mcqOptions":[{"text":"The Inspector’s questioning makes the play a detective drama, while its judgement of right and wrong makes it a morality play.","correct":true,"explanation":"The Inspector gradually uncovers evidence like a detective, while the characters are judged according to clear moral principles, making the work a modern morality play."},{"text":"The Inspector’s questioning makes the play a romantic comedy, while its judgement of right and wrong makes it a farce.","correct":false,"explanation":"The questioning creates an investigation rather than a romance, and the moral judgement is serious rather than farcical. The forms are detective drama and morality play."},{"text":"The Inspector’s questioning makes the play a detective drama, while its judgement of right and wrong makes it a romantic comedy.","correct":false,"explanation":"The investigative questioning does resemble detective drama, but the moral judgement does not create romantic comedy. It makes the play a morality play."},{"text":"The Inspector’s questioning makes the play a domestic comedy, while its judgement of right and wrong makes it a morality play.","correct":false,"explanation":"The moral classification is accurate, but the Inspector’s systematic gathering of testimony creates a detective drama, not a domestic comedy about family life."}]},{"id":"a8886ad3-fb93-467d-b896-fc616bd70fee","cardType":"basic","points":2,"front":"How does Priestley twist the detective genre?","back":"The real question is what society destroyed Eva.","mcqOptions":[{"text":"The real question is what society destroyed Eva.","correct":true,"explanation":"Priestley replaces the conventional search for an individual criminal with an investigation into collective social responsibility. Eva’s destruction results from an unjust class system and the actions of several respectable people."},{"text":"The real question is who physically murdered Eva.","correct":false,"explanation":"This treats the play as a conventional murder mystery, but Eva takes her own life. The investigation instead reveals what kind of society destroyed her through exploitation and neglect."},{"text":"The real question is whether Eva actually existed.","correct":false,"explanation":"The uncertainty surrounding the Inspector may make this tempting, but proving Eva’s existence is not the central mystery. Priestley focuses on society’s collective responsibility for her destruction."},{"text":"The real question is how the Inspector found Eva.","correct":false,"explanation":"The Inspector’s methods remain mysterious, but the play does not centre on how he obtained his information. It asks what social attitudes and actions drove Eva to her death."}]},{"id":"c39d2850-b29d-4a03-b830-f6a544c0b35e","cardType":"basic","points":3,"front":"What setting structure makes the drama claustrophobic?","back":"One room, one evening, three acts.","mcqOptions":[{"text":"One room, one evening, three acts.","correct":true,"explanation":"Keeping the action in a single room over one evening traps the characters together, while the three-act structure sustains pressure as each person’s responsibility is exposed."},{"text":"One room, three evenings, three acts.","correct":false,"explanation":"Extending the action across three evenings would reduce the play’s relentless pressure. Priestley creates claustrophobia by confining all three acts to one room during a single evening."},{"text":"Three rooms, one evening, three acts.","correct":false,"explanation":"Moving among three rooms would give the characters and audience a sense of escape. The drama remains claustrophobic because all three acts unfold in one room during one evening."},{"text":"One room, one morning, five acts.","correct":false,"explanation":"This confuses both the time and the dramatic division. Priestley confines the action to one room over one evening and organises the mounting revelations into three acts."}]},{"id":"498eb9b4-c689-40bc-9317-6175e9f2a82a","cardType":"cloze","points":null,"front":"The lighting changes from “[ ]” to “[ ]” when the Inspector arrives.","back":"The lighting changes from “pink and intimate” to “brighter and harder” when the Inspector arrives.","mcqOptions":[{"text":"The lighting changes from “pink and intimate” to “brighter and harder” when the Inspector arrives.","correct":true,"explanation":"The initial lighting reflects the Birlings’ comfortable illusions, while the harsher light exposes their actions and makes the room resemble a place of interrogation and judgement."