Text 1: The school play, by Martin Ellis
An original contemporary newspaper feature.
I went to the school hall expecting a long evening and several uncomfortable chairs. My daughter had been given a small part in the play, so I had promised to come. I know very little about acting, and I assumed the pupils would forget their lines as soon as they saw the audience.
The hall was packed. A hand-painted moon hung above the stage, and someone had made a forest from green paper. When the play began, the first speaker stumbled over a word. She stopped, took a breath and carried on. By the time the main character appeared, I had stopped checking my watch.
The boy playing the explorer spoke clearly and stood straight, even when the cardboard boat tipped to one side. The audience laughed, but he did not lose his place. I found myself leaning forward to hear every word. The set was simple, but the pupils made the imagined island feel real.
At the end, the children lined up for their bows. My daughter looked for me in the crowd and waved. I had come because I was expected to; I left talking about the play all the way home.
Text 2: A village school recital, by Eleanor Price
An original letter written in a nineteenth-century voice; a period simulation, not an archival document.
In this letter, written in 1887, a visitor describes attending a recital given by pupils at a village school.
My dear Clara, I accepted Mrs Bell's invitation to the school recital, though I feared it would prove a tiresome affair. The schoolroom was crowded, and the benches were hard. I wondered how so many children could possibly perform without confusion.
The youngest pupils began with a song. Their voices were not strong, and one little boy entered too soon, but the others continued without looking towards their teacher. The older girls then read short passages aloud. One spoke so steadily that I forgot the cold room and listened as though she were telling the story to me alone.
I had thought the children would be too shy to face the visitors. Instead, they stood bravely before us, and even those who made mistakes were welcomed with kind applause. Their teacher had clearly prepared them with care. I was pleased to see how confidently they had taken part.
When the recital ended, the pupils gathered their books and went back to their families. I had expected to leave as soon as it was over. Instead, I stayed to thank the teacher, and I shall remember the children's earnest voices for a long while.
Compare the writers’ thoughts and feelings about the school performances and the pupils. In your answer, consider how each writer feels at the beginning, how their feelings change during the performance and how each text ends. You should also compare how the writers present their thoughts and feelings. Use evidence from both texts and make it clear which text you are referring to.
110 exam-style questions on Eduqas GCSE English Language 2.4 Comparing texts, covering 2.4.1 Critical comparison of two or more texts. Each one has a worked solution and a mark scheme showing where the marks go.