},{"text":"The lighting changes from “bright and cheerful” to “darker and softer” when the Inspector arrives.","correct":false,"explanation":"This reverses the stage direction and wrongly suggests that scrutiny decreases. The lighting moves from “pink and intimate” to “brighter and harder”, symbolising exposure and judgement."},{"text":"The lighting changes from “pink and intimate” to “warmer and gentler” when the Inspector arrives.","correct":false,"explanation":"The first description is accurate, but the Inspector does not make the atmosphere more comforting. The light becomes “brighter and harder”, exposing the family’s concealed responsibility."},{"text":"The lighting changes from “cold and unfriendly” to “brighter and harder” when the Inspector arrives.","correct":false,"explanation":"The final description is accurate, but the opening atmosphere is initially comfortable rather than hostile. Priestley describes it as “pink and intimate” before the Inspector’s arrival."}]},{"id":"a76bf43f-4692-4d53-b588-b165ab912dfc","cardType":"basic","points":2,"front":"What does the harsher lighting symbolise?","back":"Exposure, truth, and judgement.","mcqOptions":[{"text":"Exposure, truth, and judgement.","correct":true,"explanation":"The brighter, harder light strips away the family’s comfortable appearance and symbolically exposes their conduct. It creates an atmosphere of interrogation in which they face truth and judgement."},{"text":"Comfort, privacy, and celebration.","correct":false,"explanation":"Those qualities belong more closely to the earlier “pink and intimate” lighting at the engagement dinner. The harsher lighting instead symbolises exposure, truth, and judgement."},{"text":"Secrecy, innocence, and protection.","correct":false,"explanation":"The change does not conceal or protect the Birlings; it makes their behaviour harder to hide. The brighter light symbolises exposure, truth, and moral judgement."},{"text":"Wealth, status, and achievement.","correct":false,"explanation":"Although the dining room displays the Birlings’ wealth, the harsher light is linked to the Inspector’s scrutiny. It symbolises exposure, truth, and judgement rather than social success."}]},{"id":"8ce4e0f8-17c4-4d57-b90a-f5f13e4a79c5","cardType":"basic","points":1,"front":"What structure does the final telephone call create?","back":"A cyclical structure.","mcqOptions":[{"text":"A cyclical structure.","correct":true,"explanation":"The final call announces that a real inspector is coming, returning the family to the play’s starting situation. This cycle suggests that ignored moral lessons must be repeated."},{"text":"A linear structure.","correct":false,"explanation":"A purely linear ending would move the family beyond the investigation. Instead, the telephone call begins the process again, creating a cyclical structure and threatening repeated consequences."},{"text":"A parallel structure.","correct":false,"explanation":"The call does not merely place two similar events alongside each other. It returns the action to its initial situation, creating a cyclical structure that forces another reckoning."},{"text":"A fragmented structure.","correct":false,"explanation":"The ending does not break the narrative into disconnected pieces. The telephone call loops back towards the beginning, producing a cyclical structure and reinforcing Priestley’s warning."}]},{"id":"ce9eb4fc-154d-494a-9266-1585ffce04f0","cardType":"basic","points":1,"front":"What do Mr and Mrs Birling represent?","back":"Wealthy respectability and resistance to change.","mcqOptions":[{"text":"Wealthy respectability and resistance to change.","correct":true,"explanation":"The older Birlings protect their status and reject responsibility despite the Inspector’s revelations. Priestley uses them to criticise privileged respectability that refuses moral and social change."},{"text":"Working-class hardship and demands for change.","correct":false,"explanation":"Mr and Mrs Birling belong to the prosperous social elite, not the exploited working class. They represent wealthy respectability and resistance to social and moral change."},{"text":"Youthful idealism and willingness to learn.","correct":false,"explanation":"These qualities are associated more closely with Sheila and Eric, who express guilt and develop. Mr and Mrs Birling represent wealthy respectability and stubborn resistance to change."},{"text":"Social equality and collective responsibility.","correct":false,"explanation":"The older Birlings reject the Inspector’s message of shared responsibility and defend class divisions. They therefore represent wealthy respectability and resistance to change, not equality."}]},{"id":"21694e1a-5848-42e0-a9de-0737663808d2","cardType":"basic","points":1,"front":"What do Sheila and Eric represent?","back":"The younger generation capable of guilt and learning.","mcqOptions":[{"text":"The younger generation capable of guilt and learning.","correct":true,"explanation":"Sheila and Eric accept responsibility and remain troubled even when the Inspector’s identity is questioned. Their reactions suggest that younger people can learn and help create change."},{"text":"The older generation committed to status and tradition.","correct":false,"explanation":"This description fits Mr and Mrs Birling, who protect their reputations and reject change. Sheila and Eric represent a younger generation capable of guilt, learning, and improvement."},{"text":"The wealthy generation incapable of moral responsibility.","correct":false,"explanation":"Although Sheila and Eric are privileged, both acknowledge their wrongdoing and feel genuine remorse. They represent the younger generation’s capacity for guilt and learning rather than complete moral failure."},{"text":"The working class excluded from power and security.","correct":false,"explanation":"Eva represents the vulnerability of the working class, whereas Sheila and Eric are privileged Birling children. They symbolise a younger generation capable of guilt and learning."}]},{"id":"03ddc170-c0a7-4398-8b83-9d459e936040","cardType":"basic","points":2,"front":"What does Eva Smith’s absence from stage suggest?","back":"Exploited working-class women are ignored.","mcqOptions":[{"text":"Exploited working-class women are ignored.","correct":true,"explanation":"Eva never receives her own voice or physical presence, although her suffering drives the plot. Her absence reflects how exploited working-class women are overlooked by powerful society."},{"text":"Powerful working-class women control society.","correct":false,"explanation":"Eva’s experiences show that she has very little social or economic power. Her absence instead suggests that exploited working-class women are ignored and denied a public voice."},{"text":"Wealthy families fully understand their victims.","correct":false,"explanation":"The Birlings repeatedly misunderstand, judge, or dismiss Eva, and the audience never hears her own account. Her absence suggests that exploited working-class women are ignored."},{"text":"Vulnerable women are protected from exploitation.","correct":false,"explanation":"Eva is exploited by employers, customers, and charitable gatekeepers rather than protected by them. Her absence from the stage symbolises how working-class women are ignored and silenced."}]},{"id":"41f7c7f4-8c9a-42f0-bbf2-6c9cd3f0ed6f","cardType":"basic","points":2,"front":"What is the Inspector’s main dramatic function?","back":"A moral force of conscience and judgement.","mcqOptions":[{"text":"A moral force of conscience and judgement.","correct":true,"explanation":"The Inspector exposes each character’s wrongdoing and voices Priestley’s principles of collective responsibility, making him a moral conscience who judges both the Birlings and society."},{"text":"A comic source of humour and entertainment.","correct":false,"explanation":"The Inspector’s solemn questioning creates tension rather than light-hearted humour. His main function is to embody moral conscience and judgement by exposing selfishness and demanding social responsibility."},{"text":"A passive observer of conflict and disagreement.","correct":false,"explanation":"Mistaking the Inspector for an observer overlooks how he directs the interrogation and controls the revelations. He functions as a moral force of conscience and judgement."},{"text":"A symbol of capitalist greed and individualism.","correct":false,"explanation":"This confuses the Inspector with Mr Birling, who champions capitalist individualism. The Inspector instead represents moral conscience and judgement, promoting collective responsibility for others."}]}]}],"examCountdown":{"examDate":"2027-05-12","paperLabel":"Paper 1"},"heading":"Overview","title":"Overview Flashcards","topbar":{"backHref":"/gcse/english-literature/aqa/flashcards"},"topicSidebar":"$L37"}]}],"topicId":"97200d50-7ed8-52de-abdb-1556f6ace44d","walled":"$L38"}],"$L39","$L3a"]